BearCity (2010) 1080p YIFY Movie

BearCity (2010) 1080p

BearCity is a movie starring Alex Di Dio, Kevin E. Smith, and Joe Conti. Set in New York's gay "bear" scene and taking a cue from the popular HBO franchise "Sex and the City," BearCity follows a tight-knit pack of friends...

IMDB: 6.01 Likes

  • Genre: Comedy | Romance
  • Quality: 1080p
  • Size: 2.00G
  • Resolution: / fps
  • Language: English
  • Run Time: 103
  • IMDB Rating: 6.0/10 
  • MPR: Normal
  • Peers/Seeds: 11 / 21

The Synopsis for BearCity (2010) 1080p

Set in New York's gay "bear" scene and taking a cue from the popular HBO franchise "Sex and the City," BearCity follows a tight-knit pack of friends experiencing comical mishaps, emotionally sweet yet lusty romantic encounters and a cast of colorful, diverse characters as they gear up for a big party weekend.


The Director and Players for BearCity (2010) 1080p

[Director]Douglas Langway
[Role:]Carlos Abrieu
[Role:]Joe Conti
[Role:]Kevin E. Smith
[Role:]Alex Di Dio


The Reviews for BearCity (2010) 1080p


Sweet, Flawed, Charming - Could Have Been So Much BetterReviewed bywrickettsVote: 5/10

Cute with the typical amateurish qualities that make gay films of this nature either charming or painful, depending upon your sensibilities. The acting is earnest but decidedly nonprofessional. The only standout is Gregory Gunter, whose character (Michael) is utterly compelling and which Gunter plays with pathos and humor but not self-pity. Gerald McCulloch as Roger is large unwatchable, though it's hard to tell whether it's because his character is such a d***head or because the actor's own ego kept popping through. (If you watch his endless interview after in the DVD highlights, you'll see what I mean.) It's tough to make a film centered around bar culture without making it seem petty, vulgar, soul-crushing, and at least occasionally self-destructive; and it's an open question whether the directors nudged a bit to highlight those aspects or whether they were simply recording cinéma vérité. With all the sweetness that comes through in the struggles of the film's couples (complete with serious and often over-the-top drama), the film's central mystery remains what Tyler (Joe Conti) could possibly see in Roger, a smarmy, shallow, ego-bloated scene queen who not once but half a dozen times snubs Tyler to his face because Tyler isn't bear enough or muscley enough (or something enough) for the superficial, middle-class-white-boys-with-gym-memberships crowd by which Roger judges himself and his actions. Or, to put it another way, you may never understand why Tyler falls for and pursues Roger (to the extent of giving himself a makeover –a move that likely guarantees the doom of any relationship) and you'll certainly find yourself asking whether he has a shred of self-esteem in his body. The fact that Roger isn't what anyone could reasonably call a bear only adds to the confusion. Personally, I'd have gone for a little less Jennifer Anniston-esque comedy and paid a little more attention to the serious and genuinely dramatic (as opposed to simply flamboyant) issues that the film skates over like thin ice before turning safely back to shore: self-esteem issues among big men and the difficulty of cultivating and maintaining a positive body image in a gay "culture" ruled by gym Nazis and diet maniacs; the painful issue that's raised in the Michael-Carlos couple when Michael considers getting lap-band surgery (is he going to wind up so thin that Carlos won't be attracted to him anymore?); the double "coming out" required of non-bears who are attracted to men who are hairy and/or fat and/or older than they are and who face ridicule for their desires; and the uneasy co-existence of working-class bears and their middle- to upper-class counterparts who wear similar drag and occupy the same physical spaces in which "bear culture" is practiced but who, arguably, are essentially antagonists. _Bear City_ seems to intend to be a coup against the slavish cultural propaganda promulgated by so many "gay" indie films, but it's more of a bitch slap than the good hard sock in the jaw that's needed. Still, the film deserves credit for its beau geste and for starting a conversation within a medium that tends to pretend it doesn't understand the question.

Decent Introduce to the world of "BearCity"Reviewed byFallsDownzVote: 6/10

BearCity is a movie that not hiding about talking topic like gay and it goes deeper than that it's explore the 'Bear' in gay culture which is kind a popular actually.

The thing i like about this film is it's exploring the unique topic like not being just gay but being gay while loving older men or so call 'Bear' and goes to explore problem of these kind of relationship which the main problem actually is the age gap different which cause different opinion and physical problem like health .

the problem is the directing and script is just mediocre script is cliché and every conflict seems too easy to solve without much problem not counting the fact that almost every conflict in this movie is just shallow while the directing is just bland i mean it's not like boring but it's just nothing unique at all makes the movie unmemorable which is a shame since this kind of topic is really unique unfortunately the execution is not that great .

BUT it's still a decent movie though it's a fun movie that has unique on it's own with fun laugh and real life issue even it's has a lot of flaws.

Another mediocre indie film about queer cultureReviewed bygilligan-11Vote: 5/10

I honestly wish I could say that "Bear City" is not your typical indie gay comedy—and indeed some elements of the film differentiate it from most of the other gay indie comedies that seem to sprout up like toadstools these days. But those very elements that distinguish this film—the focus on bear culture, the bashful twink who "comes out" as a bear-lover, and the depiction of love and sex among gay men who do not resemble Abercrombie & Fitch models—are so thoroughly transformed into standardized gay tropes that the movie is ultimately stripped of its originality and settles into a formulaic, plot-less pattern of mildly amusing vignettes with no real focus or story structure. We are ultimately left with vapid platitudes assuring us that bears don't need to conform to queer norms of beauty in order to find love and happiness. And it takes them only 90 minutes to deliver this profound and provocative message (YAWN).

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