I simply do not get what certain people have against this movie. Sure, it's not a cinematic breakthrough, but it is very sharp, smart and focused. Jack Carter's brother, Richie, dies under mysterious circumstances. Jack goes back to his home town to check things out and perhaps find out the truth. What he finds is not all that easy to get to grips with. This is not your usual run of the mill revenge movie. The story has some layers to it and I am surprised to see that people did not appreciate that. Jack Carter is not a good guy. He is a bad man working in bad town doing bad things. Always was a bad guy. But he reaches a moment in his life when the things that take place between him and his boss's girl Audrey, the things that he finds out about his brother and his brother's family, all of them act as a catalyst. For once in his life he tries to set things right. How does he do that? By doing what he knows to do. He does bad things. The guys he goes up against are a little a out of the reach of the law. To wait for justice to set things right is not a concept Jack is familiar with. The only things he knows is to take care of his own dirty laundry. And at the moment his life is his dirty laundry. He was not there for his brother, for his niece and he missed some oportunities... Time to set things right. But he does only bad things in this movie. He kills people by shooting them, by throwing them out of the balcony, by beating them up in the elevator. WHY? Because these are the same things that would happen to him if he let his guard down. Great acting performances form most guys in the movie. Stallone seems to have found some serious acting genes within himself. This is some of his best work and his best is very good. Not only for the genre. Although when looking back at Oscar (his 1991 comedy), D-Tox (a very underrated movie) and Copland I have to say that this is not a one off. No sir. When the script, the director and the rest of the cast are good he can act big time. Michael Caine made a very good movie called get Carter back in 1971. I love that movie and is always one of my favorites to watch on Turner Classic Movies. The remake, I felt, is just as good. Sure it has the sort of usual happy ending, but that is just the American Way of ending action movies. They love a hero. Mickey Rourke, Alan Cummings, Michael Caine and Rachael Leigh-Cook are very good in this one. Somehow Miranda Richardson seemed a little over the top in her angry widow/mother scenes. Michael Caine acted in this one simply because he knew it was good. The movie could have been done without him, without a doubt. But he did it because unlike other remakes, this one is just as good as the original. It has it's own style, a somewhat different story and a happier ending. Otherwise, they are two very similar movies. And even if some consider the original as better, they should not write this one off. The layers are there, you just have to dig. And this only because the producers did not get this movie. The director, the cast, everybody got this movie and knew what they were making except for the producers who seem to have been thinking of another movie. Michael Caine seems to have given his seal off approval to Stallone's acting in this one. The producers wanted a classic 80's action movie. At least that's what I feel. So, this is a very good movie. Just as good (or almost as good, depending on how you look at it) as the original. It has great acting, sharp directing, nice car chase scenes, nice action scenes, some great moments, some wonderful music, a simple yet effective storyline that keeps you guessing and wanting to see more. And as someone put it, crap like XXX, The Fast and The Furious (+sequel, at least is has some cars), Charlie's Angels (+sequel. could not even watch) and other such teen-hormone-slang-flash-driven movies have a higher rating, IT SIMPLY ISN'T RIGHT!!!!!! 7.5/10
Get Carter (2000) 720p YIFY Movie
Get Carter (2000)
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He...
IMDB: 5.022 Likes
The Synopsis for Get Carter (2000) 720p
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm, atypical of the careful house-father. Talking to the widow, daughter Doreen and enigmatic Geraldine, Jack suspects it was murder. Cliff Brumby, whose club Richie ran, is financially linked to porn and prostitution baron Cyrus Paice, who claims to be just a front-man for ITC tycoon Jeremy Kinnear. Someone hired goon Thorpey to make Jack return to Las Vegas. There Jack's partner Les Fletcher is restless, apparently about their boss Con McCarty whose wife had an affair with Jack. Someone breaks into Richie's home, looking for a crucial CD.
The Director and Players for Get Carter (2000) 720p
The Reviews for Get Carter (2000) 720p
Effective. Complex. Layered. Well acted. Sharp. Smart.Reviewed byVlad-58Vote: 7/10
A remake of the 1971 film with Michael Caine. Las Vegas mob enforcer Jack Carter travels to Seattle to investigate his brother's mysterious death. Local crime lords want him out, but Carter unrelentingly proceeds in finding the truth. Starting with a promising beginning (though it remains amusing that someone thought that Stallone can match Caine's acting) the film soon slumps into a bad case of mediocrity. It has the same idea as the original and tries to be as badass with its kinetic and almost experimental direction, but ends up being just poor. Stallone's Carter is given an almost soft side that goes complete against the character from the first film. On top of that there are some enjoyable car chases, but they serve as sensationalism that was critically lacking from the first film. Then there is the ending, which has some merit (since the film already establish Carter as softer then the original), but even so, it is still pretty stupid and leaves the film with little to say or resonate with. That ultimately makes this is second rate crime movie that you might enjoy, but don't count it. --- 5/10 Rated R for violence and profanity
The central figure of this film, Jack Carter, is a Las Vegas gangster who returns to his roots in Seattle following the death of his brother. This was officially reported as an accident, but Jack suspects that his brother may have been murdered by members of the local criminal underworld. The film charts Jack's attempts to find out the truth and to take revenge. This is, of course, a good example of Hollywood's cannibalising of the British and European film industries in its endless search for a good story. It is a remake of Mike Hodges's classic from 1971, one of the few great British gangster films. That film was one that grew out of, and yet at the same time transcended, a particular place and time, the North-East of England in the early seventies. This was a time of rapid social change in Britain, marked by increasing social mobility, growing permissiveness and relative prosperity, elements all reflected in the film. Like many of the best British films, it had a strong sense of place. Its fidelity to a real time and place was not a weakness but a strength, helping to establish it firmly in the realm of reality and to convey its major theme, the sterility and futility of the criminal lifestyle. Its view of the underworld acted as a necessary antidote to the tendency, very prevalent in the late sixties and early seventies, to glamorise criminals ("The Thomas Crown Affair), sentimentalise them ("The Italian Job") or mythologise them ("The Godfather"). Stephen Kay's film attempts to establish a similar sense of place to the original; the Seattle we see has a bleak, forbidding atmosphere, always shrouded in rain or mist. It has a much more star-studded cast than the original, with at least one reasonably good performance from a convincingly thuggish Mickey Rourke. Despite this, however, it is a far inferior film when compared with the original. The main reason is the way in which the character of Jack Carter has been changed. Michael Caine's Carter was, for all his sharp suits and fast cars, no more than a ruthless street thug, a poor boy made bad at a time when other poor boys were making good. Sylvester Stallone's character, by contrast, may have a rough exterior (Stallone plays him as outwardly impassive, with a gruff, emotionless voice) but beneath it he is one of the good guys. The plot has been rewritten to make Carter less brutal and ruthless and to allow him to survive at the end. The original was a morality play on (as another reviewer has pointed out) the theme of "those who live by the sword shall die by the sword". The remake is simply a revenge thriller with a hero whom the audience can root for. This illustrates one of the perils of the remake. Kay's film has kept the title, the bare outlines of the plot and even some of the names of the characters, but completely fails to capture the spirit of the original. Moreover, it is unable to replace that spirit with anything new. If the film-makers had wanted to make an exciting goodie-versus-baddies revenge thriller, they could have chosen a better starting-point than the plot of a film made some thirty years earlier with a very different aim in mind. It has become something of a tradition for remakes to feature cameo appearances by the stars of the original films. Martin Scorsese's "Cape Fear", for example, featured no fewer than three actors who had appeared in the earlier J. Lee Thompson version, Gregory Peck, Robert Mitchum and Martin Balsam. That, however, was a rare example of a remake that we as good as, or even better than, the original. Kay's "Get Carter", however, is not in the same class as Hodges's. It was, therefore, rather disappointing to see Michael Caine appearing in a remake that can only diminish one of his best films. 4/10