Sherlock: The Abominable Bride (2016) 720p YIFY Movie

Sherlock: The Abominable Bride (2016)

The Abominable Bride is an episode of Sherlock starring Benedict Cumberbatch, Martin Freeman, and Una Stubbs. Sherlock Holmes and Dr. Watson find themselves in 1890s London in this Christmas special.

IMDB: 8.23 Likes

  • Genre: Crime | Drama
  • Quality: 720p
  • Size: 1.12G
  • Resolution: / fps
  • Language: English  
  • Run Time: 90
  • IMDB Rating: 8.2/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for Sherlock: The Abominable Bride (2016) 720p

Imagining himself back in the 1890s, Sherlock is visited by Inspector Lestrade after newlywed Emelia Ricoletti, having apparently killed herself in public, murders her husband Thomas in front of witnesses before vanishing. Some months later Holmes is approached by Lady Carmichael, who tells him that her husband Sir Eustace has been threatened by Emelia, who then seemingly does away with him. With an intrusive Moriarty crossing him, Holmes attempts to solve the enigma, with unexpected help from Watson's wife Mary and evidence of a conspiracy involving half the population of the country.


The Director and Players for Sherlock: The Abominable Bride (2016) 720p

[Director]Douglas Mackinnon
[Role:]Rupert Graves
[Role:]Martin Freeman
[Role:]Benedict Cumberbatch
[Role:]Una Stubbs


The Reviews for Sherlock: The Abominable Bride (2016) 720p


The Abominable ShowReviewed byfkemble-96216Vote: 1/10

I loved the first two seasons of this show, a brilliant interpretation and transcription of Sir Arthur Conan Doyle's original work. Sherlock Holmes set in modern London with two excellent actors at the helm and bringing the magic of the past to the modern world; there could have been no better recipe for success. I am a great lover of period drama's and a huge fan of Sherlock Holmes but in this instance the combination is fatal, I'd sooner watch the Robert Downy Junior and Jude Law version. I loved Jeremy Brett as Sherlock Holmes and I loved Ian Mackellan as an aged Mr Holmes and I loved Benedict Cumberbatch and Martin Freeman as the modern Holmes as Watson but neither are suited to their counterparts from a Victorian past. Holmes was a dignified, snobbish, Hugeunot, Victorian gentleman and Watson a retired army officer, a simple soul but a very stabilising influence. Benedict Cumberbatch and Martin Freeman are not people of the past and don't have that kind of mystique. I honestly thought that the production company must have conceived this diabolical contrivance after a heavy night at the pub and some heavy ingestion of illegal substances. What made me hate this so much was that it wasn't just crap but that it was a complete antithesis of previous shows that were brilliant. Pure drivel!

Playing those mind games foreverReviewed byLejinkVote: 10/10

The BBC has been trailing the return of three (okay, four) of its most popular detective heroes in a clever advertisement showing Stella Gibson from "The Fall", John Luther and Sherlock (and Dr Watson). "The Fall" re-starts next week although it is my least anticipated of the three, while "Luther's" comeback was very good but this dazzlingly brilliant episode was the best thing I've watched this Christmas.

The writing really was terrific with a plot that had more ups and downs than a mountain range, more ins and outs than Hampton Court Maze and more twists and turns than a dozen corkscrews, in short it was a triumph. Starting with a Victorian-era impossible murder with an even more impossible murderer, guest appearances by all the previous supporting cast including a massively-bloated Mycroft, surely a homage to Sydney Greenstreet and the return of the master-criminal we've all missed, a premonition of another husband-slaying in a big old house after dark, a recreation of the real Reichenbach Fall climax of yore, an ingenious denouement anticipating female suffrage years later but perhaps the best thing of all was the promise of a new series to come.

As ever, the technical aspects of the production were great, I'm a sucker for the multiple camera-angle, 360 degrees perspective, time-freezing, computer graphics and microscopic zoom shots employed. There was humour a-plenty and hosts of references to the Conan-Doyle original, including, if I'm not mistaken, the first time this Sherlock has ever said "Elementary my dear Watson".

The playing by Cumberbatch, Freeman and Andrew Scott as the three main protagonists was never better. I'm sure there will be Sherlock-oligists who can pick apart the complexities of the plot, which for sure seemed at times like a read-across from Moffat and Gatiss's other re-creation Dr Who, but let them, they won't spoil it for me. This was the best "Sherlock" I've yet seen and sets an almost impossibly high standard for what may come after this.

Doesn't matter if they don't however, this one was so good it really was the perfect after-Christmas present.

A spoiler-free review of the "Sherlock" Christmas special (2016).Reviewed byericrnolanVote: 10/10

What can I say about the "Sherlock" Christmas special, "The Abominable Bride?" Extremely little, for fear of spoilers.

I will say that I loved it — I'd rate it a perfect 10, as I would just about any episode of this amazing TV show. Also, as good as the trailer was ? I can say that it offers much more in its story than you'd expect.

I'd also say that it strongly, strongly parallels a movie that I happen to love — right down to its surprise plot device, key character interactions, and a symbolic act by the main protagonist in the climactic scene. The similarities are just too much for this to be a coincidence — it's just got to be a well done (and a damn fun) homage. It's unexpected, too, as the film I'm thinking off probably appeals to a different fan base. "The Abominable Bride" also cheerfully skewers another excellent recent film and the twist employed there.

There's some terrific acting, especially between Sherlock (Benedict Cumberbatch) and our main villain. And the dialogue is as sly and superbly delivered as always. I don't think I've ever watched a new episode of "Sherlock" and not laughed out loud at least once. The stronger, more assertive John Watson (Martin Freeman) that we see is damn terrific. (There's a compelling and sensible reason why this iteration of Watson seems a little different than our usual mild anti-hero, but I just can't say why.)

My quibbles were wholly forgivable. I thought that the Victorian versions of Molly Hooper (Louise Brealey) and Mycroft Holmes (Mark Gatiss) were just so cartoonish that they seemed right out of a "Saturday Night Live" sketch. It "took me out of the movie," and hampered my willing suspension of disbelief. It felt more like farce and silly sight-gags, instead of the dry, dialogue- and character-driven humor that the show is known for.

I also though that the climactic scene occurring among three primary characters, felt a little ? off. Was it just not staged right? Was the pacing off? Maybe I got the sense that I was looking at a soundstage? I'm not sure.

Finally, I am an inveterate horror movie fan, and I might have liked to have seen the director and screenwriters play up the horror story elements just a little bit more here. The mystery for this episode was a jewel of an opportunity — a garish, fearsome "ghost bride" that assassinates men. It could have been just a little scarier, given that story. I know that "Sherlock" is not a horror show, but its creators did just fine in making their adaptation of "The Hound of the Baskervilles" both a bit frightening and a proper mystery.

But, again, those are just forgivable quibbles. This show remains the best thing on television!

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