Kagemusha (1980) 720p YIFY Movie

Kagemusha (1980)

Kagemusha is a movie starring Tatsuya Nakadai, Tsutomu Yamazaki, and Ken'ichi Hagiwara. A petty thief with an utter resemblance to a samurai warlord is hired as the lord's double. When the warlord later dies the thief is forced to...

IMDB: 8.03 Likes

  • Genre: Drama | History
  • Quality: 720p
  • Size: 1.50G
  • Resolution: 1280*800 / 23.976 fpsfps
  • Language: English
  • Run Time: 160
  • IMDB Rating: 8.0/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for Kagemusha (1980) 720p

When a powerful warlord in medieval Japan dies, a poor thief recruited to impersonate him finds difficulty living up to his role and clashes with the spirit of the warlord during turbulent times in the kingdom.


The Director and Players for Kagemusha (1980) 720p

[Director]Akira Kurosawa
[Role:]Tatsuya Nakadai
[Role:]Jinpachi Nezu
[Role:]Ken'ichi Hagiwara
[Role:]Tsutomu Yamazaki


The Reviews for Kagemusha (1980) 720p


A big, beautiful boreReviewed bylarma7Vote: 4/10

This one is known by many to be a 'warm-up' to "Ran". Perhaps that should have been a warning, as I wasn't a huge fan of that film. But still, I remained interested in this one and it looked good. But lordy did I find this one a big, beautiful, empty bore. I mean, sure, the visuals are crazy good at times, lovely colors, and it is just in general a great looking movie. Excellent design and all. But at the same time I sort of feel that's all that was to it.

The performances here aren't nearly as stilted or obnoxious as some in "Ran", and in fact I really like Tatsuya Nakadai in this. The problem here is that I don't think anyone involved was given much interesting material to work with. It isn't that I don't think there is an interesting story to be told here, but I sort of see this movie as a missed opportunity. Instead of focusing more on developing the character of the impersonator, too much time is spent on scenes of rival sides scheming and questioning if Shingen is alive or dead. Things seem to only be addressed on the surface and the character interactions are never given enough time to breath. More importantly, this might not be as much of a problem if the film didn't move at such an excruciating pace. Some films are deliberately paced a certain way and some films are slow-burning, but this one just feels slow, period, and without much of a purpose most of the time.

Additionally, I often found that scenes and drama were laboriously set-up within the story, then those scenes slowly unfolded, and then there is little actual pay-off. Take for instance the section of the story where the one Clan leader decides to send a priest carrying medicine as a supposed "gift" to Shingen, but really they want to find out if Shingen is actually alive or not. This is thoroughly explained by the Clan leader. Then when the priest arrives, Shingen (or the impersonator) and his fellow leaders discuss how they KNOW what the other Clan leader is up to, and how they must hide it! Then when the scene actually HAPPENS there ends up being little to no tension and nothing actually comes of it. It's just completely frustrating to watch! Scenes go on forever and sometimes the film just feels dead. All of a sudden then we'll cut to a scene of rousing music as men on horse-back prepare for battle. It felt like it all had no real flow at all. Even the battle scenes were really disappointing -- the ones at night were very hard to follow.

I will admit that the movie can be a stunner at times. That ending is really something, but even then it feels like the film is shouting "LOOK HOW EPIC AND TRAGIC I AM!!!!" Sort of like "Ran", really. But in retrospect, this film makes me appreciate "Ran" even more, for where that movie sort of falls apart for me in its later stages, at least it had a little umpf to it. "Kagemusha" feels like it never actually gets off the ground. Kurosawa is a great filmmaker, but I can't get behind this one.

some knowledge of Japanese history is useful in appreciating this filmReviewed byccwfVote: 8/10

This film is set at the beginning of the Warring States era of Japanese history, which most Japanese film viewers would have studied extensively in school. Unfortunately for Western viewers, these historical aspects are therefore given little exposition, making some aspects of the film hard to follow for those without such schooling.

Here are some attempts at "liner notes" to help in understanding and appreciating the film (warning: I'm not Japanese and have not had Japanese schooling):

* Shingen Takeda is a warlord vying for power with Oda Nobunaga and his ally Ieyasu.

* Takeda had a reputation for the military prowess of their cavalry. Thus, you see lots and lots of horses featured in the film. Horses were important to the clan. Takeda's symbol is the four diamonds (the exact symbolism is explained in the film). Just as in the West, use of such heraldic symbols in war banners and clothing was very useful in figuring out who is who. So, keep in mind that when you see the four diamonds, whatever their color, those are Takeda forces.

* Nobunaga was known for his adoption of many Western ways. This is why he wears European-influenced clothing and doesn't have the standard samurai haircut (basically, shaved head, topknot). Nobunaga was also known for his use of rifles in battles. So, one of the themes of the film is the struggle of tradition against the influence of the West (in the film, mostly shown through the use of guns although their is also a brief shot of some clerics). Nobunaga's symbol is the five-sectioned flower. Nobunaga is also known for his love of Noh dramas, a dramatic form incorporating difficult-to-understand archaic language and restrained, careful action, somewhat like the film "Kagemusha" itself. Nobunaga launches into a bit of Noh at one point in the film.

* At this early time, Ieyasu was mostly known for his political survival skills. Ieyasu is probably best known to American viewers as the basis for James Clavell's Toranaga character in "Shogun". (Nobunaga is also in "Shogun" albeit as a minor character and under a different name.) The events in this film take place roughly two decades prior to those in "Shogun".

* Takeda's generals each also have their own symbols to help you track them. One of Ieyasu's generals also has a "symbol" (actually, the character "hon", which IMDb will not display).

* Haircuts are a sign of rank. This is why all the lords (except Nobunaga) have a certain haircut, all the pages have the same hairstyle, and so forth. The haircut~rank connection figures even more strongly and explicitly in Kurosawa's "Throne of Blood".

* Japanese men during this period often changed their names as their status changed. For example, in "Toshie to Matsu", Toshie, who is one of Nobunaga's (and, later, Hideyoshi's and Ieyasu's) generals/lords is granted the honor of changing his name to one which incorporates part of his lord's name into his own. Keep this in mind as Takeda's son discusses the use of his father's name and symbol.

* Miltary success and bravery in battle were key means of advancement. Thus, military leaders of this time are often depicted as ever-volunteering to do brave (even stupidly brave) things in hopes of gaining greater status. In "Kagemusha", Takeda's son is desperate for such advancement.

incredibly BIG and beautiful but also very sterileReviewed byMartinHaferVote: 6/10

I have seen nearly all of Akira Kurosawa's films, so my opinion shouldn't be completely ignored. Although I am in the distinct minority, I didn't particularly like KAGEMUSHA. Yes, it was big and beautiful and had great scope but it was also emotionally sterile and bore little resemblance to Kurosawa's earlier, more famous works. The same, by the way, can be said about RAN. Both films had relatively HUGE budgets but the dialog and connectedness between the characters was lacking. As a result, I felt pretty bored when I watched both of them--especially this film.

So, if you compare these two movies with THE 7 SAMURAI or YOJIMBO, for example, they seem VERY different. These older films, though not filmed in color, had a greater sense of humanity about them--great importance was placed on the INTERRELATIONSHIPS between the characters AND the camera work was very different, with more closeups and a more intimate feel. So, while RAN and KAGEMUSHA were pretty to look at, I felt much more detached from them and cared much less about the characters. I really think the problem with these two movies, and the reason I like them less than the average Kurosawa film, was that the big budget in these later films actually HURT them, as too much emphasis was placed on effects and dialog was purely secondary.

So, in summary, I am the odd-ball that didn't love this film. You will probably disagree and might be tempted to mark my review as "not helpful", as the reviews on IMDb are generally glowing. But having seen many Japanese films, I can't help but feel there are better films out there waiting to be seen. Most any other Kurosawa film, and films by other great directors (such as THE SAMURAI TRILOGY, the films of Yasujiro Ozu) are more appealing to me. I think the popularity of this film is in part due to its having been seen in theaters by more Westerners than any other of Kurosawa's films--SEEK OUT HIS EARLIER AND MID-CAREER FILMS--they are better and far more emotionally involving.

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