Testament of Orpheus (1960) 720p YIFY Movie

Testament of Orpheus (1960)

Le testament d'Orphée, ou ne me demandez pas pourquoi! is a movie starring Jean Cocteau, Fran?oise Arnoul, and Claudine Auger. The Poet looks back over his life and work, recalling his inspirations and obsessions.

IMDB: 7.31 Likes

  • Genre: Biography |
  • Quality: 720p
  • Size: 623.14M
  • Resolution: 1280*800 / 23.976 fpsfps
  • Language: English
  • Run Time: 80
  • IMDB Rating: 7.3/10 
  • MPR: Normal
  • Peers/Seeds: 23 / 64

The Synopsis for Testament of Orpheus (1960) 720p

The poet Jean Cocteau is lost in space-time. He has been in the 18th century and is now turning up at different moments in professor Langevin's life. The professor has invented some bullets, which travel faster than light. With one of them he kills Cocteau, who is resurrected as his old self, but is still caught in the space between fantasy and reality. At a gypsy camp a woman saves a photo out of the fire and restores it. On the photo Cocteau recognizes Cégeste from his film Orphée. He tears the photo into pieces and throws it into the sea. Immediately Cégeste himself jumps out of the water. He brings Cocteau to a rogatory commission led by Heurtebise and The Princess from the film Orphée. Cocteau admits that he has constantly attempted to enter a world which is not his own, a world that is beyond the limits of man, and that disobedience is like a religion for him. The commission imposes on him the sentence of life. In a hall inside some stone ruins the goddess Athena kills Cocteau ...


The Director and Players for Testament of Orpheus (1960) 720p

[Director]Jean Cocteau
[Director]Jean Cocteau
[Role:]Charles Aznavour
[Role:]Claudine Auger
[Role:]Fran?oise Arnoul


The Reviews for Testament of Orpheus (1960) 720p


Muddled gunk interesting for Greek Classicists onlyReviewed byAkzidenz_GroteskVote: 2/10

I've never been impressed by Cocteau's films but I give him credit for having the energy to put his personal takes on myth and symbolism on film. Unfortunately, one really needs to be steeped in the various characters of Greek Myth to appreciate this one. The imagery is quite imaginative and the situations are sometimes funny but the whole never comes together. It's just one pointless existential tableau after another, which may be Cocteau's aim but it fails as substantial entertainment. The various contemporary celebrities that have cameos do little and add little to the film.

I can really only recommend this film to those who want to learn about Cocteau's film style or those who like to see the Classic Greek myths used in a mid-20th century film medium. Otherwise, it's a jumble of confusing dialogue and imagery to be taken not so seriously.

Better than it first seemsReviewed byrichard-1787Vote: 4/10

When this movie starts out, you will find yourself - if you are old enough - feeling that you have somehow been transported back in time to the 1950s and some very serious coffee house (NOT Starbucks) where, on Friday nights, they showed "experimental" films (not movies, of course, but films). The surrealist tricks that had been innovative 30 years before in "The Blood of the Poet" are still there, with the people and objects that suddenly disappear or appear and the surreal movement. There is still the clearly enunciated and theatrical speech. By the 1960s, this could be seen as kitsch.

But there is still, fairly often, a certain imaginative touch that comes off as real poetry. Not as much as in "Beauty and the Beast", certainly, to which this is much inferior. But enough to justify giving it a try.

And then there is the cameo appearance by Yul Brenner, who actually speaks very good French. Brenner was a big star at the time; how Cocteau convinced him to appear in this I will never know.

Like watching some of Jean Cocteau's home movies after taking a couple hits of acid....Reviewed byMartinHaferVote: 7/10

My summary is NOT meant to be sarcasm but an accurate description of what I saw in "Testament of Orpheus". It really does play a lot like a home movie of Cocteau's--complete with his friends making guest appearances. A few of the more notable ones are Jean Pierre Leaud, Pablo Picasso and Yul Brynner. As for the plot, it's really hard to describe and it is VERY freaky. It's sort of like a combination of a dream, the life of Cocteau, time travel and Greek mythology all rolled into one very strange film. If you try to make sense of all this, it will probably make your head explode--and it seems pretty clear that Cocteau had no intention of making the film understandable or doing a traditional narrative. Because it is essential a vanity project and an art film, I really cannot rate it. However, I think I'm very safe in saying that the film probably holds no interest to the average viewer but is something best seen by Cocteau-philes and lovers of the avant garde or surreal.

As for me and my own opinion about the film's merits, I thought the project was very repetitive--though it did have a few moments of interesting introspection by Cocteau (who plays himself through the film). Sadly, though, despite his introspection, this is yet another Cocteau film in which he over-used slow-motion and rolled the film backwards again and again to achieve his artsy effects. Essentially, you see nothing new here in the way of techniques--having seen this is "Blood of a Poet" thirty years earlier. And, it does not have any sort of lasting appeal or a coherent story like "Orpheus" or "Beauty and the Beast" (his two masterpieces). Skipable if you ask me but a mildly (very mildly) interesting piece of performance art.

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