Sleeping with the Enemy (1991) 720p YIFY Movie

Sleeping with the Enemy (1991)

Sleeping with the Enemy is a movie starring Julia Roberts, Patrick Bergin, and Kevin Anderson. A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her...

IMDB: 6.21 Likes

  • Genre: Drama | Thriller
  • Quality: 720p
  • Size: 1.18G
  • Resolution: / fps
  • Language: English
  • Run Time: 99
  • IMDB Rating: 6.2/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 4

The Synopsis for Sleeping with the Enemy (1991) 720p

Laura and Martin have been married for four years. They seem to be the perfect, happiest and most successful couple. The reality of their house- hold, however, is very different. Martin is an abusive and brutally obsessed husband. Laura is living her life in constant fear and waits for a chance to escape. She finally stages her own death, and flees to a new town and new identity. But when Martin finds out that his wife is not dead he will stop at nothing to find and kill her.

The Director and Players for Sleeping with the Enemy (1991) 720p

[Director]Joseph Ruben
[Role:]Kevin Anderson
[Role:]Patrick Bergin
[Role:]Julia Roberts
[Role:]Elizabeth Lawrence

The Reviews for Sleeping with the Enemy (1991) 720p

"Sleeping with the Enemy:" Self-Defense Really Isn't Murder. (Spoilers Ahead)Reviewed byRich DunbeckVote: 7/10

"Self-defense isn't murder" That was the tag line of "Enough", a film that didn't know the difference between self-defense and pre-meditated murder. It would have been a better tag line for "Sleeping With the Enemy", a movie that does know the difference. Whereas Slim plotted and planned her husband's violent death, "Enemy"'s protagonist, Laura, acts in the heat of a moment and, most importantly, her actions are justified. Laura and Martin have been married for four years, and seem perfectly happy. Unfortunately, Martin's severe Obsessive/Compulsive Disorder and self-confidence issues have put a strain on the marriage. Laura simply can not live up to the standards he needs to keep his OCD under control. If the towels aren't hung correctly on the towel bar, or if the pantry isn't organized just right, he has a fit of uncontrollable anger. When Martin's fits elevate to physical attacks against Laura, she leaves him. Laura fakes her own death and then begins life anew in a small town with a new identity, and she has a romance with a man named Ben. Thankfully the movie doesn't try to justify Laura's running away or her adultery, or make her seem perfect; it simply shows the choices she makes. Whether she makes the right choices is all up to your own moral radar, and I like that. If this were "Enough", the case would likely be much different. But this isn't "Enough". This is much, much better. "Sleeping With the Enemy" is a smart film that actually let's the audience see why Laura feels she has the right to leave Martin. Mostly it has to do with her own inability to deal with Martin's mental infirmities, and that's an understandable problem. OCD can ruin lives, and it can seem overwhelming when you try to help someone who suffers from it. I'm not saying it's right to run away, but her fear is legitimately justifiable. And it's obviously her fear that causes her to overlook the possibility of getting Martin some help. Her killing Martin is also justifiable. When he bursts into her house with a gun, that provides a reason to kill him. And, what do you know, it makes sense. Do I even have to say the E word again? We all know that movie provides no good reasons for anything that it's characters do. Even though the end of Sleeping With the Enemy is predictable, it's really the only ending the movie can logically come to by that point so I really can't complain, and I'll stay off my soapbox. Besides, I need to save it for when I review "Irreversible." "Sleeping With the Enemy" has other merits besides the smart script. For one, the cinematography is beautiful, especially in the early scenes at Laura and Martin's beach-front home. I was left saying "Wow." Another selling point is the acting. Julia Roberts, who usually bugs me, does a fine job as Laura. She never takes it into the territory of melodrama or schlock, thankfully. Patrick Bergen, as Martin, does a good job of portraying a sufferer of OCD and, when Laura's ruse is revealed, an enraged husband. He has reason to be angry with Laura for leaving him (or so he believes thanks to his mental issues), plus he has those self-confidence issues that fuel his instability. To some he may seem over-the-top, but to me he seemed very real. Like I said, OCD wrecks those who suffer from it. My only real problems with the movie were the silly way Martin died (Three bullets, and he's still standing? Please!) and an unnecessary dance number with Laura and Ben. Why is it that some filmmakers deem it necessary to use pointless dance routines to show that two people are in love? And what place do songs like "Runaround Sue" and "Brown-Eyed Girl" have in a movie like this? However distracting those errors may be, "Sleeping with the Enemy" is a fine movie that actually makes the effort to realistically portray real issues. And for that, I commend it.

Haunting, chilling tale of affluent spousal abuseReviewed byroghacheVote: 7/10

I found this movie, if not terribly believable, very moving and emotional when I saw it some years back. Julia Roberts brings a real vulnerability to all her roles, and is perfect here as the affluent but both mentally and physically abused wife.

The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...

I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.

The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.

Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.

Berlioz Symphonie Fantastique will never sound the same again!.Reviewed bySpikeopathVote: 7/10

Laura marries Martin Burney who appears to be the perfect man, he is handsome and successful, yet the dream of the perfect man becomes a nightmare as Martin is a control freak who abuses her both physically and mentally. Once she decides enough is enough she plots her escape by way of faking her own death by drowning, a new life beckons, but she will always be looking over her shoulder to see if Martin finds out the truth and tracks her down.

Thus the vehicle for Julia Roberts pans out as your just above average thriller. It has some decent moments that keep it from drifting into tedium, the set up perfectly portrays the double life that some people lead, on the social circuit it appears the couple are happy and at one with each other, yet behind their own walls there is violence and the crushing of the spirit. The final third of the film is also well worthy of the word thriller, for the tension is nigh on unbearable as we slowly come to the conclusion, whilst Julia Roberts as Laura does a very tidy job as this sort of modern day princess escaping the evil clutches of her keeper. Must mention the great use of Berlioz's Symphonie Fantastique, it's eerie and impacts hard for the scenes it is used for.

Patrick Bergin plays his role well enough, it's just that his villainy is never fully realised, we see enough to know that what he does is wrong, yet it feels a bit too polished. Whilst a sequence that sees Laura dress up as a man is clearly the low point of the film, it really does stretch the viewers patience, and sadly insults their respective intelligence. It's a mixed bag that isn't quite a waste of time, it just doesn't leave you with anything other than a feeling of being semi fulfilled, shame as it could have been brilliant with a bit more bravery and brains in the script, 6/10.

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