This is a frustratingly uninvolving Woody Guthrie biopic. I felt that I learned more about Woody the person from the Billy Bragg/Wilco album "Mermaid Avenue" than this fragmented and dull film. The movie is nice to look at (probably the sole reason for its existence) and gives us one of the more realistic portrayals of depression-era life, but tells us nothing new or particularly revealing about Woody Guthrie: all it offers is "he was just a regular guy" revelations about his adultery. Hal Ashby's film is an empty and enervated postcard.
Bound for Glory (1976) 720p YIFY Movie
The Synopsis for Bound for Glory (1976) 720p
This film is an excellent biography of Woody Guthrie, one of America's greatest folk singers. He left his dust-devastated Texas home in the 1930s to find work, and discovered the suffering and strength of America's working class.
The Director and Players for Bound for Glory (1976) 720p
The Reviews for Bound for Glory (1976) 720p
How I Spent My Summer VacationReviewed bytriple-xVote: 4/10
Woody is hitchhiking to the do-re-mi state of California when he is picked up by a middle-aged couple in a camper trailer automobile. The driver, M. Emmet Walsh, babbles incessantly about all the sites he and his wife have visited across the nation. Woody, in the backseat, is finally given an opportunity to speak. He blurts out, "The more you eat, the more you s**t." Immediately, Woody is hitchhiking once more. This one scene epitomizes Woody's attitude and character. He is the common man writ large, no pretense, no fabrication, just plain talk.
This movie is based on Woody's book, "Bound for Glory," the title coming from the old spiritual, "This Train is Bound for Glory, This Train." A popular song of the day was "Born to Lose" by the western swing band, Ted Daffan's Texans, much later a big hit for Ray Charles. Woody hated the words to the song, with its pessimistic, fatalistic outlook on life and love. Partly in response to this song, Wood wrote his "Bound for Glory." The book like the movie is a look inside Woody's mind. It's about his philosophy and how it relates to his music and songwriting. It is thereby not much of a biography, dealing with a few episodes in Woody's odyssey across American and his rather brief career as a professional musician.
All Woody's best songs are showcased in "Bound for Glory." "I Ain't Got No Home," "Talking Dust Bowl Blues," "So Long It's Been Good To Know Ya," "They Laid Jesus Christ in His Grave," "Howdjadoo," "Deportees," "Hard Travelin'," "Pastures of Plenty," and his most recorded ditty, "This Land Is Your Land." About the only ones missing are "Pretty Boy Floyd,""Vigilante Man," and "Take Me For a Ride In Your Car-Car (Riding In My Car)."
When one imagines an actor portraying Woody, Preacher Casey (John Carradine) from "The Grapes of Wrath" comes to mind. In 1976, John Carradine would have been too old to fit the part. Why not his lookalike son, David? A good choice. David Carradine not only acts the role, much like George C. Scott in "Patton," he becomes Woody. Added to the believability is David's ability to play the guitar and harmonica and to sing in Woody's style. Modern ears have difficulty listening to the rough, often grating, primitive singing and playing of Woody. Woody wanted it that way. He desired to sound like the common man, not like some radio crooner. The movie highlights this when a cocktail lounge singer is auditioning with "I'm In The Mood For Love." Guthrie follows with a "hillybilly" rendition of "Pastures of Plenty," much more sophisticated than it appears to be. Caradine captures the sound perfectly, without over playing it.
Maverick director, Hal Ashby, and his cinematographer, Haskell Wexler, by studying Dorothea Lange's famous photos of the Great Depression and by utilizing inspiration gained from watching John Ford's "The Grapes of Wrath," are able to capture on film the essence of hopelessness, frustration, and misery of those caught in the maelstrom of starvation and unemployment. One telling scene has a horde of migrant workers slowly walking toward the camera, their heads bent in quiet desperation, having been rejected from fruit-picking work because only thirty hands were needed. In the midst of this swirl of despondency, Woody walks tall against the flow, his head in the air, as much a maverick as Ashby. Only two other Hollywood films equal "Bound for Glory" in their depiction of the Great Depression on the big screen, "The Grapes of Wrath," and Arthur Penn's "Bonnie and Clyde."
Even Woody's ambivalent attitude toward women is not glossed over. Woody was at heart a drifter, unable to stay in one place too long, always breaking free from the ties that bind. Keeping with this accurate presentation of the bard, The film shows Woody's concept of labor unions as being for fair treatment of workers with a decent wage, not the compromising fanaticism of Ozark Bule (Ronny Cox), demanding all or nothing until the chips are down; then backing up on his principles. A similar outlook causes Woody problems with being a professional musician. When agents, managers, and producers--all in it for the money--try to groom Woody for the big time, he throws his guitar over his shoulder and heads for New York Town where he would find, "People going' down to the ground, Buildings going' up to the sky," as Dylan would later sing, in homage to his mentor.
One can go into this film from several different angles, and be rewarded at every turn. You like history? Bound For Glory's depiction of Depression Era life is both accurate and eye-opening. You like music? The perspective gained on one of our nation's greatest songwriters is delightful in a way every man can appreciate. You like against-the-odds stories of rugged individualism? Hope you're hungry. The pace may be criticized as slow, but works in emphasizing the dreariness and despair needed to understand the motivations and emotions that lead to Woody Guthrie's greatness. The deliberate storytelling also reminds one of the manner in which Kurosawa might weave a fable. Which reminds me, David Carradine's performance is inspired. Great film any way you look at it.