Mad Max: Fury Road (2015) 1080p YIFY Movie

Mad Max: Fury Road (2015) 1080P

In a stark desert landscape where humanity is broken, two rebels just might be able to restore order: Max, a man of action and of few words, and Furiosa, a woman of action who is looking to make it back to her childhood homeland.

IMDB: 8.4698 Likes

  • Genre: Action | Adventure
  • Quality: 1080p
  • Size: 1.84G
  • Resolution: 1920*800 / 23.976fps
  • Language: English
  • Run Time: 120
  • IMDB Rating: 8.4/10 
  • MPR: R
  • Peers/Seeds: 90 / 942

The Synopsis for Mad Max: Fury Road (2015) 1080p

An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order. There's Max, a man of action and a man of few words, who seeks peace of mind following the loss of his wife and child in the aftermath of the chaos. And Furiosa, a woman of action and a woman who believes her path to survival may be achieved if she can make it across the desert back to her childhood homeland.


The Director and Players for Mad Max: Fury Road (2015) 1080p

[Director]George Miller
[Role:Imperator Furiosa]Charlize Theron
[Role:Toast the Knowing]Zoe Kravitz
[Role:Nux]Nicholas Hoult
[Role:Max Rockatansky]Tom Hardy


The Reviews for Mad Max: Fury Road (2015) 1080p


Superficial action movie that lacks depthReviewed byJethro TrollVote: 4/10

I'm not completely sure what I was expecting from Fury Road, but it was more than this. This is the latest example of Hollywood rehashing a successful and good movie franchise solely for profit. It's mindless, repetitive action sequences melded between horrible acting and overused cliches. One of the allures of this series is seeing the outlandish road vehicles that are used, and in this the movie mostly delivers. You have the high-powered Warrior Rig driven by Furiosa. There's battle vehicles equipped with spikes, rigs with counter-balanced poles for launching warriors into other vehicles, and there's even a vehicle equipped with large bass drums and a stack of speakers that would make KISS jealous with a psychotic guitarist wailing away for our musical enjoyment. And of course, each vehicle comes equipped with more explosive arsenal than a battle ship. And it's put to good use. However, once you get past the eye candy, you realize there's nothing else to it. The story is weak. The characters are weaker. And the acting is the worst. The movie never drew me in. Not even close. Whenever the movie 'tried' to add depth and be dramatic, it was painful and embarrassing to watch. The scene where Furiosa reacts to finding out her birth home is gone by taking off her prosthetic arm and dropping down to her knees may be the worst movie scene I've ever watched. And it says something when the most interesting character is Nux, a relentless slave/warrior who actually has a mind of his own and decides to help Max and Furiosa in their quest. Of course, one of Immortan Joe's wives falls for him, representing one of the many poorly executed cliches this movie is riddled with. I can watch a superficial action movie and enjoy it for what it is, to a point. This one, however, is just generally so poorly executed that it leaves a lot to be desired. I didn't hate it, but I have absolutely no desire to see it again.

Dark Yet Visually Exhilarating. Beautifully Brutal and Yet Still VisceralReviewed byprospectus_capricorniumVote: 9/10

Even at the beginning, there's no hint MAD MAX: FURY ROAD is going to a stop. Right at the very start, the engines are already rewing, gathering furious fires of vengeance and redemption, and before the audience could snap out of the sheer moments of brutal grittiness and exhilarating high-octane drama, they are surely already held hostage within the confines of a post-apocalyptic world, where everything is horrendously scarce. Not that it's a bad thing, no it's not. I tell you, this is like being hurled into the space in a roller-coaster ride. It's dangerous, but it's also thrilling. Witnessing this dystopic world and all its hellish drama unfold might make you grope for seatbelt under your seat. The film shares Max Rockatansky's (Tom Hardy) adventures. Max is an ex highway patrolman. He's been haunted by the past, by family he never saved. He meets the Imperator Furiosa (Charlize Theron) who is being pursued by the dictatorial Wasteland leader "Joe". Furiosa reaches for Max for help in keeping the 'Five Wives'?women she brought with her?into safety, as Joe's deranged breed of warriors called The War Boys, that are barely humans, are raging across the desert to capture them. This pursuit throws the unlikely partners into the whalloping dangers of bloody escape, suddenly sending them into a game of survival. After a rip-roaring opening chase sequence, Max is held captive in the Citadel, the city where the ruthlessly totalitarian leader "Joe" is ruling over. The grotesquely brutal lord maintains tight grip of every valuable resouces across the land. This brings the entire populace crippling under his control. As for Max, he becomes merely a blood bag for Nux (Nick Hoult) one of Joe's War Boys, who is a fatal devout to the cause of their fascist leader, who has promised them the glory of getting into Valhalla, the promised land. Everything in this cinematic behemoth screams grandeur, even the feverish chase, even the dark erubescents spurred from the ruthless violence. Miller has molded a world where darkness is an escape from the stream of cliches and retreads, surging into the cinemas, today. It's a visual feast, but surprisingly, with sense. It's explosive in every unimaginable ways, but it's not devoid of a human story, which in this case, is propelled by stellar performances from incredible actors on the movie's payroll. Tom Hardy is utterly capable as the main hero, but the emotional spine of the narrative mostly runs on Theron's character. At some point, there would be a sense that Max isn't the only one playing under the spotlight, as it gets evident Furiosa is equally as massive as his role is. Hardy here is singularly stunning, playing his role with utmost credibility as he is required. His mission transcends past his emotional torments and he's never pulled himself free from the ghosts if his past. Same can be said with Furiosa, who is not only running from Joe because she wants to get herself free from his cut throat grip, but also to bring every woman into safety, back to freedom where they belong. Much of the movie is spent with furious speed chases that goes from end to end of Joe's subjugated land, while also taking surprising twists and turns along the way. It's like it doesn't know how to stop, and if it does, that's surely only to allow us breathe and catch up with the next electrifying action setpiece. There's an enigmatic style Miller has employed to provide distinctions in his fantasy world, and it keeps the momentum in tack, if not ever progressing. The tone of the movie, all those vividly dark colors, that magically shifts from something to another, imparts a drowning experience, only it's enjoying and looks festive to the eyes. This makes every eye-squashing spectacles take mammoth forms of visual extravaganza, turning all those burning combustions, metal blasts, and endless pursuits, from mere technical marvels into a hair-raising escapade. Amid these sanity-grabbing action sequences, though, is an emotional streak that keeps Max and Furiousa's humanity alive. This prompts them to survival, into carrying out their similar humane causes, clinging tightly to their only mission even if they get hurled into the barbaric hostilities of their dystopian society. This turns the movie into something visceral, cathartic in some ways that probably only a small fraction of the audience could understand. It will not be enough to merit this achievement with merely a splurge of superlatives. This needs to be experienced, felt, and forever cherished. MAD MAX: FURY ROAD, ignites eternal fire, and it will keep burning through the stretches of cinematic history.

On Par for Modern Hollywood Remakes (Meaning it Stinks)Reviewed bydonaldthaneVote: 1/10

First off, this is another movie in which the action sequences last so long that you can go to the bathroom, get a soda, come back and still find the same people fighting the same fights you saw begin 15 minutes earlier. Personally, these type of action movies bore me to tears, because the story has to stop moving every time we watch one of these extended action sequences. In terms of story, the good guys and the bad guys meeting is a plot point. Then they fight, then one of them wins. As an audience member, I'm ready to know who wins as soon as they start fighting. And I really need the lead characters to have some logical reasons for doing what they are doing. Here's my spoiler: They drive away from someplace for half the movie and then decide to turn around and go back. The only thing that happened was that they picked up a gang of old ladies. That's as deep as it gets right there. They're running away, fighting the whole way, they get away and then they decide to go back, so they have to fight the whole way. Nothing makes much sense, no characters are anything but as shallow as they could have possibly been made. If you like Avatar, you'll like this movie. If you liked Mad Max and Road Warrior, you're going to be angry about how that franchise was exploited in name and setting only. This character isn't Mad Max. He doesn't have a dog, he doesn't eat dog food, he doesn't eat anything. Nobody in the film ever eats anything. Nor are people clamoring for gasoline, they all just seem to have it. There's an issue with water, but it makes no sense and the entire weak plot seems to depend on it. The movie ends with giant water valves being opened just like the air valves on Mars get turned on in the end of that Governor Arnold movie, I can't remember the name. The reviews calling this something new and different are absolute hogwash. This is nothing but things blowing up and cars crashing for two hours, which, by the way, is another egregious offense of these silly movies. They take a 90 minute movie with a great story line, and they strip it of plot and somehow extend it by 30 minutes. It's a scary trend, the kind of thing that makes one think Idiocracy was prophetic. The less the story and the more things blow up, the higher the ratings. Ridiculous!

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