Renoir (2012) 1080p YIFY Movie

Renoir (2012) 1080p

Set on the French Riviera in the summer of 1915, Jean Renoir -- son of the Impressionist painter, Pierre-Auguste -- returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.

IMDB: 6.50 Likes

  • Genre: Biography | Drama
  • Quality: 1080p
  • Size: 1.98G
  • Resolution: 1916*1036 / 25 fpsfps
  • Language: fre 5.1  
  • Run Time: 111
  • IMDB Rating: 6.5/10 
  • MPR: R
  • Peers/Seeds: 0 / 0

The Synopsis for Renoir (2012) 1080p

Set on the French Riviera in the summer of 1915, Jean Renoir -- son of the Impressionist painter, Pierre-Auguste -- returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.


The Director and Players for Renoir (2012) 1080p

[Director]Gilles Bourdos
[Role:]Michel Bouquet
[Role:]Christa Théret
[Role:]Vincent Rottiers


The Reviews for Renoir (2012) 1080p


sumptuous story of painter and filmmaker sonReviewed bymaurice_yacowarVote: 10/10

+Renoir (France, 2012, 112 min)

Gille +Bourdos uses the well-known stories of the painter father Pierre-Auguste and the filmmaker son Jean Renoir for a film that is at once breathtaking spectacle and a profound anatomy of the impulses and values of art. The film was one of my highlights at this year's +Palm Springs International Film Festival.

The plot presents the 74-year-old veteran painter (Michel Bouquet) and his ravishing new 15-year-old model, Andree Heuschling (Christa Theret) enjoying their opulent country estate while WW I pounds the humanity outside. Mark Lee Ping-Bin shoots the interiors with classic Dutch light and shadow but the exteriors in the unbridled luminosity of Impressionism. Here Renoir explains that structure comes from colour, not form, and he refuses to use black. That summarizes the painter's Impressionism: it finds reality in what he makes of the outside world, not what it firmly may be. His swirls of rosy chub continues his celebration of the young "velvet" flesh, despite the war's flensing and destruction of the flesh beyond the estate and his age's grotesque gnarl and ruin of his bones. His painting days, like his valiant denial of death, are limited.

Son Jean (Vincent Rottiers) returns from the front with a symbol of the reality his father rejects: an open wound. The family has a variety of open wounds, from the loss of the boys' mother and the favoured model/nanny Gabrielle to the sons' resentment of their father's aloofness. The cut to the bone represents the reality Renoir's fleshy ladies and painted pommes reject. Vincent's convalescence goes beyond the flesh gap to include winning Andree, who -- a closing title tells us -- married him, starred in many films (as Catherine Hessling), and after their split died alone in poverty. The sins of the father don't just visit the son but move in with him.

The tension between the painter's idealized flesh and the its horrific reality are frequently imaged, especially in the eating scenes and in the kitchen where a maid delicately peels a tomato, removing a hide to expose a succulent flesh. The hanging carrion are an implicit reminder of the hunting and killing of the human prey outside. Renoir pere screams from the nightmares he doesn't have his sunshine, models and pink paints to ward off.

Around the story of Renoir pere beats a more subtle story of Renoir fils. Like Andree, the film serves both father and son. Unobtrusively Bourdos weaves in the specific sources of Renoir's cinema. These include his sense that wars shatter natural cross-border fraternities, the harshness of the class prejudices, the increasing disrespect for culture, the necessity for art. Even the quintessential understanding which will become "The terrible thing is, everyone has his reasons." For more see www.yacowar.blogspot.

Supermodel?Reviewed bystenssonVote: 5/10

The relation between the painter and his model has seldom been questioned. Not much talk about man power. Quite few smiles about it. If it had been otherwise with female artists painting naked men, we don't know much about. It's not much of that sort in art history.

We here meet the aging Renoir and one of his last models, Andrée. It becomes complicated when Renor's son appears. What's strongest? Art or sensual love?

It could have been an interesting dilemma, if this had been more of a film and less of just pictures. The story is lost because of that. Neither questions nor answers.

TwoferReviewed byskepticskepticalVote: 7/10

Renoir was a surprise for me in that it covered in some depth aspects of the life of both Renoir the painter and his son Jean, the filmmaker. This beautifully shot film, set in the south of France, will surely appeal to anyone interested in either Renoir--or both.

One idea which popped into my head while watching this was that Renoir the painter was something of a womanizer, in that he ended up having affairs with his models. This makes me wonder what the #METOO crowd would say about that. Or maybe it′s okay when someone has been dead for a century? My own view is that works of art should not be shunned on the basis of moral judgment of their creators. I was shocked, for example, when Hachette recently refused to publish Woody Allen′s memoir. Would they also advocate for destroying his brilliant films?

Anyway, I recommend this film. It is slow, but intentionally so.

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