In a lot of ways, this is a puzzling movie. Every single element of it is so right, so how does it end up being so completely uninvolving that I ended up nearly falling asleep halfway through? The problem isn't the casting; Colin Farrell makes a hell of a gangster, all smouldering machismo stomping through the streets of London. And with a supporting cast that includes Eddie Marsan (sleazy), David Thewlis (sleazier) and Ben Chaplin (sleaziest, and very, very good), Farrell has some excellent support. Ray Winstone has never been scarier, but of all people it's Anna Friel who takes the acting honours as Farrell's sister, a woman who out-sleazes Marsan, Thewlis and Chaplin combined. The problem isn't the locations, or how true to life they are. I lived in London for a long time, and I've rarely seen the city depicted better, all back streets and alleyways with nasty bastards lurking around every grubby corner. Considering the film's writer and director William Monahan is from Boston, I was worried that this might be the tourist's eye view of London, but that really isn't the case. The film positively drips with atmosphere, and the expletive-heavy dialogue rings true. And yet it all sits there, lifeless on the screen, a collection of images and characters that seem only vaguely related to one another. It doesn't help that the main plot - will Farrell become a proper gangster, or will he end up with Keira Knightley's way-too-good-for-him actress - is hardly new. But that doesn't have to be a deal breaker, and there are plenty of interesting minor characters to pass the time. The problem is really that the film feels rushed. Those minor characters aren't given nearly enough time - Marsan gets three scenes, none of them remotely important to the plot, and even Anna Friel doesn't get a lot to do. She's still better off than Stephen Graham and Sanjeev Bhaskar, great actors who are cast in completely pointless roles that could have been played by anyone. And so much of this movie feels tacked on, from the dozen or so subplots, to Winstone's pointless murder of the wrong man halfway through, to the stalker, obviously based on Mark David Chapman, who makes several ominous appearances and is then dismissed in a single line of dialogue. If some subplots and characters are pointless, though, the ending made me feel that way about the whole damn film. Without giving too much away, it's a horrible, limp lettuce of an ending, with none of the resonance that the film-makers clearly thought it had achieved. That's the film in a nutshell - it wanted to be profound, but ended up as a giant 'so what?'
London Boulevard (2010) 720p YIFY Movie
London Boulevard (2010)
An ex-con hired to look after a reclusive young actress finds himself falling in love, which puts him in direct confrontation with one of London's most vicious gangsters.
IMDB: 6.210 Likes
The Synopsis for London Boulevard (2010) 720p
Mitchel ('Colin Farrell' ) just got out of jail and wants to stay legitimate but his friends involved in the messy London underground fear him and wants him to join them again but Mitchel tries his best to stay away. He gets himself a job as a bodyguard for a retired actress Charlotte (Keira Knightley) who is still hot news for the paparazzi. Mitchell, through his friend Billy eventually meets the underground Don by the name of Gant (Ray Winstone) who wants Mitch to work for him because of Mitch's reputations. While working together Mitch and Charlotte fall in love. Gant asks Billy to get the guy who sent Mitch to jail but it turns out to be the wrong one, Gant kills the guy in front of Mitch and lets Mitch know that he has to work for him now that Mitch has seen him commit the murder but Mitch refuses. Gant keeps trying to force Mitch to his side promising him good ranks and positions but he has to let go of Charlotte but Mitch turns him down even threatens him to stop trying making ...
The Director and Players for London Boulevard (2010) 720p
The Reviews for London Boulevard (2010) 720p
Welcome to the disappointmentReviewed bymattbaxter72Vote: 5/10
The movie had promise - directed by The Departed's writer William Monahan and starring an eclectic bunch of British stars Colin Farrell, Keira Knightly, Ray Winstone, David Thewlis and Anna Friel. Even Eddie Marsan, Stephen Graham and Ben Chaplin make appearances. Unfortunately despite a snazzy score and a stylish flourish, this movie is nothing more than a collection of London gangster movie cliches and stereotypes with an obvious script written by an unauthentic source. The characters can all be labelled with a single word (villain, victim, druggie etc), bereft of any depth or colour. Farrell plays Mitchell, fresh from prison and determined to go straight, within half-an-hour, he has been offered a choice of two jobs. One working as a debt collector for tough and possibly homosexual (who cares?) gangland boss (Winstone, who else) and the other protecting a damaged & shy actress (Knightly). Needless to say, Winstone doesn't take kindly to being refused and sets his sights on hurting Mitchell as revenge (hasn't he got better things to do?) The movie doesn't ring true at every juncture and the only pleasure the viewer grab, is when watching Thewlis's thinly veiled Withnail impression or with the music on show. Do yourself a favour and watch Layer Cake instead.
This film was brimming with potential, an adept cast, some stylish directing & gritty yet beautiful set locations. However some of the story & the actions taken by its characters were implausible, & most of its ideas didn't develop effectively on screen. Recently released gangster Colin Farrell meets a young female friend of reclusive celebrity actor Kiera Knightly & offers him a job protecting her from intrusive paparazzi. He shows up for work & What feels like a scene or two later they have (unconvincingly) fallen in love. parallel to this Farrels character is finding it hard to escape his past & is soon roped into a feud with gangster boss Ray Winstone. He is now faced with the dilemma of either returning to his previous nature or beginning a life of new found love in LA. All this is played out with some very stylish moments, such as the dialogue between Winstone & Farrel in the restaurant or the artistic but realistic way in which the environment is captured. All the acting is well done & Its accompanied by a great soundtrack, but a huge amount of the script feels rushed & underdeveloped. As a whole it is entertaining if not taken to seriously but may not appeal to any serious film enthusiast. I also felt that the ending of this film was brave but what I had seen prior to it lacked enough substance or attachment to make it stick & I think I would have been more satisfied with a conventional ending.