Brute Force (1947) 720p YIFY Movie

Brute Force (1947)

Brute Force is a movie starring Burt Lancaster, Hume Cronyn, and Charles Bickford. At a tough penitentiary, prisoner Joe Collins plans to rebel against Captain Munsey, the power-mad chief guard.

IMDB: 7.70 Likes

  • Genre: Crime | Drama
  • Quality: 720p
  • Size: 1.19G
  • Resolution: / fps
  • Language: English
  • Run Time: 98
  • IMDB Rating: 7.7/10 
  • MPR: Normal
  • Peers/Seeds: 8 / 13

The Synopsis for Brute Force (1947) 720p

At overcrowded Westgate Penitentiary, where violence and fear are the norm and the warden has less power than guards and leading prisoners, the least contented prisoner is tough, single-minded Joe Collins. Most of all, Joe hates chief guard Captain Munsey, a petty dictator who glories in absolute power. After one infraction too many, Joe and his cell-mates are put on the dreaded drain pipe detail; prompting an escape scheme that has every chance of turning into a bloodbath.

The Director and Players for Brute Force (1947) 720p

[Director]Jules Dassin
[Role:]Burt Lancaster
[Role:]Yvonne De Carlo
[Role:]Hume Cronyn
[Role:]Charles Bickford

The Reviews for Brute Force (1947) 720p

BRUTE FORCE (Jules Dassin, 1947) ***1/2Reviewed byBunuel1976Vote: 8/10

Though I'd only previously watched this movie once almost 25 years ago on a long-defunct Sicilian TV channel called Antenna 10, some scenes have stuck with me to this day and being able to reacquaint myself with the film was a long-cherished prospect which, thanks to Criterion, I now have.

The film is the epitome of the great, hard-hitting prison dramas of the 1930s, but the style in which it was filmed also makes it fall in the "Film Noir" category. This was only Burt Lancaster's second movie but he is already a tough, powerful screen presence and his character is one of the most respected within the prison community. The casting (in characterizations which would be much imitated in subsequent prison films) is perfection: pint-sized Hume Cronyn is very effectively cast against type as the quintessential brutal prison captain of the guards, Charles Bickford is the bigwig inmate who gets things done, Sam Levene is his reporter sidekick. Lancaster's gang includes Howard Duff (making his film debut), Jeff Corey (as a surprising 'rat'), suave ladies' man John Hoyt and Whit Bissell as the most vulnerable and least likely inmate who falls victim to Cronyn's "brute force". There's also Jay C. Flippen as an easy-going prison guard, Sir Lancelot as a happy-go-lucky jack-of-all-trades whose songs often sarcastically comment on the action, Vince Barnett as an old-timer who brings food (and messages) to the most dangerous inmates currently serving in the drainpipes, and an uncredited Charles McGraw as an arms dealer. Actually, one of the best roles in the film ? the alcoholic, philosophizing prison doctor who is the only one genuinely interested in the fate of his "patients" ? is splendidly portrayed by an actor who was unknown to me, Art Smith, and his confrontations with Cronyn offer some of the film's quiet highlights.

While the film itself offers relatively little new in terms of plot ? a few of the prisoners are planning a breakout, the sadistic and power-hungry captain is more evil than the inmates themselves, an informer is punished during a staged scuffle, a traitor is present within Lancaster's gang, the climactic escape is a botched massacre, etc ? and some of the plot points rather contrived ? Sam Levene being sent to the drainpipes, which results in his being tortured by Cronyn ? but Dassin's assured handling still makes all of these situations work superbly well. Ironically, after a period directing mostly light fare, this was the start of a peerless run of five noir classics ? culminating in his celebrated caper film, RIFIFI (1955), made while exiled in France. Curiously enough, another Hollywood exile would later on basically make the British equivalent of BRUTE FORCE ? i.e. Joseph Losey's exceptional THE CRIMINAL (1960) ? while the failed prison break (in similar circumstances) also brings to mind Jacques Becker's masterful swan song, LE TROU (1960).

Like THE KILLERS (1946) before it, this was a Mark Hellinger production (it features no less than four actors from that film) and so would be Dassin's follow-up ? THE NAKED CITY (1948). Miklos Rozsa's music is very good and subtly underscores the action. Unfortunately, the four flashback sequences added to the film to show that the hardened criminals here are good-natured people at heart, are mostly redundant and basically only serve to provide some female interest to the story; still, they are brief enough not be detrimental to the film's overall uncompromising bleakness. Incidentally, while screenwriter Richard Brooks was involved in this capacity with several noirs ? the others being THE KILLERS itself, CROSSFIRE (1947), KEY LARGO (1948) and MYSTERY STREET (1950; which I recently acquired via Warners' fourth "Film Noir Collection" but have yet to watch) ? he never revisited the genre once he graduated to the director's chair (though some sources do list his Mexican Revolution-set CRISIS [1950] and the crusading newspaper story DEADLINE ? U.S.A. [1952] under this flexible banner).

One of the all-time great prison films...Reviewed byMartinHaferVote: 9/10

Unlike most prison films, "Brute Force" is exceptional because it features some wonderful psychological portraits--not just the typical stereotypical hoods. In fact, the biggest villain in the movie is not even one of the inmates but the captain of the guards (Hume Cronyn). Cronyn manages to create a thoroughly despicable yet restrained character who you hate but who also is rather complex and gritty. He manipulates and pushes the prisoners to such lengths that you can't help to start to root for them instead of the sociopathic guards! This is an interesting twist and Cronyn can be credited for exceptional acting.

It also helps that the film has so many excellent actors. The star is a young Burt Lancaster, but she's ably assisted by the likes of character actors such as Charles Bickford, Whit Bissel and John Hoyt--as well as some flashbacks involving actresses Yvonne De Carlo, Ann Blyth and the ill-fated Ella Raines. While most of these are not household names, all were very accomplished supporting character actors--and made the film classier and more interesting.

The theme of the film is Cronyn versus all the prisoners. He spends much of his time playing mind games with the men--pushing them until they break. His efforts, however, are pretty subtle--he is not an obvious sadist but delights in pushing the men over the edge--either pushing them to kill themselves, become an informer or attempt to break out of prison. One example is how he delights in pushing embezzler Bissell about his wife--telling him that she is going to divorce him. Nice guy, huh? Eventually, though, he pushes too hard. So hard that his machinations make the men snap--then, even the brilliant but sick Cronyn has lost control.

Exceptional acting, script and direction (with a stronger than typical film noir style to it) make this exciting throughout.

Nothing's OK! Never was ,never will!Reviewed bydbdumonteilVote: 7/10

One of the best prison movies ever made.Jules Dassin's direction is so strong ,so precise,so mind-boggling it packs a real wallop.Hume Cronyn gives a subdued but extremely scary portrayal of a sadistic brute.Always in a suave voice,always saying "I want to help you",there's only one way for him:the hard one.Burt Lancaster is equally efficient as a tough inmate .But the whole cast cannot be too highly praised.

The cast and credits read :"the women from outside" .There are four flashbacks which really fit into the movie.All of them last barely two or three minutes but they could provide material for four other movies. The first one (Flossie's ) verges on farce ,it is the comic relief of a desperate movie and we need it!Then the "fur coat" segment which is some kind of Cinderella turned film noir.The third one,perhaps the less interesting (everything is relative!), features Yvonne De Carlo as an Italian girl during the war the former soldier was in love with .And finally Burt Lancaster's story, he tries to find money to pay his girlfriend's operation.

These flashbacks are not gratuitous:all that is left to those men is memories .Besides,the last line tells us something like that:"nobody will escape!nobody!" More than ten years before ,Dassin had shown what French director Jacques Becker would do in his famous prison movie "le trou" (1960) : the prison as a metaphor of the human condition.

There are lots of scenes which will leave you on the edge of your seat.My favorite scene: the informer's death while Lancaster is securing his alibi with the doc.But the final is awesome too,something apocalyptic.

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