Scorsese has such an encyclopedic knowledge and understanding of cinema that every shot, however inventive and daring, is effortlessly composed. The direction, editing and cinematography are all the first-rate work by individuals who are clearly masters of their profession and the production design, costumes and makeup are the best you'll see all year. Their efforts combine to create a world of rich and lavish color, of excitement and glamour. Who wouldn't want to visit THIS Cotton Club in 1935? It's hard to imagine who could trump the technical team for Oscars this year. With such a perfectly realized world in which to perform, the actors universally do an outstanding job. Despite the criticism of the hardcore DiCaprio-haters, the unprejudiced will observe an excellent performance that takes genuine risks and convincingly conveys the passing of more than twenty years. Importantly, DiCaprio more than holds his own when paired with Cate Blanchett and especially Alan Alda, who both give equally note worthy performances. Blanchett's interpretation of Katherine Hepburn seems spot on, and anyone familiar with the late actresses mannerisms will appreciate the hard work that clearly went into the recreation. Alda, one of the most consistently underrated actors around, delivers another masterclass in restrained character building as he oozes ambition and political dishonesty from every pore. And yet, despite the obvious talent of all those involved and Scorsese's ability to effortlessly fill three hours, something about The Aviator fails to completely satisfy. Without wanting to sound like a film student, movies should, ultimately, be ABOUT something; love, honor, courage, redemption, the BIG ideas and themes that are the fuel of the plot. What was the drive of The Aviator? A rich guy recklessly spends lots of money to indulge his personal obsessions and gets away with it. We're never told how his experiences change him, and without change there's no journey. Considering the screenplay was written by John Logan, who usually displays a keen interest in showing the emotional evolution of his characters, the oversight is inexplicable. Ultimately then, much like Gangs of New York, The Aviator is simply the sum of it's parts, and however brilliantly those parts are realized, there doesn't seem to be a bigger theme to underpin and drive them. The Aviator is a perfectly realized recreation of the era and one well worth experiencing. But the lack of a real emotional journey suggests 'all gloss and no substance', and ultimately prevents the movie from being truly great.
The Aviator (2004) 720p YIFY Movie
The Aviator (2004)
A biopic depicting the early years of legendary director and aviator Howard Hughes' career, from the late 1920s to the mid-1940s.
IMDB: 7.556 Likes
The Synopsis for The Aviator (2004) 720p
The script begins as a young Hughes directs one of Scorsese's favorite films, Hell's Angels. Hughes was so obsessed with perfection in the aerial sequences that he waits forever for perfect conditions, right down to cloud formations. The Aviator ends in 1946, when Hughes was still a dashing young man and romancing actresses like Ava Gardner and Katharine Hepburn.
The Director and Players for The Aviator (2004) 720p
The Reviews for The Aviator (2004) 720p
Falling Short of Greatness...AgainReviewed byRathkoVote: 8/10
Martin Scorsese's most recent ambitious project does not disappoint. I just saw this film in a special preview for NYU film students, with Martin Scorsese there to discuss and answer questions after, and I must say, it was pretty phenomenal. It is Martin Scorsese's best work since Goodfellas (this is obvious) and most probably his best work since Raging Bull. DiCaprio's character study of Howard Hughes, and his devotion to this role, is exquisite and reminiscent even of Robert De Niro's in Raging Bull. The film is lengthy, but this compliments it, for the story is riveting and the production is practically flawless (even the combination of computerized processes and more traditional photography was smooth and effective). The presentation of the film, in an evolving color (from two-tone Technicolor, as Martin explained it to us, to three-tone, to modern by the later sequences) is absolutely stunning, and the cinematography by renowned Robert Richardson, ASC, is some of the best I've seen (and, in my opinion, deserving of an Oscar). Cate Blanchett was impeccable as Katharine Hepburn, though, at times, I felt that the complexity of her character was never really deeper than a surface analysis. She did her role flawlessly, but this is not to say that it really Alec Baldwin portrayed one of the flattest villains I've seen in a major motion picture, but, again, this is about Howard Hughes, and DiCaprio's performance is worthy of an Oscar nod at least, and perhaps an Oscar Win (certainly the best performance I've seen all year). One of my few complaints, though, is the lengthy sequences featuring Howard Hughes as a solo aviator. Though interesting, entertaining even, the film was long enough already, and did not require such an exhaustive analysis of individual flight procedures. Also, it seems that some of the themes were almost too redundant, such as the ways in which Hughes' psychological problems were performed. Much of the Hollywood history is good, even interesting, but it also sometimes seemed a bit self-indulgent, to the point where you questioned the necessity of ALL of those nightclub sequences in the film. But, besides those relatively few complaints, it is a spectacular film. In all: do not miss it. 3.5/4
There is no doubt that THE AVIATOR is the masterpiece of both director Martin Scorsese and actor, Leonardo DiCaprio. DiCaprio becomes Howard Hughes. The actor is so profoundly absorbed in the role that the DiCaprio we know from other films cannot be found in this film. It is a bravura performance of great depth and magnitude. DiCaprio richly deserves his first Academy Award. I have never know much about Howard Hughes. This film opened my eyes to him as a personality, a businessman, aviator and his lavish lifestyle. DiCaprio no longer is the "pretty boy" from other films. The expressions he takes on are not handsome, the deeply furrowed brow, one could actually watch him, as Hughes' character, think his way through challenging situations, the mark of a highly gifted actor. Watching DiCaprio evolve into the paranoid schizophrenic Hughes in the latter part of the film is a stunning example of pure acting. Leo deserves recognition for recreating a most difficult personality. Though the film is long, it never slows down nor gets boring and it commanded my attention from start to finish. It is masterpiece cinema for these two men and for other actors too. Cate Blanchette must be commended for her role as Katherine Hepburn. Every role was played by first rate actors. If you want to understand a piece of American history from the 30s through the 1940s, this film will illumine you. It may not be the greatest film ever made but it sure is cinema to the max and worth seeing, without a second thought.