Beau Brummell (1954) 720p YIFY Movie

Beau Brummell (1954)

Beau Brummell is a movie starring Stewart Granger, Elizabeth Taylor, and Peter Ustinov. In 1796, Captain George Bryan "Beau" Brummell (Stewart Granger) of the 10th Royal Hussars Regiment offends the Prince of Wales (Sir Peter...

IMDB: 6.40 Likes

  • Genre: Biography | Drama
  • Quality: 720p
  • Size: 1.35G
  • Resolution: / fps
  • Language: English  
  • Run Time: 113
  • IMDB Rating: 6.4/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for Beau Brummell (1954) 720p

In nineteenth century England, Captain George Bryan "Beau" Brummell (Stewart Granger) is an upper-class dandy. He has to leave the Army after having insulted the Prince of Wales (Sir Peter Ustinov). This gives him the opportunity to start a smear campaign against the Prince. The Prince, who is tired of all of the yes-men around him, hires him as his chief advisor.


The Director and Players for Beau Brummell (1954) 720p

[Director]Curtis Bernhardt
[Role:]Robert Morley
[Role:]Peter Ustinov
[Role:]Stewart Granger
[Role:]Elizabeth Taylor


The Reviews for Beau Brummell (1954) 720p


A certain amount of smarmy Regency charmReviewed bybkoganbingVote: 4/10

The real Beau Brummell was not a terribly likable guy to be made a hero for a film. A near do well who might have gone his whole life as an obscure army captain, he worms his way into the good graces of the Prince of Wales, later George IV. And he uses that position to advance himself and tweak the noses of some of the powerful. When he offended the Prince his fate was assured.

That was the real Brummell and he only survives today as an expression to signify someone with good fashion sense. He had that and little else. He didn't invent anything, he wasn't a great military leader, he never went into politics and nor was he the champion of a great cause.

It's not much to work with and poor Stewart Granger tries his best, but the part defeats him. Elizabeth Taylor in one of the last films she was given a part to look pretty and little else, she does that. Peter Ustinov comes off far the best as the Prince of Wales.

I understood the Brummell character perfectly. We've all experienced someone like that in our midst. In my former work life we had such an individual who had no discernible talent, but a great knack for kissing up to the powers that be. One of them took him along when she moved to head another agency and basically tried to make a silk purse out of a sow's ear.

Like Brummell he overreached himself and had a big fall. When last heard of he was working in a florist's shop. Like Brummell he thought he was on the fast track to something way beyond his talents and abilities.

In that sense the film is universally identifiable. But today I can see the part being played by a Rob Lowe and not so heroically. Beau was no hero.

Unlikely to Please the HistorianReviewed byJamesHitchcockVote: 6/10

George Bryan "Beau" Brummell (1778-1840) was a leader of fashion in Regency England and a close friend of the Prince Regent, although they eventually quarrelled. Brummell was eventually forced to leave Britain because of debts and spent the latter part of his life in poverty in France. He appears to have a considerable influence on the men's fashions of his day, helping to popularise cravats, trousers instead of knee-breeches, natural hair instead of wigs and to make fashionable the restrained, sober elegance which was to be the keynote of gentlemen's costume in the nineteenth century in place of the ostentatious dandyism of the eighteenth. Outside the field of gents' tailoring, however, he was not a figure of any great historical significance, so it is perhaps not surprising that this film is not an academically serious biopic, but rather a celebration of a colourful figure in a colourful age.

The film is far from being historically accurate, especially as regards chronology. The events depicted here (the Regency Crisis of 1788, the Prince's marriage to Caroline of Brunswick, Brummell's rise in the Prince's favour, his fall from grace, the death of King George III in 1820 and Brummel's own death in 1840) historically cover a period in excess of fifty years, but here they are presented as occurring over a much shorter timescale. Rather oddly, the villain of the piece is William Pitt the Younger, widely regarded as one of Britain's greatest Prime Ministers but presented here as a cunning, power-hungry schemer who refuses to allow King George III to be certified as mad (although he quite obviously is) in order to protect his own power. (The relationship between Pitt and the King depicted here more closely resembles that between the Austrian Chancellor Prince Metternich and the feeble-minded Emperor Ferdinand I who, for political reasons, was never declared to be insane). In reality Pitt died in 1806, but here he is shown as outliving not only George III but also Brummell.

The film's politics are, in fact, rather inconsistent. Early on, Brummell, whose family although wealthy are of fairly humble stock, is portrayed as something of a radical filled with the spirit of the French Revolution and complaining about the class divisions within British society. Later on, however, he becomes as the Prince's friend an arch-reactionary, encouraging the future George IV to defy Parliament and to rule more as an autocrat than as a constitutional monarch. Brummell's justification for this apparent change of heart is that he feels that the Prince will make an admirably liberal ruler, far more liberal than Pitt, but the character played by Peter Ustinov does not really make us feel that this confidence is well-founded.

Stewart Granger was known for playing dashing heroes in costume dramas, so was well-suited to the lead role, although it contains less in the way of physical action than some of his other parts from this period. Ustinov gives a good comic performance as the petulant, self-pitying Prince, and Robert Morley a more serious one as the mad old King. I was, however, surprised to see Elizabeth Taylor, already a major star in her early twenties, in a comparatively minor role. She plays Brummell's love-interest Lady Patricia Belham, although he eventually loses her to another man. Apparently Lady Patricia, a fictitious character not found in the play on which the screenplay was based, was inserted to allay any suspicions on the part of the ultra-puritanical American censors that the friendship between Brummell and the Prince might be homosexual in nature.

"Beau Brummell" is not the sort of film which is likely to please the historian, but then it was never intended to. It was clearly intended as an enjoyable period romp and, to some extent, still works on that level. 6/10

The dandy gent doesn't get a dandy movie.Reviewed byhitchcockthelegendVote: 7/10

Beau Brummell (1954) is out of Metro-Goldwyn-Mayer and directed by Curtis Bernhardt. It's based on the play of the same name by Clyde Fitch with a screenplay written by Karl Tunberg, The music score is by Richard Addinsell with Miklós Rózsa and it is filmed in Eastman Color by Oswald Morris. Starring are Stewart Granger as Beau Brummell, Elizabeth Taylor, and Peter Ustinov plays the Prince of Wales. It is also a remake of a Warner Bros. silent film made in 1924 that starred John Barrymore as Brummell.

"In the day of Napoleon, Nelson and Wellington, of Pitt, Burke and Fox, there lived a man called Beau Brummell. Lord Byron said he was the greatest man in Europe. Brummell agreed--and he very nearly proved it".

Well that sets the mood doesn't it? Time to sit back and enjoy a romping good costumer with dandy dashers dealing in politico shenanigans and romancing buxom beauties. Only that isn't quite the case, for what follows is more a staid picture about a supposed interesting man during what was undoubtedly a very interesting time in 19th century England (this is the time when King George III was losing his marbles and the Pitt family flourished in politics as Whig Independents). But not all historical periods make for a great movie, so perhaps Brummell's tale just isn't that interesting to begin with? He was known for his love of clothes and gambling, and true enough he wasn't afraid to speak his mind, but on the screen it never ignites into anything blood stirring. It's an over talky piece that is low on action and skirts around the chances to keep the narrative spicey.

Perhaps the presence of Granger lends false an expectation of a swashbuckler? But even armed with prior knowledge that this is not that type of Granger movie doesn't prepare for how laborious the picture is at times. Thank god, then, for Ustinov, who practically makes sitting thru the movie worth it on his own. He plays the Prince of Wales as a self-involved neurotic, thriving on decadence as he becomes the King in waiting and shares a passion with Brummell for the finer things in life. But away from Ustinov the acting is hit and miss, with Granger only asked to be handsome and deliver lines with style, and Taylor looking radiant yet hardly able to put any heat into the simmering romance with Brummell. It would have been nice to have had more of Robert Morley as George III, while both Paul Rogers as William Pitt & James Donald as Lord Edwin Mercer hold their respective ends up well enough. While away from the actors there's some good production value with Morris' photography, as the English countryside comes to life and the interiors of Ockwells Manor in Berkshire fit snuggly for the period setting.

The core issues such as fashion, elegance and society standings may indeed be camera friendly, but the story around those things is sadly rather bland. 5/10

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