Aladdin (1992) 720p YIFY Movie

Aladdin (1992)

Aladdin, a street urchin, accidentally meets Princess Jasmine, who is in the city undercover. They love each other, but she can only marry a prince.

IMDB: 7.9356 Likes

  • Genre: Animation | Adventure
  • Quality: 720p
  • Size: 650.24M
  • Resolution: 1280*720 / 23.976fps
  • Language: English
  • Run Time: 90
  • IMDB Rating: 7.9/10 
  • MPR: G
  • Peers/Seeds: 43 / 484

The Synopsis for Aladdin (1992) 720p

Aladdin is a street-urchin who lives in a large and busy town long ago with his faithful monkey friend Abu. When Princess Jasmine gets tired of being forced to remain in the palace that overlooks the city, she sneaks out to the marketplace, where she accidentally meets Aladdin. Under the orders of the evil Jafar (the sultan's advisor), Aladdin is thrown in jail and becomes caught up in Jafar's plot to rule the land with the aid of a mysterious lamp. Legend has it that only a person who is a "diamond in the rough" can retrieve the lamp from the Cave of Wonders. Aladdin might fit that description, but that's not enough to marry the princess, who must (by law) marry a prince.

The Director and Players for Aladdin (1992) 720p

[Director]John Musker
[Director]Ron Clements
[Role:Genie/Merchant]Robin Williams
[Role:Jafar]Jonathan Freeman
[Role:Jasmine]Linda Larkin
[Role:Aladdin]Scott Weinger

The Reviews for Aladdin (1992) 720p

Great movie!Reviewed bytaewethVote: 10/10

Simply a classic. The movie Aladdin is hilariously told with many many MANY funny moments. The genie his an all-time high in this classic film about a street rat and a princess. A great movie for young kids, but even adults will love the wonderfully amusing lines throughout the story.

The songs in the movie are well-known and catchy. I even had a guy since one of them to a girl at a school dance! Everyone recognizes them, and it is our duty to make sure the next generations continues to appreciate such a wonderful work of art.

A great movie for the entire family to sit down and watch together, it's good sometimes to take a blast to the past and enjoy some of those good ol' movies.

A tailor-made family film for a unique talent - 80%Reviewed byBenjamin CoxVote: 8/10

Waking up this morning to the tragic news of Robin William's passing, a little piece of my childhood was also gone. Being too young to remember his "Mork And Mindy" TV show, it was his electric performance in this movie that remained resolutely in my mind and in the minds of millions of new fans around the world. Before "Aladdin", Disney were content to chug out endless adaptations of fairy tales voiced by relative unknowns. Now, thanks to Williams, every feature-length animation has a whole host of Hollywood stars and arguably, the genre is stronger now than it's ever been. Going back to "Aladdin" today felt a pleasure and a privilege as it remains a solid watch today, lifted by the sheer magic Williams brought to the picture.

In the desert land of Agrabah, street urchin Aladdin (voiced by Scott Weinger) and his faithful monkey friend Abu (Frank Welker) eke an existence out by thieving from the various market traders peddling their wares. Then one day, by accident, he crosses the path of beautiful Princess Jasmine (Linda Larkin) and falls hopelessly in love. The trouble is, Jasmine can only marry a prince and her father, the Sultan (Douglas Seale), has only three days to find her a suitor - one that she doesn't reject! But that is the least of the Sultan's problems as his villainous adviser Jafar (Jonathon Freeman) seeks a mysterious lamp containing a powerful Genie (Williams) as he seeks to control the land and soon, Aladdin finds himself thrown into conflict with Jafar over who can control the Genie, marry the Princess and rule Agrabah.

If we take Williams out of the picture for a second, "Aladdin" is actually a pretty bog-standard family movie. Being one of the old-school animation pictures, it obviously lacks a little definition that today's crisper CG pictures possess but nevertheless looks quite stunning at times, particularly the views over the city or during Aladdin's midnight magic carpet ride. The songs are top-notch, however, and I personally feel that Genie's number ("Friend Like Me") is a much better song than the film's theme, "A Whole New World". The principal cast do an adequate job - Freeman's Jafar is a baddie for the ages and is assisted by a brilliant Gilbert Gottfried as the talking animal sidekick Iago but as for our love-bird leads, they feel a bit stale. I also couldn't help but notice how all the other characters have exaggerated physical features (not necessarily positive ones either) while Aladdin and Jasmine look like a couple of wholesome characters from "Glee" with perfect teeth, hair and complexion. There is also an overtly sexual look to the female characters - Jasmine is almost impossibly thin and many other background women wear seductive veils and belly-dancing outfits. Was this really necessary, Disney?

But the movie is easily carried by Williams and remains a film you should definitely watch. It feels like he was born to play the part which perfectly utilises his 100-mph delivery and can veer off into any direction at any time. From zipping around as a game show host to impersonating the likes of Jack Nicholson and Peter Lorre, it gives "Aladdin" such a burst of energy that his scenes simply fizzle with life and humour to the detriment of the others. But quite frankly, Robin Williams IS the picture and that's why we all went to see the movie all those years ago. For me, this remains one of his best performances and one that, sadly, we will never get to see again. But he leaves one hell of a legacy - his influence over modern comedians cannot be understated while his body of work - from family comedies such as this to more serious roles in the likes of "Insomnia" and "Good Will Hunting" - would be something anybody would be proud of. But like many of you, he will always be the Genie for me and makes "Aladdin" one of Disney's very best.

Forever a favorite of mine ...Reviewed byElMaruecan82Vote: 10/10

I will never forget the first time I watched "Aladdin", I was with a group of friends waiting in the airport for the plane that would take us from Orlando to Paris at the time when "Aladdin" was the 'big thing' in the USA while some previews of "The Lion King" were starting to screen. "Aladdin" will forever be associated to that wonderful week I spent in Disneyland, and it's only fitting if the movie is my favorite Disney film, slightly edging-out "The Jungle Book".

I know I can get all rational in this review, analyzing what makes "Aladdin" such an appealing film and using the expected words of 'Disney Renaissance' and a comparison with the glorious Best Picture nominee predecessor. I can also talk about the animation, the music, the extraordinary multi-vocal performance of Robin Williams as Genie? but I don't feel like getting rational. I love the film for personal reasons that are essentially due to the excellent timing of this film in its penetration of my pre-adolescent life. "Aladdin" took a forever cherished place as one of the last treasures that enriched my childhood even playing a pivotal role in the way I would start enjoying cartoons.

"Kid's day in the USA!" was the motto of the week that was celebrating the 65th birthday of Mickey Mouse, and for a kid who never traveled outside his country, going to Disneyland was the most unexpected destination, the most extraordinary trip I would never have dared to dream of. This is when I discovered "Aladdin", through the 'Prince Ali' fanfare endlessly performed during the parades, through the films' images aired on TV; something was strangely attracting me to the film. And I guess the fact that I knew the story helped a lot: I grew up with a French cartoon from 1969, titled 'Aladin and the Magic Lamp' recorded in an 80's videocassette, a movie I can recite (and sing) by heart, and there was also an obscure Manga 'Aladdin' film we watched at school before the summer holidays.

Needless to say I was already familiar with the story, and seeing it translated into Disney language was something I was excited to see. Would they talk about Aladdin's deceased father Mustapha? Would he live with his mother? What kind of roles would Genie play? Well one thing matters apart from these questions: I knew the story and I could understand the film even if I didn't speak English at that time ? it wouldn't have helped me anyway because the airport was very noisy, so I just sat on my luggage, eating some candies, and I could understand who was who and what was everyone's scheme: obviously, Aladdin wanted to be a prince to marry the princess and Jafar to marry the princess to become the prince, and between them, the Genie would come to fulfill their dreams. So, I saw the film and I loved it.

And for one year, before I would see it again, the music of 'Pince Ali' and 'A Whole New World' was the musical remembrance of that magical week in Disney World. And when I saw it again, it took another dimension: I finally understood the subtleties of the stories, I learned all the songs after repetitive viewings, and for months and months, I was transported by the 'Prince Ali' parade and its climactic conclusion and the romantic 'A Whole New World' and its beautiful opening, when Jasmine jumps on the carpet and the zoomed-out Rajah looks smaller and smaller, watching from the balcony. I saw the film so many times during my pre-teen years that I would never forget the first sensations it immersed me into, with an unexpected awkward one.

I must confess that Jasmine was one of my first movie crushes and my idea of the ideal woman as a kid, I don't know why but the way she looked during the 'love at first sight moment' hypnotized me and the moment where I always melt occurs in the carpet ride, when Aladdin gives her the apple, when you understand that she understood who the Prince Ali is, there are no words to describe how incredibly sexy she looks at that very moment. The crush didn't last of course, and as I grew older and was disappointed with the 'Return of Jafar' sequel and the TV series, my interest for "Aladdin" declined and it was reduced to 'kid's stuff I used to like'.

And then 10 years later, as a student, I saw the film again on my computer, eating a pizza, and something magical happened when the 'Whole New World' music started during the closing credits, my heart was inundated by a nostalgic torrent, so immense that I couldn't stop crying because it reminded me of the privileged place the movie occupied once in my heart. The magic was back, and whenever I was spending a good time with friends, we were having fun listening to these old Disney songs, and the clip of 'A Whole New World' was a must-see ? and how glad I was to discover that I wasn't the only one who 'liked' Jasmine.

I feel so concerned by this film and so deeply attached to it, that I don't want to spoil this review with critical or ecstatic reviews, the film is just thrilling, romantic, adventurous, and features certainly the greatest cast of supporting characters without it being the counterpart of a dull hero or heroine, there's not a single minute of the film that seems pointless and wasted and certainly not with a character like Genie. That's the best I could do to rationally 'explain' my love for "Aladdin".

But maybe because loving a film can also depend on external factors that influence your judgment, in the case of "Aladdin", everything contributed to make this my favorite Disney film ... for sentimental reasons yes, but who ever said they were wrong?

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