Daylight (1996) 1080p YIFY Movie

Daylight (1996) 1080p

Disaster in a New York tunnel as explosions collapse both ends of it. One hero tries to help the people inside find their way to safety.

IMDB: 5.819 Likes

  • Genre: Action | Adventure
  • Quality: 1080p
  • Size: 2.18G
  • Resolution: 1920x1040 / 23.976 (23976/1000) fpsfps
  • Language: English  
  • Run Time: 115
  • IMDB Rating: 5.8/10 
  • MPR: PG-13
  • Peers/Seeds: 0 / 1

The Synopsis for Daylight (1996) 1080p

Trouble strikes when runaway robbers in a getaway car hit truck full of explosives in the tunnel connecting Manhattan and New Jersey. Survivors are left in a weakened tunnel blocked at both exits. As Kit Latura approaches the tunnel, he sees the impact and knows he gotta take action. With time running out, he enters the tunnel through a system of maintenance walkways. Can he get the survivors out before the tunnel fills up?


The Director and Players for Daylight (1996) 1080p

[Director]Rob Cohen
[Role:]Amy Brenneman
[Role:]Viggo Mortensen
[Role:]Sylvester Stallone


The Reviews for Daylight (1996) 1080p


Enjoyable Sly Action FlickReviewed bymjw2305Vote: 7/10

An accidental explosion rips through a tunnel beneath the Hudson river, sealing off both ends trapping the survivors inside. In steps Stallone, a disgraced former emergency services chief, who hopes to save the day in usual hero style.

Daylight has a good blend of interesting characters, suspense, drama, action and special effects that all add towards the entertainment of the movie.

Overall it's good fun to watch, and it does refrain from becoming silly or over-sentimental.

7/10

One of Sly's best performancesReviewed bymichaelsibley416Vote: 7/10

Fasten your seatbelts and brace yourself for an non-stop thrill ride that will have you holding your breath from start to finish.

"Daylight" is one of the most intense movies I have seen in a long time. Sylvester Stallone gives one of his best performances in "Daylight" leading a group of civilians to safety after a New York tunnel engulfs in flames. Stallone works his magic as a former EMS chief sent in to save these civilians.

When I heard Stallone's name mentioned as part of the cast of "Daylight," I knew it would be a non-stop thrill ride; however, what I didn't realize it would be a thriller that had depth mixed in with everything else. "Daylight" is a credit to Stallone's ability and this remains one of his best roles to date.

Adding to this awesome film are Stallone's co-stars, which include Amy Brenneman, Viggo Mortensen, Jay O. Sanders and Stan Shaw. I enjoyed watching this ensemble work together because they seem to need no direction when on screen. It was as if they were really trapped in the tunnel. From the fear to the heroic actions they took, these actors were top notch.

Despite most thrillers, "Daylight" stands out as being the finest assembled film. The casting works like magic, the special effects are magnificent and the script is perfect.

I concede that "Daylight" is predictable. However, I disagree with those who say it hurts the film. My point is it doesn't matter whether a film is predictable, rather how it is presented. "Daylight" is presented with quite unique special effects, a plot with depth and endearing performances.

In addition to the excellent performances, "Daylight" had some of the best special effects I have seen. The explosion at the beginning of the movie was a work of art. I was in awe of how well the special effects were pulled off because I don't believe that "Daylight" would have worked as well as it did if they were done with less than 100 percent effort.

"Daylight" will keep you on the edge of your seat and have you holding your breath hoping these citizens come out alive.

MurkyReviewed bySpleenVote: 7/10

I've always thought that the progenitor of this Poseidon-adventure genre was Arthur C. Clarke's `A Fall of Moondust', published in 1961. It's a pity that book was never filmed. It could easily have been the best disaster/rescue film ever made, for Clarke at least thought things through, being aware, for instance, that people need oxygen in order to breathe. The attitude `Daylight' has to oxygen is just bizarre.

Clarke also observes the golden rule: introduce us to the rag-tag bunch of survivors AFTER disaster strikes, not before. `Daylight' breaks this rule and demonstrates why it should never be broken. The characters have nothing in common apart from the fact that they will one day be thrown together by a freak accident - so when the film shows us their lives, one by one, we feel not so much like an audience following a story, as a class memorising stuff for a future exam.

However, the one character we should have been introduced to before the explosion - the one played by Sylvester Stallone - we didn't meet until afterwards. I don't get it.

As it is Sylvester Stallone is just one of a dozen or so people who spend every minute of their lives, bellowing, shouting, screaming and belly-aching, at everyone else. This constant high-decibel panic is ugly, dramatically enervating and, to be honest, not in the least bit realistic. People trapped together in danger of their lives do NOT, as a rule, spend the entire time at each others' throats. When the mayor of New York wanted to let the survivors die in order to keep the city's transport system alive, I, for one, was on her side.

Then there are the flagrant violations of the laws of physics. A giant fireball whips through a sealed tunnel and leaves ten people and a dog with enough oxygen to live on. The pressure of the Hudson river compresses the air in the non-airtight tunnel so that its pressure is greater than that of the river that pressurised it. It's like the way boulders behave in Road Runner cartoons. (Except that in the cartoons it's a deliberate joke.) A dog dives underwater (itself impossible) and not only doesn't die, but doesn't get wet. With one bound, Sylvester Stallone is free. That type of thing.

Unless you want to dive to the very bottom of this genre, I wouldn't bother.

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