Clouds of May (1999) 720p YIFY Movie

Clouds of May (1999)

Mayis Sikintisi is a movie starring Emin Ceylan, Muzaffer ?zdemir, and Fatma Ceylan. This is a movie within movie, which is almost recursive, i.e., the movie inside looks like director Ceylan's previous movie, Kasaba. It is about...

IMDB: 7.40 Likes

  • Genre: Comedy | Drama
  • Quality: 720p
  • Size: 1.06G
  • Resolution: 1280*800 / 23.976 fpsfps
  • Language: English  
  • Run Time: 130
  • IMDB Rating: 7.4/10 
  • MPR: Normal
  • Peers/Seeds: 2 / 11

The Synopsis for Clouds of May (1999) 720p

This is a movie within movie, which is almost recursive, i.e., the movie inside looks like director Ceylan's previous movie, Kasaba. It is about the movie director, Muzaffer, going back to his hometown to make a movie using a cast of local people. While Muzaffer is around, his mother complains about simple health problems, his father is in a legal fight against the government for his land, his cousin gets out of his job to help Muzaffer who promises him to find a job in Istanbul, and his little cousin Ali tries to carry an egg in his pocket for 40 days so that he'll get the watch of his dreams. In the meantime, they get to form the cast for Muzaffer's movie as well.


The Director and Players for Clouds of May (1999) 720p

[Director]Nuri Bilge Ceylan
[Role:]Muzaffer ?zdemir
[Role:]Emin Ceylan
[Role:]Fatma Ceylan
[Role:]Mehmet Emin Toprak


The Reviews for Clouds of May (1999) 720p


Life only lifeReviewed byoresteiaVote: 9/10

Don't expect to find models or playboys in this movie. Nor expect people to hate or harm each other. There is not too much philosophical extravaganza either. No sex, no violence, no big words. So what made this movie to win so many awards in Turkey and elsewhere? "Mayis Sikintisi" (The Anxiety of May) is just about the simple and beautiful flow of daily life. Some commentators called it "a pastoral symphony". It has only a "slight narrative"; the story of the director himself, his own family and how he shot his first feature film "Kasaba" in his own native town. If you like the style of the contemporary Iranian cinema, especially that of Abbas Kirostami and Jaffar Panahi, you will surely like this movie. Watch "Mayis Sikintisi" and you will feel your mind and soul purified!

A real environment and dialogues!Reviewed bytolunayd22Vote: 8/10

Again the same level and nothing changing, better than the contrary! It is a film that fascinates people with its long duration and different location shootings. It looks so real to life, I can't tell you. The realism of the dialogue is great! All players performed very realistic. Even the little boy Ali plays better than most Turkish players today. Nuri Bilge Ceylan presents us in a realistic way how a film has turned into art.

? 100/81

Beautiful, Pure, and SimpleReviewed byWulfstan10Vote: 9/10

Nuri Bilge Ceylan has taken the sensitive, beautiful, rich cinematography and directing that he used on Kasaba and has successfully applied these to a more complex and expansive film. This time, there is a plot, a storyline that follows how several of the characters are trying to address certain problems that they face. Specifically, these are Muzzafer's desire to make a film, his father's desire to claim and keep a plot of woodland, and his cousin's desire to leave the small town and move to Istanbul. The plot is not too complex, it is not "exciting," there is no great, complete culmination, yet it is powerful and emotional nonetheless. We follow the characters and their efforts to address the issues in a calm, but beautiful and sensitive manner.

Like Kasaba, this film's strong points are great beauty and showing "real" events and characters in a pure, simple form. The humour, emotion, and drama are subtle, yet the film succeeds in evoking strong emotion and empathy with the characters. There is no overt sadness, anger, happiness, etc., demonstrated strongly in the film, but the viewer can feel these very strongly.

In part, this is due to the film maker's very sensitive, artistic techniques and abilities, but there is more. The actors are on the whole simply wonderful. They succeed so well at being extremely convincing and subtly creating great emotion and richness of character, so that the viewer can easily understand the greater meaning to a small gesture or phrase. As before in Kasaba, I particularly love Emin Ceylan, who plays the father/grandfather, but they are all wonderful, including Muzaffer Ozdemir and Emin Toprak.

While the ending may seem a little inconclusive, it nevertheless provides some resolution or at least new realisations about the three main issues facing characters. Again, this is handled subtly and beautifully.

In the end, this film is visually beautiful and convincingly portrays events and characters simply, without being "done up" and in a manner that evokes great empathy. It thus succeeds beautifully at its apparent goals.

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