Merry Christmas to all you Tarantino fans out there. I hope you made a Tarantino checklist so here we go. Witty dialogue, check. Excessive profanity especially use the word 'nigger', check. Excessive violence including testicles getting blown off, check. Soulful musical score, check. Sometimes non-linear narrative, check. Shots of women's feet, check. Very great character driven plot, check. An actual spaghetti western, even though it takes place in the American South, check. There are four standout characters played by the top billed actors. Jamie Foxx plays Django, a freed slave who becomes a bounty hunter. Even though he is the titular character, he gets downplayed when in the presence of the other actors. Still he delivers a solid performance, in fact hes very convincing. We all know Jamie Foxx as this golden voice RnB singer and comedian with a very clean cut image. He was able to pull off the whole transitioning from a timid slave to a menacing bounty hunter. Not only that he had the whole look down too, with all the facial scarring and the messy hair. Christoph Waltz plays Dr. King Schulz, a German dentist turned bounty hunter who frees Django so he could help pursue his previous owners who are targets. Waltz is a very charismatic actor, and thats how he does this role. Presents every line with finesse. Leonardo Dicaprio is in his best yet. He plays a plantation owner, Calvin Candie, and is the owner of Django's wife. This is a very different role. We've seen Leonardo in gritty roles before but never did he play this lecherous antagonist. We were all used to Leo being this teen idol, who looked like a member of Hanson. Here he's this Southerner with discoloured teeth and a scruffy beard. Finally Samuel L. Jackson who plays Steve, a house slave who you could say is the secret antagonist here. For all the screen time that he has he dominates. Sam usually plays boisterous roles as a tough guy, but it was very interesting seeing him play a devious and manipulative old man. The only gripe here was that this film was a little too long exceeding the three act structure, but its an epic western film so I'll excuse Tarantino for that. Yet again he made another great film with a lot of flair and carried well by the four big hitter actors. Well done Mr. Tarantino.
Django Unchained (2012) 1080p YIFY Movie
Django Unchained (2012) 1080p
With the help of his mentor, a slave-turned-bounty hunter sets out to rescue his wife from a brutal Mississippi plantation owner.
IMDB: 8.6145 Likes
The Synopsis for Django Unchained (2012) 1080p
Former dentist, Dr. King Schultz, buys the freedom of a slave, Django, and trains him with the intent to make him his deputy bounty hunter. Instead, he is led to the site of Django's wife who is under the hands of Calvin Candie, a ruthless plantation owner.
The Director and Players for Django Unchained (2012) 1080p
The Reviews for Django Unchained (2012) 1080p
Tarantino-gasm!Reviewed byarnieiamVote: 10/10
I only had one thought on my mind for this Christmas: see Django Unchained. Quentin Tarantino's latest opus, a Western set two years before the Civil War, concerns a former slave named Django (Jamie Foxx). He is freed by bounty hunter Dr. King Shultz (Christoph Waltz) in order to help him with a bounty. Quite quickly, Shultz takes Django under his wing and trains him as his partner. But he made him a promise: that he would rescue his wife from a plantation owned by the ruthless Calvin Candie (Leonardo DiCaprio). And rescuing her is not going to be all that easy. What pains me the most about Django Unchained, as a die-hard Tarantino fan, is just how sloppy it all seems. I enjoyed every minute of it, but I could never shake the feeling of how messy and thrown together it all feels. Portions of the film feel episodic (the search for the Brittle Brothers, mentioned heavily in the trailers, begins and ends practically within minutes), and some scenes just seem to play out just for the fun of it. Another scene from the trailers involving a lynch mob with bags covering their faces seems added for comedic purposes, and has no real point of actually existing. More than any of his films before it, Django feels like Tarantino simply making a movie for sheer pleasure and with no outside motivations or controllers. The film threatens to go totally off the rails at any given moment, and lacks any real sense of direction or focus. It may sound ridiculous, but the loss of editor Sally Menke confirms a sneaking suspicion I always had about Tarantino ? he needed a steady right hand to help encourage him as to what was needed and what was not. I do not want to criticize Django's editor Fred Raskin, but it is obvious he is no Menke and that works against the film heavily. It lacks the polish we have come to expect, and is practically stripped of the glossy/cool texture so prevalent in Tarantino's work up until now. But then maybe that was his intention all along, and perhaps Tarantino is airing out his frustrations with life and film in general. Django is deliberately shot on film (or at least from the print I saw), and looks very gritty and messy at all times. It is significantly more brutally violent than anything he has worked on before (the borderline cartoonish Kill Bill included), and has a very go for broke attitude about itself. The film seems to revel in how brilliantly it can splatter all the blood and gore (done through the use of squibs and no digital!), and how uncomfortably numbing it can make the violence. I know he does not care what people think of his films, but this movie especially seems like an emphatically raised middle finger to the establishment. And for all of my complaints about how messy it all feels, I was never once bored or felt like the movie was dragging itself out. The staggering 165-minute running time shockingly flies by faster than you might ever imagine. Acting wise, Tarantino stacks the deck with a number of recognizable character actors young and old for roles that vary in size. Most have very few lines, if any at all, and seem to just stand by, just as content as the audience is to watch the action unfold. It is a little off-putting, especially with how important some of these characters are initially made out to be. Washington as Broomhilda von Shaft (one of the most subtle references he's ever dropped) does well as the helpless victim and frequent dreamlike object ? but she never really gets to show off any of her acting prowess outside of her facial reactions. They are increasingly effective, especially during horrific flashback scenes. But her work here feels ridiculously stunted in comparison to the other leads. Samuel L. Jackson, much like Tarantino himself, seems to just be having fun in his role as Candie's adviser Stephen. He plays on every ridiculous stereotype he ever has been associated with and then amps it up to a near ludicrous state. He is frequently hilarious, but the role seems to border on parody more than anything else. Surprisingly, Foxx takes a very long time settling into the leading role. It may just be the character, but it is quite clear from the on- set that he is not very comfortable in Django's shoes, and leads credence to why Will Smith, amongst so many others, dropped out of the picture so quickly. But once he finds his footing, he does a fantastic job walking the thin line between empathetic and sadistic. It is not an easy character to play, but Foxx makes it his own, bringing a sense of style and grace that are virtually absent from the rest of the film. And of course, he gets all the best lines. Waltz and DiCaprio are the clear standouts however, nailing every nuance of their sadly underwritten characters. While Waltz plays the straight man, DiCaprio is delightfully unhinged and vicious. Both are playing directly against type, yet are strangely comfortable in the roles. Watching them act circles around the rest of the cast, Foxx included, is the true highlight of the film. I just wish they were both given additional emphasis and more to do. For all of its numerous faults, I had a blast watching Django Unchained. It is hilarious, it is a lot of fun, and is wildly enjoyable. I genuinely think it could have been a lot better if there was more focus and direction, but this is very clearly a picture Tarantino wanted to make on his own terms. And for that, I applaud him for the effort. It is not his best work, but certainly not his worst. 8/10.
Quentin Tarantino's 8th film "Django Unchained" is one hell of a movie. A brutal, bloody, terrifying, hilarious and awe-inspiring western disguised as a buddy movie that is so great that if John Wayne and Sergio Leone were alive now, they would've approve of this movie. It's designed to shock you, polarize you, test you and maybe even surprise you. But let me clear on this: If you are not a fan of bloody violence and the running length of 165 minutes, see a shorter movie. But if you love to see what Tarantino can do with movies like this, then you're in for a treat. Set during slavery in 1858, the movie follows Django (Jamie Foxx), a slave who is found by a bounty hunter disguised as a dentist named Dr. King Schultz (The always reliable Christoph Waltz) who hires him as a bounty hunter and a free man to find the Brittle Brothers. After finding them and hunting them down at a plantation run by Big Daddy (a remarkable Don Johnson), they relax for the winter only for them to go on a mission to find and rescue Django's wife, Broomhilda (Kerry Washington) who is owned by Calvin J. Candie (Leonardo DiCaprio) a man who runs a plantation known as Candieland. He even has a renegade slave as a servant named Stephen (A nearly recognizable Samuel L. Jackson, hidden in makeup and some prosthetics), who will have a part to play in the last half of the movie. I think Quentin Tarantino has outdone himself once again. Being in the filmmaking game for 20 years now, you can't deny and even reject his style in what he is bringing to the screen (He also has a cameo in here as well). His dialogue is like reading a book that grabs you and makes you want to know what happens next. The look and scope of the film is magnificent, thanks to a brilliant Oscar-winning cinematographer Robert Richardson and the late production designer J. Michael Riva. The performances in this film are brilliant. Having won an Oscar for "Ray", Jamie Foxx continues with his breathtaking performances that wows us. Here as Django, he is certainly fearless, baring his soul (and body) playing a man who is free from slavery, but can't be free by the rules and limitations of slavery. Christoph Waltz looks like he was born to be a part of Tarantino's entourage after his Oscar-winning performance for "Inglorious Basterds". Here, once again he brings humor and vulnerability to Dr. King Schultz. Never before have I ever seen an actor go that far and doesn't go over-the-top like Leonardo DiCaprio. As Calvin Candie, DiCaprio is certainly Oscar-worthy as a man who runs a tight ship by running a place where male slaves fight to the death and female slaves are being prostitutes and he seems to be the kind of guy to like even though he is a villain and he speaks Tarantino's dialogue like a pro. When he has a scene in which he reveals three dimples from a skull that belongs to his father, he is literally terrifying. Kerry Washington is superb as Broomhilda and Samuel L. Jackson is the real scene-stealer. The supporting cast is great from Walton Goggins, Jonah Hill, Michael Bacall, Michael Parks, James Remar, Robert Carradine to a small cameo by Franco Nero. "Django Unchained" has a lot of things to say about slavery and how cruel it is. But at the same time, it provides the fact that if Tarantino rearranged history by shooting Adolf Hitler to a pulp while everything blows up at a movie theater, he can do it again by having a former slave whipping a man who used to beat him and his wife. Now, that's entertainment. This movie really is off the chain. It's not only one of the most captivating films of the year, it's one of the best films of the year. Go see it, it will be worth your time. Keep in mind though, there are characters, especially Django, Stephen, Candie and Schultz that uses the N-word numerous times in this movie. That seems relevant to the time period, don't ya think?