Illegal (1955) 1080p YIFY Movie

Illegal (1955) 1080p

After an overly aggressive district attorney unknowingly sends an innocent man to the chair, he resigns, turns to drinking, and acquires a criminal clientèle.

IMDB: 70 Likes

  • Genre: Crime | Drama
  • Quality: 1080p
  • Size: 1.68G
  • Resolution: / fps
  • Language: English  
  • Run Time: 88
  • IMDB Rating: 7/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for Illegal (1955) 1080p

The Director and Players for Illegal (1955) 1080p

[Director]Lewis Allen
[Role:]Edward G. Robinson
[Role:]Nina Foch
[Role:]Hugh Marlowe

The Reviews for Illegal (1955) 1080p

A Clever Man and a Wrong MoveReviewed byrpvanderlindenVote: 9/10

"Illegal" is an intelligent and nimble little crackerjack of a crime thriller starring Edward G. Robinson as a D.A who's maybe a little too smart - and smart-assed - for his own good. He's ruthless because his job requires him to be. He wins cases. That's what he's paid for. He's quick of wit and tongue. He's ambitious, canny and - technically, at least - in compliance with the law. He's, at heart, a good man, and he's in the public eye, but he's not universally well-liked. One day, he sends the wrong man to the chair. And he comes undone.

This sets in motion a plot that winds and twists without becoming outlandish. The picture, which doesn't strike me as a "noir", moves at a nice clip, each of the broad spectrum of characters is painted with a defining brush stroke, and the dialogue is efficient and snappy. It's the kind of movie that hooks you and hooks you good. It did me.

"Illegal" is, above all, an Edward G. Robinson picture. It doesn't seem like a star vehicle. Robinson shares the screen with everyone, yet he is such a forceful presence and creates such a complex and complicated character, sympathetic yet warped, you search him out in every scene. You want to watch him. He's magnetic. I'm becoming a real Edward G. Robinson fan on the strength of his 40's and 50's films alone, some of them comic reminders of his earlier gangster persona. He's as good in this movie as he is in "Scarlet Street", which I saw recently for the first time and which, well... kinda sorta blew my mind. I've lived a little and can recognize the truths that some of these lively, well-written B-movies shine a light on.

Brightly Lit Stiff With Some Talent At WorkReviewed byLeonLouisRicciVote: 6/10

This Could Only be Called Film-Noir in the Most Liberal of Definition, Despite, Once Again, a DVD Package that Claims it As Such. It has that 1950's Television Lighting where Everything is Glowing and Bright and that Decades Safe Presentation and Production that Screams "Assembly Line" in Every Scene.

But it is a Good Courtroom Melodrama with a Strong Performance by Robinson and a Supporting Cast Playing Some Interesting, if Standard, Characters. Albert Dekker Seems to have Wandered In from Kiss Me Deadly (1955, a true Noir), Nina Foch is OK if Bland, and Jan Merlin as a Pistol Yielding Gunsel Stands Out.

This is the Third Version of the Story and is Worth a Watch for Edward G. and for a Couple of Powerfully Violent Scenes, the first Murder, and a Bedroom Brawl Between Foch and Hugh Marlowe. The Rest is Pedestrian but Tolerable and Jayne Mansfield Makes Her Debut with a Scene or Two that Registers.

Overall, Not Much and it has the Stiffness of a Retread, but there is Talent at Work Here with a Max Steiner Score and Some Salty Dialog, but the Film Seems Outdated and Comes Off as a Moderate Revisitation.

The Best TrainingReviewed bybkoganbingVote: 8/10

Illegal marks the third time Warner Brothers told this tale of a lawyer's downfall and redemption. It was previously filmed as The Mouthpiece and The Man Who Talked Too Much with Warren William and George Brent playing the role that Edward G. Robinson does here. I've not seen the other two films as yet, but it's hard to imagine either of the other players doing it better. In fact both the other guys would certainly play it differently than Robinson.

Illegal finds Edward G. Robinson cast as a zealous prosecutor who convicts DeForest Kelley wrongly of murder. There's no last minute pardon from the governor however, no verdict set aside, because the evidence that could clear him comes as the switch is being thrown on the electric chair.

Robinson's an ambitious fellow who would like to have been governor or more, but this does set him back on his heels and he takes to drink. But soon enough he realizes he still has the skills so now he can put them to work for the other side.

That by the way is the standard way criminal defense attorneys are born, the best training they can receive can be as Assistant District Attorneys. After a nifty bit of legal legerdemain Robinson winds up working for mobster Albert Dekker. In the meantime his former assistant in the DA's office Nina Foch winds up killing her husband Hugh Marlowe when she discovers he's been a mole there for Dekker.

The legal legerdemain is by far the best bit in the film. Robinson gets James McCallion out of an embezzlement charge and fixes it so that McCallion's boss Howard St. John is left without a leg to stand on.

Jayne Mansfield lends her gravity defying presence to Illegal in one of her earliest films. She plays Dekker's moll and sings Too Marvelous For Words very badly. But as a singer it's not her voice that perks Dekker's interest.

In many ways the lead in this story is a dream role for a player. Every actor worth his salt wants a courtroom drama because of the histrionics involved. Robinson has several courtroom scenes on both sides of the fence and convicts and frees clients by some interesting methods.

In his memoirs Robinson called from 1949 with All My Sons until 1956 in The Ten Commandments as his B picture period. But I'm here to say that while the films weren't big marquee box office, they were pretty much well done dramas that Robinson brought his sense of professionalism to each role. Illegal is one of the best of them.

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