Adam's Rib (1949) 1080p YIFY Movie

Adam's Rib (1949) 1080p

Adam's Rib is a movie starring Spencer Tracy, Katharine Hepburn, and Judy Holliday. Domestic and professional tensions mount when a husband and wife work as opposing lawyers in a case involving a woman who shot her husband.

IMDB: 7.50 Likes

  • Genre: Comedy | Drama
  • Quality: 1080p
  • Size: 1.93G
  • Resolution: / fps
  • Language: English
  • Run Time: 101
  • IMDB Rating: 7.5/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for Adam's Rib (1949) 1080p

When a woman attempts to kill her uncaring husband, prosecutor Adam Bonner gets the case. Unfortunately for him his wife Amanda (who happens to be a lawyer too) decides to defend the woman in court. Amanda uses everything she can to win the case and Adam gets mad about it. As a result, their perfect marriage is disturbed by everyday quarrels...


The Director and Players for Adam's Rib (1949) 1080p

[Director]George Cukor
[Role:]Spencer Tracy
[Role:]Tom Ewell
[Role:]Katharine Hepburn
[Role:]Judy Holliday


The Reviews for Adam's Rib (1949) 1080p


Clumsy comedy for lack of focusReviewed byvostfVote: 5/10

You're disappointed when the premise sounds good but the movie looks weak. Adam's Rib has a too serious background translated in too many talks. Basically that's what makes the movie a poor comedy with only a few laughs.

To go further in the analysis I would say the Hepburn-Tracy couple is over-stretched between private life/social life/professional life. This narrative stretching is only here to show feminism under a comprehensive focus. The outcome is the domestic comedy and the feminist cause cannibalize each other.

For great comedies, prefer the pairing of Ms Hepburn with Cary Grant: Bringing up Baby (delightfully over the top), Holiday or the Philadelphia Story (where Cukor masters in mixing serious issues with good laughs).

Hollywood Dream Team struggles with stale scriptReviewed bymoonspinner55Vote: 5/10

Spencer Tracy and Katharine Hepburn worked so smoothly together that it's almost difficult to fault their films. Hepburn's admiration for Tracy off-screen is hard to ignore, but she was a character actress first and foremost (and THEN a movie star), and she's deeply in character here and believable. Tracy, on the other hand, took movie-making with a grain of salt--we don't see his indifference, but we do see his casual 'naturalness,' his underplaying. Spencer Tracy actually overacts at underplaying, mumbling some of his throwaway lines for effect or overlapping Hepburn's dialogue with his. This non-effort actually shows effort, and turns this comedy into an actor's exercise. It's not very funny anyway: married lawyers take opposite sides of a spousal-abuse case. Dated battle-of-the-sexes doesn't give Judy Holliday much to work with (word has it this was her screen-test for "Born Yesterday"). It's all very smart and sophisticated on the surface, but callow at its core. Screenwriters Ruth Gordon and Garson Kanin received Oscar nominations for their script, which disintegrates into door-slamming farce. ** from ****

Each character is absurdly stupidReviewed bycb2369Vote: 4/10

I admit, I am only 59 minutes in, but I can't watch another second of this. Both Hepburn and Tracy's characters are too annoyingly stupid.

(Possible spoilers??, this explains only the set up and the beginning of the film)

The film centers around a case that is way too clear: A woman buys a gun, follows her husband until she finds him cheating on her, and then shoots all 6 bullets in their direction, hitting the husband in the chest and wounding him. The film decides to choose this case as a backdrop for a discussion on sexism, and while that was clearly a problem in the 50s, it is of no importance to this case. The lawyers spend their time bickering over whether or not the man was having an affair, but neither seem to realize that adultery is no grounds for murder, nor is it even a crime in America. Any good writer would have realized that the details of this case weren't ambiguous enough for a discussion on sexism, and would have changed certain details, but alas, they did not and we spend our time watching Hepburn make a mountain out of a molehill and Tracy make Mount Everest out of Hepburn's mountain.

I give this film a 4 because there is some good dialogue in between the badly-done plot and it is a decently tight script. I read the rest of the story on wikipedia and it doesn't seem to get much better. I don't suggest watching this unless getting back at men is such a fantasy of yours that you are willing to forgive the unbelievable aspects of this story.

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