The final moments of Anton Corbijn's latest film A Most Wanted Man are both gratifying and poetic. Starring an impeccable cast that includes the late Philip Seymour Hoffman, Rachel McAdams, Willem Dafoe, and Robin Wright, the film is based on the novel by John le Carre, and is a tension-driven and smartly paced thriller ride that makes a mark as one of the year's best rides. A movie that is more in the vein of an extended episode of "Homeland" than a full-out feature (which is not exactly an insult), is tightly wound, fish hooking the audience with its clever storytelling abilities. Corbijn creates a meticulous and subtle picture that unravels itself with suspense and excitement. The movie challenges the audience in attempting to follow each detail and fully understand what is going on. That might be a turn off to many. Like many of Carre's books that have been translated to film like Tinker, Tailor, Soldier, Spy and The Constant Gardener, there's an aura that exudes from the screen that you want to take home with you. There's so much to the story that happens before the film and starts and long after the movie ends but you're satisfied with that. Adapted by Andrew Bovell, the Australian screenwriter may have penned the film of his career. The elephant in the room is the performance of Philip Seymour Hoffman. It's very hard to not want the film to end because you are very aware that this will be one of the last times you see a new film by this actor. One of the greatest actors to have ever lived, Hoffman shows exactly why his omission from our world is such a loss. Subtle, electrifying, and profoundly real, Hoffman's "Gunther Bachmann" is an intriguing force that demands the audience's attention with the simplicity of a tone or look. While the tween world waits on the arrival of the final two installments to The Hunger Games, this film felt more of his goodbye to the film community that has appreciated him for over two decades. One of the pleasant surprises of the film is the beautiful and talented Rachel McAdams, which immediately makes you think, "where has she been?" While she has been making her rounds in independent films like Passion, About Time, and To the Wonder, her role as "Annabel" shows a deeper talent that is aching to be realized by the right director. Internalizing emotions and releasing only when called upon, McAdams turns in her one of her strongest turns yet. Not your A-typical "damsel in distress" or "unbelievable tough chick," McAdams reinvents a character that could have just laid on the screen with no emotion. She relaxes herself into the role, working well off some of the screen's most gifted performers. It's a magnificent work. With no real arc or allowance to his character, Willem Dafoe unfortunately distracts for much of the film. Feeling like he's part of the Osborne family again, his role is rather underwritten and a bit of a mystery but not one you're aching to learn more about. Robin Wright utilizes her sensational appeal and charismatic nature to sprinkle a dash of brilliance to the film's narrative. As "Issa," Grigoriy Dobrygin keeps the viewer at a distance, never allowing his true motives to unleash. He constantly asks the viewer to question our own judgment. He is very impressive. With a gritty yet polished aesthetic, Corbijn knows exactly how he wants his film to look and feel. Using Cinematographer Benoit Delhomme keeps the tension at the very brim of explosion. Composer Herbert Gronemeyer, who also has a role in the film as "Michael," lays out a soothing, relentless score that is both memorable and undeniable. A Most Wanted Man is smart and precise, an espionage thriller that stands out as one of the best of its kind in quite some time. It's confident in its approach and doesn't shy away from its central purpose. It's a morality tale that engulfs your conscience with terrifying and difficult questions. I don't mind being asked them every now and again. It's one of the year's best. Read more @ The Awards Circuit (http://www.awardscircuit.com)
A Most Wanted Man (2014) 720p YIFY Movie
A Most Wanted Man (2014)
A Chechen Muslim illegally immigrates to Hamburg, where he gets caught in the international war on terror.
IMDB: 7.3190 Likes
- Genre: Thriller |
- Quality: 720p
- Size: 869.32M
- Resolution: 1280*544 / 23.976fps
- Language: English
- Run Time: 122
- IMDB Rating: 7.3/10
- MPR: R
- Peers/Seeds: 5 / 25
The Synopsis for A Most Wanted Man (2014) 720p
When a half-Chechen, half-Russian, brutally tortured immigrant turns up in Hamburg's Islamic community, laying claim to his father's ill gotten fortune, both German and US security agencies take a close interest: as the clock ticks down and the stakes rise, the race is on to establish this most wanted man's true identity - oppressed victim or destruction-bent extremist? Based on John le Carré's novel, A MOST WANTED MAN is a contemporary, cerebral tale of intrigue, love, rivalry, and politics that prickles with tension right through to its last heart-stopping scene.
The Director and Players for A Most Wanted Man (2014) 720p
The Reviews for A Most Wanted Man (2014) 720p
A Fine Goodbye for Philip Seymour HoffmanReviewed byClayton Davis ([email protected])Vote: 8/10
Plenty of people have already said this, but it's entirely true: 9/11 unleashed a far larger terror than just devastation to two buildings and many lives; it unleashed widespread paranoia?suspicion of the average Arab and yet another division in ideologies. Guantanamo Bay, contrary to majority belief, isn't only holding convicted terrorists but those innocent men accused of such turpitude as well. Wrongfully marking, such institutions have afforded authorities the ability to aggressively interrogate and brutally torture so much as a suspect. This is the kind of monster the culprits behind 9/11 released onto the world. A Most Wanted Man chillingly manifests the terrifying degree to which intelligence organizations are (desperately) willing to go in order to identify their targets and extract imperative information. In this case, a man named Issa (Grigoriy Dobrygin) is that target?a former detainee of both a Russian and Turkish prison, now on the run as an innocent man who's being unjustifiably chased?and seeks the assistance of a lawyer (Rachel McAdams) to safely escape the intimidating clutches of whatever intelligence agency. The late Phillip Seymour Hoffman plays a spy who operates from a smaller, independent bureau that's significantly less forceful and antagonizing than the more powerful ones surrounding this prey, but still has its wide-open eyes fixed on Issa and the exact reason behind his illegal emigration to Hamburg, Germany as a Muslim. As to expect from an Anton Corbijn film, this thriller is slower and more deliberate than most but yet definitely more absorbing and exciting than 2010's The American. It's also important to note that the film is an adaptation of the novel (the same title) written by John le Carre who has also authored gripping narratives like The Constant Gardner and Tinker Tailor Soldier Spy (both went on to become motion pictures as well, the former succeeding and the latter failing in my eyes). Anyway, what commences as a careful study of the crisis (numerous shots of Hoffman's character smoking in a darkly-lit vehicle and those of activity in mosques or Issa's movement around the city) quickens its pace as the stakes are finally realized and the endgame becomes clearer. From there on out, constant frustration and tension is totally expected from the audience as competing forces in the midst of the war on terror? all found in the grayer areas of principle rather than the black-and- white?vie for the upper hand. The rest of the cast features the likes of Willem Dafoe (a banker who's connected to Issa through family friend relations), Robin Wright (a CIA agent), and Daniel Bruhl (working alongside Hoffman as a computer-savvy agent). Hoffman's performance should absolutely be recognized once the end of the year approaches, again proving that he never phones it in (even when we're discussing a YA franchise like The Hunger Games). His character here is both confident in his path yet cautious at the same time, blurring our view to determine whether he's more compassionate or relentlessly unforgiving like the other agents. I also have to give props to McAdams for finally attempting something fresh at this point of her career which primarily consists of cliched romantic comedies; herein, she doesn't have a romantic partner to latch onto for help as usual but a foreign fugitive on the brink of capture. As a result, she's smart (albeit vulnerably frightened) but only human at the same time. In addition, the cinematography is very suiting and noteworthy?a bluish hue accompanies a substantial portion of the film as the itty-bitty details of the environment are forced to stick out (everything kept in suspense). Everything is visualized solemnly and unhurriedly, and the filmic look returns as the standard for spy thrillers. A subtle musical score gives an additional edge of anticipation to the narrative as the twists and turns emerge and the complexity of the subject matter deepens. Now, if the climax wasn't as explosive and wholly satisfying as it was, the rest of the film in comparison would've appeared a little too meandering and eventless for most tastes. However, the subject matter and thematic material of the picture are (unfortunately) incredibly relevant in this day and age and the unpredictability of the story itself will ensue to the very last scene, therefore making this tale a mature compelling and provocative viewing of our modern world?the anguish and trepidation that has devoured us and confused our set of ethics.
I caught this movie at the Century Napa Valley Theater(they have a wine bar...naturlich!)after work yesterday while waiting for the homeward bound traffic to die down. It's terrific. A story about German spooks in Hamburg (Mohamed Ata's launch pad) setting a trap for a suspected terrorist financier, and not a single shot is fired, no one is killed, no dead bodies, no impossible martial arts acrobatics and no "amazing" shots of bullets frozen in mid air. In other words, an actual story via the maestro John le Carre. The ending is really infuriating, but probably representative of how a lot of these efforts have ended up since 9/11. Philip Seymour Hoffman is over the top as the head spook. I'm sure going to miss him. Unusually, all the main characters are played by American/Canadian actors. Not a single Brit or Aussie and Germans only in supporting roles. Another reason it's a real one-off. Check it out!