Fear Strikes Out (1957) 1080p YIFY Movie

Fear Strikes Out (1957) 1080p

Jim Piersall is groomed by his loving but hard-driving father (living vicariously through his son) to play major league baseball. His desire to succeed to please his father leads to mental illness and a nervous breakdown. Can he overcome those difficulties and return to the major leagues?

IMDB: 74 Likes

  • Genre: Biography | Drama
  • Quality: 1080p
  • Size: 1.67G
  • Resolution: 1920*1072 / 24 fpsfps
  • Language: English 2.0  
  • Run Time: 100
  • IMDB Rating: 7/10 
  • MPR:
  • Peers/Seeds: 4 / 8

The Synopsis for Fear Strikes Out (1957) 1080p

Jim Piersall is groomed by his loving but hard-driving father (living vicariously through his son) to play major league baseball. His desire to succeed to please his father leads to mental illness and a nervous breakdown. Can he overcome those difficulties and return to the major leagues?

The Director and Players for Fear Strikes Out (1957) 1080p

[Director]Robert Mulligan
[Role:]Norma Moore
[Role:]Adam Williams
[Role:]Karl Malden
[Role:]Anthony Perkins

The Reviews for Fear Strikes Out (1957) 1080p

good acting but some big flaws mar this movieReviewed byrailyardVote: 6/10

I don't find movies about illnesses whether they are physical or mental, real or fictitious, to be entertaining, maybe informative or educational, so I am approaching my criticism of this movie from the baseball aspect. Jimmy Piersall was quite a character. He overcame a mental breakdown to become one of the greatest outfielders in baseball history. He was a real crowd pleaser with his fielding and antics, but his hitting left a lot to be desired. He just about ruined his arm showing off how far and hard he could throw the ball. When he hit his 100th homerun, he ran the bases backwards. Living near Boston, I saw him play ball on many occasions and I met him in person at a First National Supermarket opening in Lawrence, Mass. He signed a baseball and a photograph of himself for me, but I had to buy two bags of potato chips (Cains, I think it was) beforehand. As a kid, I could barely afford it, but more than fifty years later, I still have the ball and photo. What a thrill it was! I remember him as being handsome and big and strong, not a skinny guy like Anthony Perkins. As far as the movie goes, it was good, but not very accurate. Did you notice the obvious padding to Perkin's shoulders to make him look bulky? He looked like he never played baseball in real life, he was so awkward. (Gary Cooper as Lou Gehrig and William Bendix as Babe Ruth also looked pretty bad in their baseball movies). Did you notice that the stock footage was of Fenway Park but whenever Perkins was playing they showed some minor league park? Just look at the outfield background, that's not Fenway. What really bothers me is that they only mention one real life Red Sox person, Joe Cronin, and that was wrong, it should have been Pinky Higgins. What happened to Ted Williams, Jackie Jensen (my all time favorite Red Sox player), Dom Dimaggio, Bobby Doerr, Johnny Pesky, and a bunch of others who played on the team with Piersall? Ted's career was actually extended because Piersall was so good as a fielder that he used to run from center to left to catch flyballs so that Williams didn't have to tire himself out trying to get to them. Piersall was eventually traded to another team, so all his euphoria about playing for the Bosox didn't last. Still with all its' faults and disappointments, this movie is well worth watching, especially for baseball fans.

Still has power after 44 yearsReviewed bydhoffmanVote: 7/10

If this story were filmed today, the treatment would be much more stark and realistic. But for a film in the mid-50s, it provided quite a punch in conveying the agony of growing up with a loving but very demanding father. When I saw it in the theater, I never questioned Anthony Perkins as a teenager in the first part; today, this is much more difficult to swallow. Even though dated somewhat, the film is still worth a watch.

Karl Malden is excellent as a father driven by his own sense of failure to attempt to live vicariously through his son. As a result, he literally orchestrates his son's life. Never accepting the `glory' of the moment, he places constant expectations and demands on his son. Possibly this is Malden's best role.

Tony Perkins has some fine moments of anguish and neuroticism as the ball player, Jimmy Piersall. One scene between his father and him after his breakdown is superbly acted with Perkins running through a panoply of emotions. That this emotional turmoil is somewhat subdued is to the credit of the film. Norma Moore gives a competent and rather understated performance as his wife. The doctor, played by Adam Williams, is appropriately comforting, but he's not up to delivering the big line, especially in his intense scene with Malden. Regretfully, Perry Wilson as Piersall's submissive mother, didn't have more of a role.

Some very nice photography using the angularity of steps and bleachers and railroad stations conveys the underlying jaggedness and tension of emotions. Elmer Bernstein's soundtrack is effective in supporting the mood of the film.

Tasteful, well-acted, but padded with generic melodrama and flagging sentiment...Reviewed bymoonspinner55Vote: 6/10

Adaptation of Jim Piersall's memoir about growing up with an insensitive father, a tirelessly ambitious man with baseball dreams for his talented son--and impossible to please even after his kid is recruited as shortstop for the Boston Red Sox. Piersall's eventual nervous breakdown is mounted in careful yet somehow manufactured terms (when the pressured kid decides to go ice-skating instead of returning home, one can almost comically sense the clouds of doom forming for the next scene), and the "meet cute" with his future wife (possibly the most patient woman alive) is also by-the-numbers. Anthony Perkins does very well as Piersall, although the ludicrousness of Jimmy's behavior--defending his father while resting at "State Hospital"--isn't presented with any irony, and Perkins is too keyed-up to make a success of his showier scenes. As the pushy father, Karl Malden is also good but has a different problem: the character, completely stubborn and unsympathetic, doesn't seem to learn anything, even by the finale (this is partly the director's fault, who hastens to show the father's progress). This tasteful treatment plays very much like a padded "Playhouse 90" TV melodrama (one with baseball park stock-shots), and Jimmy's psychoanalysis is laid out in such generic terms that he may as well have been suffering from migraines. Still, some good dramatic moments ultimately make the picture a worthwhile one, even though it's too workman-like and without any quirky or personal touches. **1/2 from ****

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