Long Day's Journey Into Night (2018) 1080p YIFY Movie

Long Day's Journey Into Night (2018) 1080p

Diqiu zuihou de yewan is a movie starring Wei Tang, Jue Huang, and Sylvia Chang. A man went back to Guizhou, found the tracks of a mysterious woman. He recalls the summer he spent with her twenty years ago.

IMDB: 7.20 Likes

  • Genre: Drama | Mystery
  • Quality: 1080p
  • Size: 2.46G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 140
  • IMDB Rating: 7.2/10 
  • MPR: Normal
  • Peers/Seeds: 3 / 45

The Synopsis for Long Day's Journey Into Night (2018) 1080p

Luo Hongwu returns to Kaili, the hometown from which he fled 12 years earlier. As memories of an enigmatic and beautiful woman resurface - a woman he loved and whom he has never been able to forget - Luo Hongwu begins his search for her. Past and present, reality and dream interweave in Bi Gan's stunningly beautiful and highly innovative film noir.


The Director and Players for Long Day's Journey Into Night (2018) 1080p

[Director]Gan Bi
[Role:]Hong-Chi Lee
[Role:]Sylvia Chang
[Role:]Wei Tang
[Role:]Jue Huang


The Reviews for Long Day's Journey Into Night (2018) 1080p


Michelangelo Antonioni at about 1/4th speedReviewed bycarsondlxVote: 7/10

It's been done. Over and over and over in the European art cinema of the fifties and sixties. Existentialism. The meaninglessness of existence. Movies with little plot and clever devices that distance the viewer from the characters Done far, far better in films like Goddard's Breathless.

Here, every time there is some hint of plot line, or some chance to connect emotionally with characters and feel sympathy, the action abruptly shifts to sometime in the past or the future with absolutely no logic. Who is who? Very hard to say.

I guess there is some attempt to follow what might be called dream logic, but you know, other people's dreams are generally boring and this is about as boring (and ponderously long) as could possibly be.

Mostly it feels like some film student's first attempt at a feature length with no adults in the editing room.

If you liked this film try Antonioni or Goddard. Existence is meaningless but at least with those guys, it is often rather fun.

Rare consequential use of 3-DReviewed byBachfeuerVote: 7/10

I was ten years old in 1953 during the first heyday of 3-D movies. In the years since the novelty wore off, I have been sadly disappointed how few and far between memorable ones have been. WINGS OF COURAGE, POLAR EXPRESS, HUGO, AVATAR, THE FINEST HOURS and this film are pretty much the lot. Nevertheless, there is ubiquitous movie house 3-D capability, and lots of cheesy up-conversions of films made neither in nor for 3-D to occupy them. Alas, serious film makers have generally concluded that 3-D adds too little value to be worth the trouble.

LONG DAY'S JOURNEY is a live action evocation of a Munga-style comic. The second half is a dream sequence, set apart by what must be the first 3-D ever done with steady-cam. The story and characters did not particularly resonate with me. The many filmgoers who have never had the opportunity to see the "classics" of 3-D properly exhibited can recapture a good deal of the excitement here.

And it was all a dreamReviewed bydeastman_ukVote: 6/10

This Chinese film doesn't quite fall into Tartovsky or even David Lynch territory ( actually it is more in keeping with Momento) but it is obtuse enough to even confound an arthouse crowd. For technical reasons, the german film Victoria also comes to mind, as it also is largely based on a single tracking shot.

The dream that winds around itself with constant references - in some respects it may be easier to follow with subtitles, as it is harder for text to slip by you - produces some very strong cinematography that is at first shot by shot, followed at the end by a single take from a very young director - but clearly experienced camera crew.

After returning home, a man searches for either a lover, or a friend, but we are already in a dream world either inhabiting the past, or reliving the past. People are often ciphers for other people in this mis-remembered past, where most objects reappear elsewhere almost like an adventure game. There isn't too much heavy metaphor - although a broken watch for being stuck in time is pretty silly - so like every film these days, you probably have to see it again to pick up on everything. Honey, apples, green things, red things, ping-pong, cells, tunnels, winter, summer, dilapidation, trucks - loads of things are connected to and through the past in a recurring dream that you know won't go anywhere.

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