Sweet Sweetback's Baadasssss Song (1971) 1080p YIFY Movie

Sweet Sweetback's Baadasssss Song (1971) 1080p

After saving a Black Panther from some racist cops, a black male prostitute goes on the run from "the man" with the help of the ghetto community and some disillusioned Hells Angels.

IMDB: 5.51 Likes

  • Genre: Crime | Drama
  • Quality: 1080p
  • Size: 1.86G
  • Resolution: 1920x1036 / 23.976 (23976/1000) FPSfps
  • Language: English
  • Run Time: 97
  • IMDB Rating: 5.5/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for Sweet Sweetback's Baadasssss Song (1971) 1080p

Melvin Van Peebles wrote, directed, produced, edited, composed and starred in this powerful and inflammatory attack on White America. After the body of a black man is discovered, Sweetback helps two white 'acquaintances' in the police force to look good by agreeing to go with them to the station as a suspect. But he is forced to go on the run after brutally attacking the two policemen when they arrest and beat up a young black man.


The Director and Players for Sweet Sweetback's Baadasssss Song (1971) 1080p

[Director]Melvin Van Peebles
[Director]Melvin Van Peebles
[Role:]Hubert Scales
[Role:]Simon Chuckster


The Reviews for Sweet Sweetback's Baadasssss Song (1971) 1080p


The Cinema of Melvin Van Peebles.Reviewed byJoseph P. UlibasVote: 10/10

Sweet Sweetback's Baad Asssss Song (1971) was a independent marvel from Melvin Van Peebles. It also influenced the so called black exploitation movement of the seventies. According to Mr. Peebles, after the surprise success of this film, the producers of SHAFT changed his character into a black man. Even beyond Hollywood, Mr. Peebles still has some creative control. Before he made this film and the small success of WATERMELON MAN, several Hollywood Studios wanted him to be a Black expert. They wanted him to doctor some scripts and make them "black" (the term he used can be found in his back about the making and selling of Sweet Sweetback's Baad Asssss Song (1971). This book is cool, it also has a lot of vital information, a script to the movie and a copy of the soundtrack.

Mr. Van Peebles used a lot of French new wave style of film making when he shot this movie. The many unique editing and camera angles can be found scattered throughout the movie. He also composed the brilliant soundtrack which also comes across as a concept album. You can listen to the movie on record! This movie was more of a statement to the White Establishment. That a black man can make a unique film without the restraints of the studio system and not have to answer to investors and anxious producers.

I have to give a hand to Mr. Van Peebles. He never gave in to the studios and make terrible sell-out projects. Like him or loathe him, you have to give him all the kudos he deserves and then some.

Highly recommended.

awfulReviewed byTOWchanschicVote: 1/10

This is probably the worst thing ever- and not just on film. We had to watch this in my film class as an example of blaxploitation and my teacher turned if off after 20 minutes. No real plot, very angry, very crass. If you are not from that era (or maybe even if you are) this movie will mean nothing to you. The first 5 minutes or so are practically child porn. The rest is just a man running from "the man" to the same crappy song. The dialogs is barely audible and the lighting at night or inside allows you to see absolutely nothing. I understand that this film was important as a civil movement and for many of the people associated it was their first chance for work, but their time would have been better spent on virtually any other project. I was in a classroom with 40 or 50 people and nobody, regardless of race, age, or sex, found any cinematic value- in fact the only pleasant thing I gained from this was that short moment of relief and pure joy when it was turned off.

what it lacks in technical prowess and cohesion it makes up for with a raw energy to be found only in the ground-breakersReviewed byMisterWhiplashVote: 6/10

Sweet Sweetback's Baadasssss Song is Melvin Van Peebles harsh, incisive, intentional baffling and revolutionary take on the black experience in America. It isn't that, exactly, but it gets down the how "the Man" keeps the black community down at every turn they can. To be sure, this was the first of what was called 'black-exploitation' films, but it isn't exactly that either. Sure, it shows the film's hero (and believe you-me, Van Peebles IS a bad-ass hero, at least in some circles) having sex with a LOT of women, mostly black and some white thrown in at random moments, and it has a completely one-sided view on the Caucasian presence in America (either rabidly racist and crooked cops, or women with a 'craving' for the Sweetback, and the occasional bikers). But it also intends to be a movie by black people, of black people, and FOR black people, to make what is intended as a statement on not just the image of African Americans in the country at the time, but what wasn't shown in movies at all.

In this latter sense, Van Peebles is making an attempt, much like Godard did with his early films (particularly Breathless and My Life to Live), to break through and re-configure conventions into something that is kind of f***ed up, but is alive and interesting in ways that more expensive or resourceful movies would have. Peebles makes his movies sort of out of junk-yard avant-garde parts, like some kind of garish vision taken in via superimpositions, montages, and a soundtrack as a combination of great Earth, Wind and Fire songs and a collage of voice-overs during Sweetback's run. Now, if looking at it from a purely objective viewpoint, of how it is technically, it's a little all over the place and, of course, totally dated. Peebles is also so intense with his camera- and rightfully so- that he lets his script sort of go into a better lack of focus; a lot of the time I only had a slight understanding of what was going on, and sometimes just not at all.

This being said, it's a tremendous credit to Peebles as an independent filmmaker that the film even got finished; he had many production difficulties, as later chronicled in the film Bad Asssss. It's a very rough movie, with scenes going very much into the realm of pornography (even though, unlike most pornos of the period, it doesn't go for the jugular with its angles and shots- if anything Peebles is a little inert as a lover). All the same, it has a lot that pops out as striking, not just in its rambling assortment of visuals, which combine location shots of urban sprawl, deserts, and industrial areas, with the very real, un-glamorized faces of those in the 'ghetto', but in the subject matter as well. It is sensationalized for cinematic effect, but the point still remains today, and is quite ideal as Peebles's most notoriously crazy and weirdly exciting effort.

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