Last Night in Soho (2021) 1080p YIFY Movie

Last Night in Soho (2021) 1080p

In acclaimed director Edgar Wright's psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.

IMDB: 7.50 Likes

  • Genre: Drama | Horror
  • Quality: 1080p
  • Size: 2.16G
  • Resolution: 1920*800 / 23.976 fpsfps
  • Language: English 5.1  
  • Run Time: 116
  • IMDB Rating: 7.5/10 
  • MPR: R
  • Peers/Seeds: 45 / 666

The Synopsis for Last Night in Soho (2021) 1080p

In acclaimed director Edgar Wright's psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.


The Director and Players for Last Night in Soho (2021) 1080p

[Director]Edgar Wright
[Role:]Thomasin McKenzie
[Role:]Anya Taylor-Joy
[Role:]Matt Smith


The Reviews for Last Night in Soho (2021) 1080p


Well done Edgar Wright!Reviewed byjack_o_hasanov_imdbVote: 8/10

Well done Edgar Wright!

I watched the movie at the cinema today and enjoyed it very much. Not once did I look at a watch to see what time it is. It was very enthralling. I like psychological horror movies. Acting was very good. No need to write name each one individually. They were all great. The atmosphere, costumes, hair, make-up designs and music of the movie were very good.

I think there are two twists in the movie. I had guessed 1, but one had never occurred to me. I also liked the twist and ending of the movie. Overall, it's a great job, I recommend it to be seen in the cinema.

Three Remarkably Cogent ThoughtsReviewed byA_Different_DrummerVote: 7/10

1. Diana Rigg will be missed. 2. Thomasin McKenzie has extraordinary eyes, although the 17 pounds of eye makeup helps a bit. 3. One of the Commandments of Film-making is never ever produce an opening segment which is better than the rest of the movie. Oops.

Striking, original horror fantasy from Edgar WrightReviewed bywellthatswhatithinkanywayVote: 9/10

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Eloise (Thomasin McKenzie) travels up from her home in Cornwall to London, to study fashion design. Obsessed with the 60's and wearing clothes she made herself, the introverted young woman becomes a target of rejection and ridicule by her new dorm mates, and isn't accepted by anybody except John (Michael Ajao), a fellow student. She finds herself a flat, rented out by the forthright Ms. Collins (Diana Rigg) where at night she is transported by forces unknown back to the 60's, where she enters the body of Sandie (Anya Taylor-Joy), a feisty aspiring singer, who is rescued one night by the seemingly friendly Jack (Matt Smith), who, after showing his true colours, plunges Eloise into a devastating, sinister nightmare.

The 1960's could be said to be the first era to have an enduring timelessness about it. A time of sexual liberation and changing social attitudes, it was the first great 'rock n' roll' decade, with fashion and music that set the trends from then on, and a time ripe with potential to set stories against the backdrop to, such as this increasingly dark, unnerving tale from director Edgar Wright.

It speaks to the enduring appeal of the 60's that the central protagonist was born so long after it, but still has such an obsession with it. From the outset, Eloise is clearly marked as a passive misfit, living in her own little world, dancing around in her room at home, making her the perfect fish out of water when she gets from her home in Cornwall to the big smoke that is London. The colourful visual assault when she first steps into the night out in 60's Soho, most notably the brightly lit poster advertising the new James Bond film Thunderball, is one of the film's deftest touches, along with the dazzling soundtrack, featuring the likes of Cilla Black and Petula Clark, that really bring the period setting to life. The central concept, while at first a little far fetched, does have a successful air of intrigue about it that draws you in and keeps you hooked.

It all builds up to a big twist, the big reveal behind everything that's been going on, which takes a detour from the Sixth Sense style path it was going down to a different route, which despite having a certain predictability to it, still manages to come off in a way you weren't completely expecting. Mainly, it's kudos to Wright and a sparkling cast for pulling off an original and striking feature so gorgeously. ****

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