Give 'em Hell, Malone (2009) 1080p YIFY Movie

Give 'em Hell, Malone (2009) 1080p

A tough as nails private investigator (Malone) squares off with gangsters and their thugs to protect a valuable secret. Malone goes through hell to protect the information but he dishes some hell as well...

IMDB: 6.00 Likes

  • Genre: Action | Crime
  • Quality: 1080p
  • Size: 1.84G
  • Resolution: 1920x816 / 23.976 (23976/1000) FPSfps
  • Language: English
  • Run Time: 96
  • IMDB Rating: 6.0/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 3

The Synopsis for Give 'em Hell, Malone (2009) 1080p

A tough as nails private investigator (Malone) squares off with gangsters and their thugs to protect a valuable secret. Malone goes through hell to protect the information but he dishes some hell as well...


The Director and Players for Give 'em Hell, Malone (2009) 1080p

[Director]Russell Mulcahy
[Role:]Thomas Jane
[Role:]Ving Rhames
[Role:]Elsa Pataky


The Reviews for Give 'em Hell, Malone (2009) 1080p


Reviewed by (bob-rutzel-1)Vote: 6/10/10

Former Detective and now freelance vigilante (for lack of a betterdescription) Malone (Jane) believes he was set up and he needs to findout why the box everyone is trying to get is so important.

Watching this movie was like watching a comic book come to life. Thedialogue, costumes, and cars from the 1940s made it so. I know manyaction movies are based on comic book super heroes, but this was goinga bit too far and I almost shut it down. And, as far as I know therewas no comic book based on the Malone character (I could be wrong aboutit, but…….I'm just saying).

There is so much shooting and killing in the beginning, sleepy time wascoming upon me. But, nothing else was on tap so I stayed with it.Actually, it was quite entertaining and not bad at all. Yes, theshootings and killings went on unabated, but there was a story in theretoo. Honest.

For those of you (and me too) who forgot who Thomas Jane is let me fillus all in. He is the Punisher in those other movies actually based uponThe Punisher comic book. Well, he may as well have been the Punisher inthis one too. But as he says, he is a hard one to kill and yet, he doestake some pretty hard whacks, and gunshots too. But, not to worry hismother tends to his gunshot wounds.

This Malone character doesn't mess around and neither does DougHutchinson appropriately called Matchstick, who likes to light firesevery place he goes to kill people. Ving Rhames is a mountain of a manand if I heard it right, his character, Boulder, used to work withMalone back in the day on the job (Police work). The only thing he isafraid of is the story he believes that Malone actually reached in andtook the hearts out of the people who killed his whole family and atethe hearts. And, let's not forget Gregory Harrison (as Whitmore), fromsome medical TV show back in the day. Well, he's a meanie in here andlikes to use a baseball bat.

This is non-stop action, shootings and killings,but there is a story inhere. Honest. You just have to stay with it. Okay, some twists too.

A meaningless note: sometimes Thomas Jane sounds like James Arness Youknow from Gunsmoke back in the day.

Oh, one more thing. There is a note at the end of the movie that says:TO BE CONTINUED. Can't wait.

Violence: Yes. Sex: No. Nudity: Yes, a brief shot of Elsa Pataky in theshower. Language: Yes.

Reviewed byTehmehVote: 7/10/10

Think about an old classic detective story, preferrably taking placeanywhere from 1940's to 1970's. Add some really refreshing non-PG13violence and a constant layer of humor - not forced jokes every once ina while, but a constant weird, funny tone that is nearly alwayspresent.

The characters are all really stereotypical clichés, and in the bestpossible way. You get the seasoned and rough good guy, a femme fatale(dressed in red, of course) and villains. A stoic one and some over thetop ones. Bear in mind that this is all intended. We get to see somereally fun characters. Thomas Jane fits in his role very well, as doesVing Rhames. Elsa Pataky is pretty and also bad in a way that somehowfits this crazy film. Also, Doug Hutchison gets to give a really hammyperformance, he had a lot of fun with this one.

At some point, the film lost its strong grip on me. Understandable,because this kind of film is extremely hard to pull off perfectly. Iwon't say that it falls apart, but perhaps the movie got more slow andserious when I would've preferred otherwise. Some pacing issuesprobably too.

Besides that, I have one thing to say: I won't forget this movie 15minutes after the end credits start to roll. It's different from theabundance of modern mediocre action thrillers in every possible way. Iwill remember seeing this 10 years from now.

The tongue-in-cheek style makes this movie worthwhile. It's a fine linewhen you're trying to fit film noir and a constant humorous tone in thesame film, but most of the time it works. If you're looking forsomething really serious, wholly original or exceptionally thrilling,look elsewhere. This feels more like a homage than anything else.Whatever the case may be, I liked it.

Reviewed byrooprectVote: /10

The only reason I watched this was because the guy at the video storehanded it to me and told me it was really good, and I would've lookedlike a wuss if I had thrown it back at him & rented "Sense andSensibility" instead. I mean, it's tough enough renting a Hugh Grantflick without the added pressure.

So I got back home feeling a bit conned & not expecting much. Boy was Isurprised. From the first 30 seconds I could tell this was no ordinaryaction flick.

Yes, as other reviewers have noted, this film is strongly rooted infilm noir. But what makes it so interesting is that it's noir withoutthe noir. Sure, we have the lantern-jawed, emotionless anti-hero who'severything we would expect from Bogie. We have the mysterious femmefatale and the late night saxophone music to add to the mood. But thevisuals, pacing and presentation is something very fresh, very vibrant& colourful, and so over-the-top violent that you can't help but feelthe strong contrast against the typical 40s film noir. This wasdeliberate on the part of the director, just like he deliberatelythrows in lots of playful anachronisms: 1940s cars driving alongsidemodern minivans, and old time cityscape that suddenly blends intomodern streets (from what I understand, that's what the city of Spokaneis really like), and the list goes on. Other interesting contrastsinclude the tough-as-nails hero who's loving mother drops in atunexpected times. The flow of this film is anything but predictable,and that's what really keeps you hooked.

But my favourite part was the insane lineup of villains. It's sosurreal, like something out of Dick Tracy. I particularly liked thecharacter of "Matchstick", a deformed, psychotic sicko whom you gottafall in love with. Then there's the cute/slutty lolita girl "Mauler"who can carve a man up faster than a ginsu knife commercial; yet shecomplains that she can't get a date. And lastly we have theincomparable Ving Rhames playing the cold-hearted assassin who slipsinto Gandhi-like moments of introspection and wisdom. What a wackybunch! This is definitely a fun film. Even the excessive violence is soexaggerated you gotta love it. Here we have the best gore clichés inthe business: the guy who gets hit in the mouth and spits a gallon ofblood, the guy who gets knifed in the leg and gushes blood like a hose,and don't forget the best one... someone getting their heart ripped outof their chest while they're still breathing. There's a lot oftongue-in-cheek fun going here. It's almost like an action flick thatmakes fun of action flicks. But at the same time it's subtle enoughthat you can take it as a straightforward action flick. Either way,you're in for a wild ride.

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