Grand Hotel (1932) 1080p YIFY Movie

Grand Hotel (1932) 1080p

Grand Hotel is a movie starring Greta Garbo, John Barrymore, and Joan Crawford. A group of very different individuals staying at a luxurious hotel in Berlin deal with each of their respective dramas.

IMDB: 7.53 Likes

  • Genre: Drama | Romance
  • Quality: 1080p
  • Size: 2.15G
  • Resolution: / fps
  • Language: English
  • Run Time: 112
  • IMDB Rating: 7.5/10 
  • MPR: Normal
  • Peers/Seeds: 2 / 0

The Synopsis for Grand Hotel (1932) 1080p

Berlin's plushest, most expensive hotel is the setting where in the words of Dr. Otternschlag "People come, people go. Nothing ever happens.". The doctor is usually drunk so he missed the fact that Baron von Geigern is broke and trying to steal eccentric dancer Grusinskaya's pearls. He ends up stealing her heart instead. Powerful German businessman Preysing brow beats Kringelein, one of his company's lowly bookkeepers but it is the terminally ill Kringelein who holds all the cards in the end. Meanwhile, the Baron also steals the heart of Preysing's mistress, Flaemmchen, but she doesn't end up with either one of them in the end...

The Director and Players for Grand Hotel (1932) 1080p

[Director]Edmund Goulding
[Role:]Joan Crawford
[Role:]Wallace Beery
[Role:]John Barrymore
[Role:]Greta Garbo

The Reviews for Grand Hotel (1932) 1080p

People Coming, Going, Nothing Ever HappensReviewed byclaudio_carvalhoVote: 9/10

Along a couple of days in Berlin of the 30s, the lives of some guests are connected in the fancy Grand Hotel. Grusinskaya (Greta Garbo) is a dancer in crisis who falls in love for Baron Felix Von Geigern (John Barrymore, the grandfather of the sweet Drew Barrymore). The Baron is a bankrupted noble, a very gentle and refined person, but indeed a thief of hotel rooms. Preysing (Wallace Beery) is a tough businessman, dealing in Berlin an important contract. Flaemmchen (Joan Crawford) is officially an stenographer and also an expensive 'working girl', making programs with her clients. Otto Kringelein (Lionel Barrymore) is a sick man who had worked most of his life as an accountant in one of the Preysing's company. During these days, one of these characters is murdered by another one. In the end, Grand Hotel is a place where people come, go, and nothing ever happens, in accordance with the definition of one character. Yesterday I saw this movie for the first time. The first point that called my attention was the constellation of the stars sharing lead roles: none of the previously mentioned character has less importance in the story. The long shots, with lots of figurants in the lobby of Grand Hotel, are very impressive. The beauty of Greta Garbo, who has a very theatrical performance, and Joan Crawford are amazing, even for the present standards. Unfortunately the quality of the image and sound of the Brazilian VHS is horrible. My vote is nine.

Title (Brazil): 'Grand Hotel'

good now, great thenReviewed byryangilmer007Vote: 8/10

What was a great movie in 1932 is still a good movie in 1999. In the Grandest Hotel of them all as "People come, people go. (but) Nothing ever happens." This is a story of a day at the hotel. Nothing out of the ordinary occurs, except lots of drinking, gambling, a love triangle, .... This film is one of the last big-budget "studio" Hollywood movies from its era (20's-30's) and is frequently studied for both this aspect and its photographic techniques (like the revolving doorway). The two hours is well worth it. Lionel Barrymore's performance is also really memorable.

Very melodramatic - and pretty goodReviewed byFilmOtakuVote: 7/10

Edmund Goulding's 1932 film "Grand Hotel", about 48 hours in a plush German hotel has a dream cast. Grusinskaya (Greta Garbo) is a Russian prima ballerina in town for several performances, who is lonely, a drama queen, and suicidal. She meets Baron von Geigern (John Barrymore) a hotel thief who inadvertently is in her room (having been in the process of stealing some jewelry) when she is about to commit suicide, and stays the night with her, convincing her not to end things. The two fall in love, of course, much to the disappointment of Flaemmchen (Joan Crawford), a woman that von Geigern was romancing the day before. Flaemmchen is a stenographer, and her boss, German tycoon Preysing (Wallace Beery) is having a hard time with a merger he is trying to transact. One of Preysing's employees at a factory he owns is bookkeeper Otto Kringelein (Lionel Barrymore). Otto is staying at the hotel because he only has a short time to live, so he takes his entire life savings and decides to live the rest of his life in luxury. Throughout the 48 hours that the action takes place, friendships are made, loves are found and lost, and a murder changes the lives of all of the main characters.

"Grand Hotel" won the Oscar for Best Picture of 1932, and it is easy to see why. The film is an epic without having an enormous cast or exotic locales. From the films that I have seen of this decade, this is one of the first examples of an intertwining narrative structure. We are used to seeing this now; (think Altman, in particular) where characters are all somehow connected, even though they may not even know each other. Another fine early example that I can recall was a decade later with "Tales of Manhattan". The acting is incredible, though Garbo's REALLY over-the-top performance was a bit much. Realizing that she was a drama queen as a profession, I excused a lot of it, but it got to a point where I was really snickering to myself after awhile, because she was acting just like Gloria Swanson later would in "Sunset Boulevard". One explanation could be that this was still a really early stage of the talking picture, and silent films solely relied on gestures and facial expressions to convey emotion. I was very impressed with the performances of the Barrymore brothers (I've always loved Lionel Barrymore), and was stunned by Crawford's talent as well as beauty.

"Grand Hotel" is rife with melodrama, but it was not hackneyed or maudlin. I am actually quite surprised it isn't on the IMDb top 250 list; I found it to be that good. I am a big fan of Douglas Sirk's melodramatic films of the 1940's and 1950's, and "Grand Hotel" is a great predecessor of that genre. 7/10 --Shelly

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