Lady Chatterley's Lover (2015) 720p YIFY Movie

Lady Chatterley's Lover (2015)

In 1913 Connie Reid marries wealthy Nottingham colliery owner Sir Clifford Chatterley but he returns from the Great War disabled and in a wheelchair. Connie is loyal but begins to feel ...

IMDB: 6.42 Likes

  • Genre: Drama | Romance
  • Quality: 720p
  • Size: 1.08G
  • Resolution: 1280x720 / 25.000 fpsfps
  • Language: English
  • Run Time: 89
  • IMDB Rating: 6.4/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 1

The Synopsis for Lady Chatterley's Lover (2015) 720p

In 1913 Connie Reid marries wealthy Nottingham colliery owner Sir Clifford Chatterley but he returns from the Great War disabled and in a wheelchair. Connie is loyal but begins to feel alienated as he engages a nurse, Mrs Bolton, to bathe him and excludes her from pit business. Despite his desire for an heir his impotency results in a lack of sexual activity and Connie is drawn to handsome Oliver Mellors, the plain-spoken former miner her husband has engaged as his game-keeper and who represents the passion she craves. They embark upon a physical affair in Oliver's cottage but are discovered and betrayed by Mrs Bolton. Connie, now carrying Oliver's child, must choose between a pampered but joyless existence with her husband or an uncertain future with the man she has come to love.


The Director and Players for Lady Chatterley's Lover (2015) 720p

[Director]Jed Mercurio
[Role:]Richard Madden
[Role:]James Norton
[Role:]Holliday Grainger


The Reviews for Lady Chatterley's Lover (2015) 720p


Reviewed byl_rawjalaurenceVote: 7/10/10

Compared to earlier versions of the Lawrence novel on film andtelevision - for example, Ken Russell's 1993 television version orSylvia Kristel's porno-fest (1981) directed by her then-husband JustJaeckin, Jed Mercurio's telefilm is relatively chaste in terms ofsexual content. We see Mellors (Richard Madden) and Connie (HollidayGrainger) making love, but it is tastefully filmed by the fire inMellors' shack, using lighting strongly reminiscent of Russell's WOMENIN LOVE (1969).

Director Mercurio seems far more interested in exploring theconsequences of class-difference in a highly stratified society.Clifford Chatterley (James Norton) views his mine-workers and servantsas sub-humans, whose sole function consists of serving the rich. In onesequence he sits in his motor-cycle and sidecar and lets Mellors pushhim out of a rut, even though this proves injurious to Mellors' health.He treats Ivy Bolton (Jodie Comer) with equal disdain - that is, untilthe climactic moment when Bolton confronts her master with the news ofLady Chatterley's affair.

The contrast between rich and poor could not be more stark. The filmopens with a mining accident in which Ivy's husband Ted (ChrisMorrison) is crushed to death by an underground fall of coal. Left withlittle or nothing to survive on, Ivy can only eke out an existenceserving the rich. By contrast Clifford lives a life of comfortablegentility, indulging in frequent parties whose guests dance to ScottJoplin rag-times played by a servile band.

It is these class-differences that inspire Mellors' resentment. Thereason for his feelings is clearly explained towards the end; sufficeto say that he believes that the landed gentry have little or noconception of what it is to live on the bread-line, at the beck andcall of the upper classes. We might be persuaded to see his affair withLady Chatterley as a means for him to take revenge on all the socialslights he has experienced throughout his life.

Yet Grainger's performance proves that this is clearly not the case. AsLady Chatterley she spends much of her time caring for her husband,even though it is a thankless task. Frustrated by her husband'simpotence, she looks for love and compassion; and finds both inMellors. She resembles a ship without a rudder; constrained by theconventions of a restrictive upper class, she longs to express herselfboth emotionally and sexually. Grainger proves extremely good atsuggesting this frustration through small facial gestures puncturingher veneer of social respectability.

To be honest, this version of LADY CHATTERLEY does not make any attemptto explore sexual feelings in any great depth, as in Lawrence'ssource-text. Director Mercurio sees the story as a tussle between dutyand emotion, which reaches a climax at the end when the threeprotagonists at last confront one another.

This is a thoroughly satisfying production of the Lawrence classic,marred only by some syrupy music (by Csrly Paradis) that sometimesdirects our attention away from the characters' emotions.

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