Mutiny on the Bounty (1935) 720p YIFY Movie

Mutiny on the Bounty (1935)

Mutiny on the Bounty is a movie starring Charles Laughton, Clark Gable, and Franchot Tone. A tyrannical ship captain decides to exact revenge on his abused crew after they form a mutiny against him, but the sailor he targets had no...

IMDB: 7.83 Likes

  • Genre: Adventure | Biography
  • Quality: 720p
  • Size: 1.60G
  • Resolution: / fps
  • Language: English
  • Run Time: 132
  • IMDB Rating: 7.8/10 
  • MPR: Normal
  • Peers/Seeds: 20 / 27

The Synopsis for Mutiny on the Bounty (1935) 720p

Midshipman Roger Byam joins Captain Bligh and Fletcher Christian aboard HMS Bounty for a voyage to Tahiti. Bligh proves to be a brutal tyrant and, after six pleasant months on Tahiti, Christian leads the crew to mutiny on the homeward voyage. Even though Byam takes no part in the mutiny, he must defend himself against charges that he supported Christian.


The Director and Players for Mutiny on the Bounty (1935) 720p

[Director]Frank Lloyd
[Role:]Franchot Tone
[Role:]Charles Laughton
[Role:]Clark Gable
[Role:]Herbert Mundin


The Reviews for Mutiny on the Bounty (1935) 720p


Absolutely wonderful!Reviewed byTheLittleSongbirdVote: 10/10

I honestly loved Mutiny on the Bounty, and I will say I am one of those people who prefers this version over the 1962 film. Some people might say that the screenplay is questionable, but personally I had no problem with it. Mutiny on the Bounty is a lavish and stirring adventure on the high seas, that is thoroughly entertaining and exciting. The location shooting, sets, costumes and cinematography are fabulous, and the music score is suitably rousing and bombastic. Add some clever direction, secure pacing(I personally found this a problem in the 1962 version), a strong story and some nice scripting and you have a strong film. That just leaves the acting, while Clark Gable, Donald Crisp and Franchot Tone give wonderful performances, it is Charles Laughton as complex Captain Bligh who steals the show. It is easily one of Laughton's best performances, and this is giving honourable mention to the 1939 film The Hunchback of Notre Dame, where he played a grotesque yet poignant Quasimodo. Overall, wonderful, exciting film. 10/10 Bethany Cox

"Music at sea"Reviewed bySteffi_PVote: 7/10

By 1935 the worst years of the depression were over, the pitfalls of the early talkies had been overcome, and Hollywood was starting to regain its confidence. For the first time in several years pictures were being made as big and bold as they had been in the late silent era. And like the flagship of this new era comes this highly fictionalised account of the Bounty mutineers.

Although this is very much a Hollywood production, it may seem a little strange to see that all-American lead idol Clark Gable playing an Englishman. This being the days before such things really mattered, and Gable not really being one to shift his persona too much, he makes no attempt whatsoever at an English accent. And yet he fits in very well. Gable always carried with him a touch of the theatre where he cut his teeth, and proves himself a powerful counterpoint to the blustering Charles Laughton. With his barrel chest, wavy hair and easygoing swagger he does have the makings of a swashbuckling hero, and this is the role Fletcher Christian takes in this adventuresome adaptation. Gable is, in a way, Hollywood's ambassador in the story – just about convincing as an 18th century naval officer, but familiar enough to give US audiences a lead into the movie.

Opposite Gable is a mix of American faces and the British actors who had started to migrate stateside. Charles Laughton's performance as Captain Bligh is integral to the movie. You realise here that Laughton was rather a short man, and he plays on this, making Bligh a jumped-up, Napoleon-complexed bully; all sharp, jabbing motions, an arrogant stance and a face like a dead fish. Alongside Gable and Laughton, the third Best Actor nominee was Franchot Tone, although he is not really exceptional, merely worthy. There is a typically strong turn from Donald Crisp, and Eddie Quillan is surprisingly decent if a little overwrought. The only wrong note is perhaps Herbert Mundin, or at least his character. The bumbling little comedy performer was always good to see in Errol Flynn adventures and the like but he is wrong for this more serious affair. Note how he seems to disappear from the story when the mutiny takes place, which is fair enough – one couldn't really imagine that sweet little chap joining the mutineers or cast adrift and dying by inches.

The director is one of the masters of old Hollywood, multiple Oscar-winner Frank Lloyd. Lloyd's smooth, confident set-ups bring a tense, fractious feel to life on board ship, while never using too much obvious technique as to make it seem artificial. A lot of shots, such as the early one of Gable leading the press gang, show men facing each other in profile, aggressive, combative. In almost every shot we are made to feel the motion of the ship, and even below decks we have the swinging of hammocks. By contrast the scenes on dry land are palpably solid, emphasising the change to a more peaceful life on Tahiti. Lloyd is also one for composing tableaux that are memorable and iconic. There's an odd-looking but very effective shot shortly before the flogging scene, with punishment-doler Morrison staring coldly ahead on the left-hand edge of the frame, that has seared itself into my memory.

And ultimately it is just such a grand, iconic feel that characterises Mutiny on the Bounty. The Herbert Stothart score is a bombastic medley of nautical themes and emotional underscoring. The forceful, rhythmic editing of Margaret Booth provides us with some striking montages. And of course there is the fact that nothing is faked. Full-size replica ships were built and location filming was carried out in Polynesia, with none of the ugly back projection shooting that mars many pictures before and after. Such a mighty production demonstrates why you need such larger-than-life stars as Gable and Laughton. Here is a movie that does everything it can to announce that big Hollywood is back in all its glory.

Among period piece costume dramas this one really stands out...Reviewed byAlsExGalVote: 7/10

... but that doesn't mean that I think it was the best picture of 1935. I'd probably give that nod to Top Hat. But 1935 was the first full year that the motion picture production code was in force, and so there were many adjustments being made. One was that the studios turned heavily to period pieces to pacify the censors, because they could argue that with all of those ruffles, top jackets, and petticoats in the way, there was no possibility any of the characters could be having sex!

But this is a fine production in spite of the reason it was probably made. MGM movies made in the era of Irving Thalberg were generally top notch in attention to detail. Of course, the acting is really the best part of the film. And I have to give special kudos to Franchot Tone. Never the star at MGM that Gable was, and never the legend that Laughton was, he gives a very nuanced performance of a man conflicted. His character has his loyalty to the British navy steeped into his being, probably due to family background, and thus wants no part of a mutiny, yet he sees the cruelty of Captain Bligh's treatment of the men and is fast friends with Fletcher Christian (Gable).

Laughton always gives a fine performance, but his performance as Captain Bligh is a bit one note here, threatening to chew scenery but ultimately resisting the urge. At no point did I ever see him as anything but two dimensionally cruel, and we have nothing to tell us WHY he behaves this way.

Gable has star quality as Fletcher Christian in probably the best role MGM ever gave him. How many people would remember him if not for the two roles he had at other studios in "It Happened One Night" and "Gone With the Wind"?The fact that all three main actors here were nominated for Best Actor of 1935 probably weakened all of their chances, but then Victor McLaglin would have probably won anyways, since he was that good - essentially a one man show in John Ford's "The Informer".

My rating is for how much I personally enjoyed the film. If you realize that period pieces adapted from literature are generally not my thing, and yet I enjoyed it and yet it held my interest throughout, I'd say a 7/10 is pretty good coming from me.

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