Sherlock: The Abominable Bride (2016) 1080p YIFY Movie

Sherlock: The Abominable Bride (2016) 1080p

The Abominable Bride is an episode of Sherlock starring Benedict Cumberbatch, Martin Freeman, and Una Stubbs. Sherlock Holmes and Dr. Watson find themselves in 1890s London in this Christmas special.

IMDB: 8.23 Likes

  • Genre: Crime | Drama
  • Quality: 1080p
  • Size: 1.77G
  • Resolution: / fps
  • Language: English  
  • Run Time: 90
  • IMDB Rating: 8.2/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for Sherlock: The Abominable Bride (2016) 1080p

Imagining himself back in the 1890s, Sherlock is visited by Inspector Lestrade after newlywed Emelia Ricoletti, having apparently killed herself in public, murders her husband Thomas in front of witnesses before vanishing. Some months later Holmes is approached by Lady Carmichael, who tells him that her husband Sir Eustace has been threatened by Emelia, who then seemingly does away with him. With an intrusive Moriarty crossing him, Holmes attempts to solve the enigma, with unexpected help from Watson's wife Mary and evidence of a conspiracy involving half the population of the country.


The Director and Players for Sherlock: The Abominable Bride (2016) 1080p

[Director]Douglas Mackinnon
[Role:]Rupert Graves
[Role:]Martin Freeman
[Role:]Benedict Cumberbatch
[Role:]Una Stubbs


The Reviews for Sherlock: The Abominable Bride (2016) 1080p


good if you go along with the conceitReviewed byblanche-2Vote: 7/10

The long-awaited Sherlock special, "The Abominable Bride," is supposed to satiate our hunger for Sherlock, since we see him so rarely.

It did and it didn't.

I want to disclose up front that I flew to London to see Benedict Cumberbatch in Hamlet.

This episode was as divisive as Cumberbatch's looks. Some people thought this was the worst thing they've ever seen, and others thought it was wonderful.

I'm somewhere in between. Without giving anything away, I'll say, given the idea behind this episode, the story as it unfolded made sense. It was chaotic, confusing, and filled with strange things -- it was supposed to be.

Instead of taking the idea so literally, I would have preferred something more straightforward with Sherlock returning to Victorian times. There were too many interwoven ideas and people popping up.

One thing I was very impressed by was how much, in Victorian times, Cumberbatch resembled the standard idea of Sherlock Holmes' appearance. He looked amazing.

The production values and acting were both excellent; besides the leads, Andrew Scott was incredible. A good deal of the dialogue was fun. "He said the crime solution was so easy that even I could have solved it," Lestrade tells Mrs. Hudson. "Oh, I'm sure he was exaggerating," she assures him.

I wish they would release more episodes before 2017. For a man the producers objected to when he was cast, Cumberbatch is now too busy to be available for episodes. The price of fame.

Really did not think much of thisReviewed bylordbarneyVote: 5/10

This was a strange episode, and I really don't understand why the BBC constantly tries to bring everything into the world of PC correctness, and this makes this episode pretty much drivel. It starts off so well and the first hour is very good and entertaining. After this I have no idea what the writer is trying to accomplish. I am sure that people will disagree, and I hope do enjoy, but for me I find this hugely disappointing. I hope that the new series will be better. Not too long til it will be with us. Please BBC do not ruin any of our other greats, People still enjoy Classics and that is why they are called classics, and have stood the test of time

An investigation in clown shoesReviewed bysitstillVote: 3/10

This franchise has had a season and a bit to falter and fail to retrieve any of the promise of the first two seasons. To answer the question; where can we go with these characters? Gatiss, Moffet and co have come up with the answer; down the same old avenues but this time in clown shoes. Every character except the title character have become ridiculous caricatures of their former selves. How many times must ubber-earnest Dr. Watson profess his man-love through misty eyes and missed breaths? How often must Mycroft deny his man-love and brotherly concern? How did anyone think giving Mycroft Holmes the Kranks treatment or giving Molly Hooper a bad case of pantomime transvestitism was anything short of a death knell for a show which is very much rudderless in high seas? The best thing that ever happened in this series was the again pantomime baddie Moriarty shutting his own gaping face hole with a bullet. How short on ideas must you be to be forced to resurrect your most gratuitous over-actor to puff out a ver thin and inconsequential mystery. (Bobby Euing in the shower post-mortem.) It is absolutely certain that this initial gush of support for this installment comes from those who were told to expect clever and don't have the wit or courage to recognize that they didn't get it. This bandwagon support will soon be superseded by laments for the promise that was once apparent, but in the hands of this team was not realizable. "Look he just survived the Reichenbach Fall..deal with it." This is not cute or an inside joke, and has shown nothing but incompetence from the writers. Anyone can write a protagonist onto a ledge, miracling them down again is the price you pay. Cheats! Looking at Gatiss's credentials based on cooky spooky comedy, and seeing now that he has nowhere further to go with these characters except up in flames, he should do himself and everybody else a favor and stop. He makes fiction for teens and his ideas are restricted by his life's work. Just as he could not convincingly resurrect Sherlock in series three he has already, with a sad admission coped out of his promise at the end of the same season to resurrect his over-camp version of Moriarty. Very obviously to all that the writers had not the first clue how to do either and whats worse weren't going to try. Don't believe the ratings..blind fan support and watching in disbelief will be shown for what they are when the dust settles or in this case the ash. A good start achieves little that a bad ending won't blot out.

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