Kurt Russell and Sylvester Stallone are the reason why this run-of-the-mill action flick actually works. There's nothing innovative or special about the film, it's nothing we haven't seen before (maybe just Russell in drag) but the film is entertaining as hell thanks to it's two stars. Stallone is Tango and Russell is Cash, two cops who get set up and sent to jail. They break out and go after the bad guys to clear their names. The film has got some excellent action scenes, particularly inside the prison and during the break out. It's got some nice eye candy courtesy of one Teri Hatcher. The script also delivers some very funny lines now and then. Couple that with the fact that I actually do like Stallone do comedy and Russell has always been somewhat of a mini favourite; Tango and Cash is very worthy of my time every once in a while. Downsides; Excellent actor Jack Palance is horrible in the cliche ridden bad guy role (I can't figure out if he's trying too hard or not at all) and the film has a really silly final 10 minutes where the action goes from cool to basically slapstick. Still, early 90's action fans should enjoy this flick.
Tango and Cash (1989) 1080p YIFY Movie
The Synopsis for Tango and Cash (1989) 1080p
Ray Tango and Gabriel Cash are narcotics detectives who, while both being extremely successful, can't stand each other. Crime Lord Yves Perret, furious at the loss of income that Tango and Cash have caused him, frames the two for murder. Caught with the murder weapon on the scene of the crime, the two have alibi. Thrown into prison with most of the criminals they helped convict, it appears that they are going to have to trust each other if they are to clear their names and catch the evil Perret.
The Director and Players for Tango and Cash (1989) 1080p
The Reviews for Tango and Cash (1989) 1080p
I'd pay Cash to see this TangoReviewed byBjorn (ODDBear)Vote: 7/10
A lot of the reviews for this film use the word "fun", which is code for "unreal", "ridiculous", "silly". That pretty much sums up this umpteenth foray into the cop/buddy flick. The slight difference is the two guys aren't partners, but city rivals. But, as usual, they detest each other, battle a big bad guy, and have a sexy girl caught between them. One of the zillion unreal elements begins with these two guys constantly grabbing headlines in LA. Now, I've lived near LA all my life. Not once has there ever been an officer who was a superstar/celebrity type of superior abilities. And, as we usually see in movies, these guys are non-uniformed, fancy car driving studs. Anyway, off to the plot. The two guys are hated by an aged, wealthy drug runner (Palance). For reasons only known to him, he doesn't want the two simply capped in the head and out of the way. I assume he wants to physically and mentally torture them, so he orchestrates a, yet once more unreal, frame-up that lands the two in jail. There's even an obligatory "You're goin' down for this" from a fellow officer at the scene of the crime. Then, on the inside, ALL the guards are corrupt, which allows prisoners to roam the grounds at will, the powerful drug guy to pay visits, Russell and Stallone to be tortured in a boiler room, etc. Each guy has a friend on his side, Russell the warden, Stallone his captain. Now it's odd that the captain, who knows Stallone is innocent, fails to share this with other authoroties. Even the address of a henchman that he's obtained. After a prison break, there's the big bad finale where the two take on armies of machine gun blasting toadies of Palance's. Then a dopey final gunshot that puts an exclamation point on the list of unreal moments. Now, with all that said, why did I still like this? The dynamite script. Feldman provides a ton of one-liners and comic moments, which aided the implausibility of the proceedings. Not to mention some nicely shot moments of action. So, for a good "turn off your brain" adventure where you'll be asked to go easy on quality, give this a shot.
This masterpiece of Americana is perhaps the Greatest film ever made. The amalgamation of Sylvester Stallone's sheer magnetism, and Kurt Russell's commanding stage presence, has yielded a sonnet the likes of which all Films aspire to be. Stallone portrays "Raymond 'Ray' Tango" a highly decorated narcotics detective from Beverly Hills, who penchant for the stock market, has granted him not only the finer things in life but also a means to express his sophisticated nature and aspirations of financial independence. Stallone masterfully shows the dichotomy of a character who is highly educated and well mannered, yet is beset in a cesspool of crime and depravity, Tango yearns for a better society yet will not rest on his laurels of law and order. "Gabriel 'Gabe' Cash" portrayed by the immaculate Kurt Russell, is the antipodean of Stallone's level headed Tango. Cash is pugnacious, assertive, and zealous yet his diligence to enforce law and order at all cost define this tortured soul. Although this crass inner city detective has a disheveled appearance and tough exterior he is simply trying to hide his true feelings and desires for true love in an otherwise barbaric society. The story begins as these two rival officers are competing for the title of LA's best cop. Although their methods and approaches differ, their goals are the same; to imprison Yves Perret a diabolical drug lord who catches wind of the duos escapades. With his Criminal Empire in danger of being toppled, Perret masterfully played by Jack Pallance, enacts his plan to destroy the two. In an act of carnal malevolence he frames them for the murder of an undercover FBI agent. Perret's corruption and debauchery know no bounds, as he weaves a duplicitous web of conspiracy the likes of which have not been seen since the Warren Commission. Evidence is tampered, so-called experts bribed, and in an attempt to save their lives, Tango and Cash agree to a plea bargain, under the guise that they will be sent to a Minimum Security prison, not amongst the general population. Perret then has them sent to a Maximum Security faculty amongst inmates that have been jailed by the two supercops, in an attempt to have them assassinated. Tango and Cash must then set aside their petty differences and discover the true meaning of friendship to escape the prison to clear their once proud names, and stop Perret once and for all, in a conclusion that will rattle even the sternest of men. The chemistry between Stallone and Russell is reminiscent of Redford and Newman, if not greater, with snide remarks being made by both parties. The action, adventure, and violence are non-stop, yet the humanity of the characters is prevalent throughout the film, adding a much needed dimension to an otherwise cliche and tired genre. Tango is not just a mindless cop, he is multidimensional protagonist, who hearkens to the days of Bogart and Cary Grant. Cash desires the admiration of a women to complete himself, which he finds in Catherine "kiki" Tango, he is not simply a generic action hero who shoots guns and makes wise ass remarks, Cash has a quintessence and Russell pours his soul into the character. All in all this film is the crowning achievement of Stallone and Russell and the Hollywood film industry. It is a cut of history, when master Artisans the like of Russell and Stallone are brought together at their peak with visionaries leading them to produce what is their destiny??..FUBAR!!!!!!!!!