... because with "American Psycho", Mary Harron and her screen writing partner have delivered the most faithful adaptation it would be possible to release without getting the film banned or revolting audiences so much that no one comes to see it. It would be IMPOSSIBLE to take some of the most extreme sequences from the book and commit them to film. What the movie instead does is to give us an insight into the stunningly fragile and insecure mind of Patrick Bateman, and to speculate whether his unstable nature would REALLY lead him to perpetrate vile acts, or whether he just fantasises about doing so. I think it matters little in the context of this film whether Bateman's exploits are actually based in reality, because whether they are or they aren't, Bateman is still left in the grip of paranoia, brought on by the shallowness of the society that is around him. Bateman is less of a 'psycho' than a vessel for all the selfish evils of society to corrupt, and a sensible audience is more likely to be left reeling at how he has been turned into a 'robot', than by the discreet amounts of gore that do feature in the movie. "American Psycho" is fascinating to watch because Bateman is such a complex character. We feel revulsion at his violent tendencies, amused by his complete superficiality, and pity at his crumbling sanity. In order to evoke such diverse feelings from one performance, we need a superb actor. Bale's performance is right on the money. Never does HIS mask slip as does that of Patrick Bateman. He is completely believable in all his emotions. There is NOTHING in the film that is not true to the book (although there are bits in the book that are not true to the film) Both the reading and watching experiences are valuable and rewarding ones, but what they share with each other is that while they're exploring somebody else's mental state, they are also probing that of their audience. Can we see the funny side in the fact that these murders were committed for very trivial reasons? Can we ridicule someone with the knowledge that he is also a fantastically dangerous person? The film and book are constantly pushing boundaries, and if you don't fight that, but instead surrender to it, they will take you to many interesting places. Don't be afraid to give in to your emotions and laugh when you see something funny, because the movie shows us what emotional repression has done to someone like Patrick. Kudos to Mary Harron for tackling a seriously difficult project and turning it into one of the cleverest movies of recent years. "American Psycho" is anything you want it to be; glossy and superficial, or deep and meaningful. The question is: Do you look at things from the same narrow angle as Patrick Bateman does? If so, then the movie is not for you...
American Psycho (2000) 1080p YIFY Movie
American Psycho (2000) 1080p
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
IMDB: 7.642 Likes
The Synopsis for American Psycho (2000) 1080p
Patrick Bateman, a young, well to do man working on wall street at his father's company kills for no reason at all. As his life progresses his hatred for the world becomes more and more intense.
The Director and Players for American Psycho (2000) 1080p
The Reviews for American Psycho (2000) 1080p
The majority of those who complain probably haven't read the book...Reviewed byHowlin WolfVote: 8/10
'American Psycho' is NOT a slasher movie. It is a depiction, a fantasy if you will, of the life of modern man and his place in society. Nothing is enough. Money, sex, social stature, there is always someone else who has more and everyone else expect from you to try harder for even more. This movie is about eliminating competition the easy way. By killing your opponents. By eating your sexual partners. By destroying everyone around you. 'American Psycho' retains the balance between this psychotic state, a chilling thriller and a very funny movie. The scenes that show Patrick playing music for his guests are absolutely hilarious, as he comments very seriously on records by artists such as Whitney Houston, Phil Collins and Huey Lewis & the News. The funny thing is that he chooses the most commercial or sold out records of these artists, to explain how much better they are compared to their previous, more artistic work. Another message of the state of the receivers of commercial art. You can analyze 'American Psycho' for hours. It can be perceived both as a deep and a fun movie. Even if you don't like the story, you will love Christian Bale's excellent performance. Enjoy. 10/10
In 1991, Bret Easton Ellis' controversial novel "American Psycho" took the world by storm ? women accused it of being misogynist, sexist filth and others were understandably shaken by its brutal and graphic depictions of unprovoked violence and torture. Set in the 1980s, the book follows the story of a 27-year-old Harvard graduate named Patrick Bateman, who goes on a killing spree and murders "twenty, maybe forty people." It was originally slated for circulation in 1990, but Random House pulled out of distribution, fearing backlash. It was later released as part of a Vintage Series, and quickly sold over 250,000 copies, becoming one of the most popular (and, to some, important) literary works of our time. In the movie, Welsh actor Christian Bale portrays Bateman gleefully tongue-in-cheek, whether it's confessing to manslaughter over the phone ("?I just had to kill a lot of people!") or dancing to Huey Lewis and the News' "Fore" album before hitting an associate over the head with an axe. Patrick is a troubled guy. On the surface, he appears to be normal ? he's a Wall Street broker with a secretary, an expensive apartment suite, his own limo and a fancy business card. But on the inside, he's a monster ? complete with an insatiable blood lust and lack of empathy for fellow human beings. (If he can indeed be classified as one.) As a film and a novel, "American Psycho" is an attack on the absurdities of the '80s yuppie era ? sometimes the satire isn't very subtle, in fact it's often made very clear, but I liked it. Because the movie is so eccentric and over-the-top, and Bale is so loony and maniacal, the satire needs to be equally strong ? and it is. Whether it's business men drooling over each other's fetishistic business cards or Patrick discussing the nuances of modern pop music before killing more victims, "American Psycho" hits strong and hard ? this is a great, overwhelming cinematic and visual experience. It cannot be condemned for being unsubtle ? it never was. The performances are wonderful. Bale is superb as Bateman, totally embodying the character. As a man bewildered by his environment, and wanting only desperately to fit in, Bateman listens to Genesis and "Hip to Be Square"; finally we have proof that too much Phil Collins and Huey Lewis will turn you into the next Ed Gein. Perhaps some fans of the novel will dislike Bale's performance (at times, it almost seems comical, such as when he murders his coworker Paul Allen, played by Jared Leto). But I thought it was the perfect mix of introspection, self-hatred, outer-loathing, lust, conformity and schizophrenia. Bale manages to capture all of this perfectly, and by the end of the film, I could not imagine anyone else in the role. Willem Dafoe, Chloe Sevigny and Reese Witherspoon all have co-starring roles, but at the end of the day it is Bale who really drives this film home ? he's the reason it's worth seeing, and in part the reason it exceeds beyond the typical restraints of its genre. Since its release, many critics have accused "American Psycho" of being a watered-down version of the book, being both "politically correct" and "lacking satire." However, I don't recall the last time I saw a man beat a dog to death with the heel of his shoe in a mainstream motion picture. Or chase after a prostitute completely naked, wielding a bloodied chainsaw. Or hold a gun to a cat's head and threaten to feed it to an ATM machine. In fact, when "American Psycho" was previewed before the Motion Picture Association of America, they gave it an NC-17 rating ? not for its violence, as one might expect, but rather for its threesome scene between Patrick and two prostitutes. Director Mary Harron cut footage from the film and finally managed to achieve an R-rating, but on a new "Uncut Killer Collector's Edition" DVD, you can see the film as it was intended to be seen ? and it's a real fine treat. Now excuse me, I have to go return some videotapes.