A Delicate Balance (1973) 720p YIFY Movie

A Delicate Balance (1973)

A Delicate Balance is a movie starring Katharine Hepburn, Paul Scofield, and Lee Remick. A well-to-do Connecticut family is upended when the grown daughter's godparents, seized by a nameless terror, decide to come live with them.

IMDB: 6.91 Likes

  • Genre: Drama |
  • Quality: 720p
  • Size: 1.63G
  • Resolution: / fps
  • Language: English
  • Run Time: 133
  • IMDB Rating: 6.9/10 
  • MPR: Normal
  • Peers/Seeds: 9 / 21

The Synopsis for A Delicate Balance (1973) 720p

In Connecticut, Agnes and Tobias are an upper-class married couple whose relationship has been uneasy for many years, since at least the time their son died; but they've managed to find a certain comfortable pattern of uneasiness. Agnes's sister, Claire, lives with them and insists that her perpetual drinking is not alcoholism but willfulness. Their daughter, Julia, poised to have her fourth divorce, has come back home. Unexpectedly, her room has been taken over by Harry and Edna, best friends of Tobias and Agnes. Seized by a nameless terror that propelled them out of their own house, Harry and Edna have decided to stay.


The Director and Players for A Delicate Balance (1973) 720p

[Director]Tony Richardson
[Role:]Katharine Hepburn
[Role:]Kate Reid
[Role:]Lee Remick
[Role:]Paul Scofield


The Reviews for A Delicate Balance (1973) 720p


Best For Albee's Text and Some PerformancesReviewed bybaker-9Vote: 7/10

Fans of Edward Albee and Katharine Hepburn will find things to savor in this haphazard filming of the marvelous prize-winning play. But it's not always easy. Based on the slapdash direction, the piece looks as is the actors spent the requisite time rehearsing the play itself, and then the filming was done quickly and cheaply.

There are a series of generally long takes, but the staging looks more suitable for a proscenium stage than a film. And this is what separates a mediocre talent like Richardson from, say, Mike Nichols who did a far better job dealing with a (largely) confined space in the film of "Virginia Woolf." The result is that "Balance" comes off as stagy - a more inventive director could have avoided that without changing one line of the text.

"Balance" consists of a lot of mid-shots and close-ups, which doesn't serve all the actors well. This is particularly true of Kate Reid who plays the alcoholic sister Clare - Reid's performance might work well on stage, but with all her tight closeups during long speeches, she tends to overplay and make the character more gratingly tiresome than she should be.

The other casualty in the cast is Lee Remick, as the volatile, childish, much-married daughter of Hepburn and Scofield. But in her case it's Albee's writing that's the problem. This character is poorly conceived and developed - and no actress I know of has managed to make it palatable.

But Hepburn is in excellent form as the proud matriarch Agnes - perhaps a little more coarse at times than Albee intended, but very effective. Scofield as her passive-aggressive husband Tobias is marvelous until he mars his important penultimate scene with too many actorish vocal tricks.

Joseph Cotton and Betsy Blair as the old friends who come to Agnes and Tobias to escape the terror of collective loneliness are both good individually, but never seem to be a long-married couple.

Those not familiar with this play may be slightly turned off by the presentation and think the piece itself is second-rate. Not so. This film may be best for those who have seen it before or are familiar enough with Albee to take the film with a grain of salt and appreciate what's good about it.

Boring and torturousReviewed byHotToastyRagVote: 7/10

In Edward Albee's play, Katharine Hepburn and Paul Scofield star as a married couple whose house is descended upon by Kate's sister, Kate Reid, their neighbors, Joseph Cotton and Betsy Blair, and their daughter, Lee Remick. They must find "a delicate balance" between everyone's problems and temperaments, as they hash out deep seeded resentments. In reality, the audience will need to find "a delicate balance" in order to keep their sanity while the movie is running.

In a nutshell, Kate Hepburn is condescending and biting, Kate Reid is border-line insane and voices her fantasies about everyone in the house being killed, Joe and Betsy are scared and emotional for no apparent reason, Lee is a problem-child and hates her mother, and Paul just endures everyone with very little dialogue. It's a typical example of a boring, wordy, depressive play from a famous playwright that no one will actually enjoy seeing but theatre-goers will feel compelled to sit through lest they miss out on what their friends are talking about.

I couldn't get through this horrendously boring play in any longer than ten-minute increments. If you're in the mood to torture yourself, you can give it a try, but I wouldn't recommend it.

The Gentle TerrorReviewed bywlawson60Vote: 9/10

There is no music in this superb autumn melody. The words in the mouths of the characters are by Edward Albee and that is music enough. Katharine Hepburn plays Agatha, a close relative of the actress if I ever saw one, Paul Scofield is amazing playing the mild volcano of a husband promising eruptions that when they come they are so civilized that, irrigate rather than decimate. Kate Reid, took over from the extraordinary Kim Stanley and as sensational as Miss Reid is I can't help wondering what Stanley would have done with "a" alcoholic like Claire. Lee Remick is the perfect offspring for Hepburn and Scofield. Selfish, tenuous, childish, rich failure. Joseph Cotten and Betsy Blair are the catalysts, they and their fear, their plague coming to contaminate the contaminated. For film and stage gourmets this is an unmissable treat.

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