Romeo and Juliet (2013) 1080p YIFY Movie

Romeo and Juliet (2013) 1080p

Romeo and Juliet secretly wed despite the sworn contempt their families hold for each another. It is not long, however, before a chain of fateful events changes the lives of both families forever.

IMDB: 5.679 Likes

  • Genre: Drama | Romance
  • Quality: 1080p
  • Size: 1.85G
  • Resolution: 1920*800 / 23.976fps
  • Language: English
  • Run Time: 118
  • IMDB Rating: 5.6/10 
  • MPR: PG-13
  • Peers/Seeds: 4 / 44

The Synopsis for Romeo and Juliet (2013) 1080p

Romeo and Juliet secretly wed despite the sworn contempt their families hold for each another. It is not long, however, before a chain of fateful events changes the lives of both families forever.


The Director and Players for Romeo and Juliet (2013) 1080p

[Director]Carlo Carlei
[Role:Lady Montague]Laura Morante
[Role:Romeo]Douglas Booth
[Role:Juliet]Hailee Steinfeld
[Role:Lord Capulet]Damian Lewis


The Reviews for Romeo and Juliet (2013) 1080p


Woe is me.Reviewed byJohn DeSando ([email protected])Vote: 5/10

"For never was a story of more woe Than this of Juliet and her Romeo." Count Paris (Tom Wisdom) The "woe" in this umpteenth adaptation of Romeo and Juliet over the last 400 years is that the titular lass, as played by Hailee Steinfeld, is weakly acted with immaturity, poor elocution, and disappointing physical presence. Add to that another woe: Douglas Booth's Romeo is prettier than Steinfeld with only slightly better articulation. So, the outdoor production I saw this summer outflanked director Carlo Carlei's uneven take. However, for sets and cinematography, his production is beautiful, having been lovingly filmed in Verona. The ancient estates are astonishingly effective as horses race past old bricked walls and lovely ladies act beneath frescoes and columns that boast of nobility. Yet the real reason to see this new production is Paul Giamatti's Friar Laurence, a benign manipulator undone by forces beyond his control. Giamatti's range from sweet confessor and cupid to perplexed operative is masterful. Look for his Oscar nomination for best supporting actor. Lesley Manville as the Nurse is second only to Giamatti, a loving servant with a twinkle and a deep understanding of the lethal games. In fact, most of the supporting players such as Damian Lewis's Lord Capulet are welcome pros next to the amateurish leads. The film, while featuring the besieged friar, also does a successful job highlighting the egregiously intense hormonal urges of young men: Tybalt (Ed Westwick) and Mercutio (Christian Cooke) have the feral ferocity of doomed warriors. Even the more placid Count Paris is waiting to let his inner soldier take over in the revenge category. Writer Julian Fellowes bastardizes some of Shakespeare's glorious dialogue (why would anyone try to improve on the best?) and even adds rogue lines, albeit in the Elizabethan mode, such as "The road to hell is paved with good intentions." Now that is not Shakespeare! But the basic story is still the essence of intelligent soap opera, and for its endurance, even with weak leads, I am grateful. And that cinematography makes me long to return to fair Verona.

Who let this happen?Reviewed byvicky_jam29Vote: 1/10

If you enjoy the immortal words of Shakespeare's eponymous play then DO NOT SEE THIS FILM! I only stayed for an hour and that is an hour of my life I will never get back. I'm baffled as to how anyone could bastardise Shakspeare to such an extent that it was almost unrecognisable. It really was 'Shakespeare for Dummies' rewritten by a man who is clearly so arrogant as to think the general public couldn't possibly understand or enjoy the original text. Job well done Mr Fellowes because I barely recognised any of it so if that was your intention then, bravo! You would really be better of watching 'Shakespeare in Love' if you want an introduction to Romeo & Juliet that stays true to the text & also has an enjoyable narrative rather than this drivel. The acting was contrived and there was absolutely zero chemistry between the two leads. Also it was very disconcerting watching a 'boy' play Romeo that was prettier than many females I know. If you love Romeo & Juliet, for you own peace of mind, stay away from this aberration. If you enjoy Twilight, this might be for you.

DisappointingReviewed byMike SalisburyVote: 4/10

If you love the play (as I do), my guess is that you'll not be disposed to like this version. The screenwriter, Julian Fellowes, takes some pretty significant liberties with Shakespeare's original text, which consistently left me wincing when I anticipated a line, only to hear a paraphrased version. I hate to sound all snooty and say you shouldn't mess with Shakespeare (I'm sure it's not perfect) but I would think a screenwriter would set a pretty high standard for changing what the Bard wrote, and based on the number of changed lines, I get the feeling that Fellowes set the bar pretty low. It's the language of the play that makes it so wonderful to me. The general story itself never interested me until I read the play and similarly themed stories (such as West Side Story) have never captured my interest. I don't buy that the language is too hard for modern audiences: even the most opaque puns and outdated language can be translated to audiences via acting and directing. And almost everyone has probably read (or was supposed to have read) the play in high school, so it's not as if this is going to be the first exposure to the play for most people. There were also bizarre changes or additions that didn't make any sense to me. A tournament to start the film? What did that add to the story besides having a scene with mounted knights and lances? Mercutio a Montague rather than the Prince's family? OK, not sure what that accomplished. Benvolio and Rosaline at Capulet's ball? Maybe that would have been more interesting if Romeo hadn't already moved on, but it just seemed strange. The Tybalt-Juliet scene after the ball? One thing that puzzled me was that Mercutio never felt like an important character. His major Queen Mab speech was cut short and it seemed that there was more effort to establish Romeo and Benvolio's friendship than Romeo and Mercutio's. I feel like the director made this effort to make Benvolio a larger character, which I think made for some powerful scenes at the end of the movie, but when this is at the expense of Mercutio's character, who is one of the few really interesting/dynamic characters in the play, I felt that was a mistake. One odd criticism that I've seen in a number of reviews is that Douglas Booth was too pretty, or prettier than Juliet, and this was somehow a problem or a distraction. This is hardly a new dynamic as I would say that both Leonardo DiCaprio and Leonard Whiting were 'prettier' than their respective Juliets (who were both lovely!) which I don't think was a problem in either of those films. My take is this has a lot to do with how R&J movies are marketed at teenage girls as their prime audience and that a 'beautiful' Romeo is what you do to sell seats at the theatre. In the end, I don't think that Haillee Steinfeld was a strong enough actress for Juliet. This is probably the hardest role in the play, covering a huge emotional range and demonstrating significant changes and maturation in the character over the course of the play. She seems to be reading lines and not adding any emotion or inflection most of the time. I just never felt that she was quite there. Booth was fine as Romeo, not great, but not bad. And just once, I'd love to see a movie where they can't touch or kiss during the balcony scene (which is what the text of the play makes clear). Or at least take out the line 'What satisfaction canst though have tonight?' which makes no sense if they're in physical contact. To say some positive things: the setting and cinematography was beautiful, as many have said Lord Capulet was well played as was the Nurse I think. I thought that Benvolio was well played although the actor was distractingly way younger looking than Romeo, Mercutio, Tybalt etc. I like that they kept the scene in where Romeo kills Paris as that was not in the Zeffirelli or Lurhmann versions. Overall, I just don't think this version offered anything new or interesting. The Luhrmann version did this and thus I think was worthwhile. I don't see any reason why this would replace the Zeffirelli version as the cannon version of the movie.

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