A Black Veil for Lisa (1968) 1080p YIFY Movie

A Black Veil for Lisa (1968) 1080p

La morte non ha sesso is a movie starring John Mills, Luciana Paluzzi, and Robert Hoffmann. When a possessive narcotics detective strongly suspects that his young beautiful wife is cheating on him, he hires a professional hitman to...

IMDB: 5.92 Likes

  • Genre: Thriller |
  • Quality: 1080p
  • Size: 1.39G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 95
  • IMDB Rating: 5.9/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for A Black Veil for Lisa (1968) 1080p

When a possessive narcotics detective strongly suspects that his young beautiful wife is cheating on him, he hires a professional hitman to bump her off. All the while trying to solve a string of strange murders.


The Director and Players for A Black Veil for Lisa (1968) 1080p

[Director]Massimo Dallamano
[Role:]Renate Kasché
[Role:]Robert Hoffmann
[Role:]Luciana Paluzzi
[Role:]John Mills


The Reviews for A Black Veil for Lisa (1968) 1080p


Quality character drive gialloReviewed byProf-Hieronymos-GrostVote: 7/10

Inspector Franz Bulon (Sir John Mills) is a veteran Hamburg police detective in charge of a drugs investigation, but is finding it hard to break the case, his mind is elsewhere?on his beautiful young wife Lisa (Luciana Paluzzi) that is, a former criminal herself, though never convicted, a fact that Bulon's colleagues never let him forget, Bulon's problem is that he suspects Lisa of cheating on him a fact he can't quite prove, until one day he thinks he has caught her out and sets about hiring a local killer Max Lindt,(Robert Hoffman) the man behind the killings of witnesses in his drugs investigation, to kill his wife in return for him hiding the evidence building against him.

A Black Veil for Lisa deviates from normal giallo practice by telling us who the killer is, much like Luigi Cozzi's The Killer must kill again. The story is driven by the man (Bulov) who hires the killer to do his dirty work, as a result, Dallamano replaces the lack of mystery with some decent character development, Mills is excellent and portrays well Bulov's obsessiveness with his wife's cheating, which ultimately leads to his own self destruction.

"She let me in....so to speak"Reviewed byBezenbyVote: 6/10

Massimo Dallamano made the great Bandidos and the also great What Have You Done To You Daughters, but here takes things a bit too laid back and therefore we end up with an okay giallo that could have used a nice kick in the arse plot wise.

It's still interesting enough, mind you. You have a detective (the almost immortal John Mills) who is investigating a series of knife murders in Hamburg (this is where the black gloved killer comes in and this isn't the last giallo set in Hamburg either). The problem is, the detective has this young, hot, young, hot, sexy, young, mysterious, hot, young, tepid, young, hot, young wife who had possible links to a criminal past but the detective's totally over that and he's only phoning her a hundred times a day to see if she needs milk, right?

So we move from the giallo that has the 'who is the gloved killer?' plot to that other kind of giallo - the kind where you have no idea what everyone is up to until the last ten minutes. Most of the time those turn out to be the more entertaining giallo but we have just a bit too much in the old dialogue stakes here and less on the actual action.

Still, Dallamano's skills as a cinematographer shine through nice and bright, but for some reason the sleaze that sticks to his other films is missing here. It's still worth tracking down but isn't any lost classic or anything.

competent and engaging mysteryReviewed bychristopher-underwoodVote: 7/10

Not the wildest of gialli, if indeed, it really does qualify as one, but a most competent and engaging mystery. John Mills is surprisingly good as the ageing husband to the flirty Bond girl, Luciana Paluzzi and although the bad boy seems far too glamorous for the role, Robert Hoffman does well. Decent script, which always helps and what starts simply enough becomes far more involved as we progress. Indeed we quickly learn who the killer is but not why or just how many are involved. That Mills plays as an Englishman gives this a certain slant that helps make the film different from others of the time and though the music is somewhat flat, seems fitting enough for the drab location. I don't know where this was shot but it doesn't look like Italy so is perhaps Germany or even Austria. No stunning set pieces and the flashes of nudity seem added and likely to not be Paluzzi.

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