The Commuter (2018) 720p YIFY Movie

The Commuter (2018)

A businessman is caught up in a criminal conspiracy during his daily commute home.

IMDB: 6.422 Likes

  • Genre: Action | Crime
  • Quality: 720p
  • Size: 903.38M
  • Resolution: 1280*800 / 23.976 fpsfps
  • Language: English
  • Run Time: 104
  • IMDB Rating: 6.4/10 
  • MPR: Normal
  • Peers/Seeds: 47 / 423

The Synopsis for The Commuter (2018) 720p

Now a hard-working life insurance salesman and a caring family man, the former police officer, Michael MacCauley, has taken the commuter rail to New York for the past ten years. But, unexpectedly, things will take a turn for the worse, when on one of his daily journeys, the cryptic passenger, Joanna, makes Michael a generous and tempting offer to locate a single commuter or face grave consequences. Is this a sick joke, or is this indeed a serious situation? As Michael races against the clock to solve this wicked conundrum, everyone aboard is a suspect, in a deal where there's definitely more than meets the eye. Can he decide in time who's the one?


The Director and Players for The Commuter (2018) 720p

[Director]Jaume Collet-Serra
[Role:]Liam Neeson
[Role:]Patrick Wilson
[Role:]Vera Farmiga


The Reviews for The Commuter (2018) 720p


Partly quite good and partly extremely bad...Reviewed byEskeRahnVote: 7/10

Basically a good plot, good acting, a good bit of suspense, action and good effects, so how can this go wrong?

Well parts of it is so ridiculous and stupid that it is hard to believe no one stopped it at the script level.. And parts are just 'over the top', sort of "OK we have paid for effects, so now give us a truck load full" - I was VERY close to leaving the theatre a couple of times....

And this is really sad, as it could have been a good action thriller, as the ideas were good.

I believe that cutting away the bad stuff that sums up to less than half an hour and replace a few minutes, and it could have been great in the genre!

A Bad DayReviewed byClaudio CarvalhoVote: 6/10

The former cop and insurance agent Michael MacCauley (Liam Neeson) loses his job when the company where he works is downsizing. He goes to a bar where he meets his former partner and friend Alex Murphy (Patrick Wilson) and tells that he has not told the news to his wife Karen (Elizabeth McGovern). While commuting home, a mysterious woman called Joanna (Vera Farmiga) offers a game to Michael where he would locate a commuter in the train and receive a large amount. When Michael finds the money hidden in a wagon, the woman informs that he has accepted the offer and need to find the person in a few moments; otherwise his beloved family will suffer the consequences. What will Michael do?

"The Commuter" is another entertaining Liam Neeson′s action film. The unlikely story has promising beginning but the conclusion is absurd and funny. Despite the clichés, the non-stop action does not let the viewer think and in the end, "The Commuter" is a decent film. My vote is six.

Title (Brazil): "O Passageiro" ("The Passenger")

Part Hitchcockian whodunnit and part white-knuckle thrills, 'The Commuter' overcomes what it lacks in logic with well-executed suspense and actionReviewed bymoviexclusiveVote: 7/10

Hard to believe that it has been 10 years since Liam Neeson became an unexpected action star with the lean, spare but brutally effective thriller 'Taken', and in the decade that's passed cemented his late renaissance with well-executed B-movie fare like 'The A-Team', 'The Grey', 'Unknown', 'Non-Stop' and 'Run All Night'. The last three were also notable for being collaborations with director Jaume Collet-Serra, and the now 65-year-old has extended their team-up with 'The Commuter', which sees Serra further lay claim to a modern-day Alfred Hitchcock with a couple of high-wire scenes that would certainly make the latter proud.

As with before, there is a high-concept scenario at the heart of this deliberately old-fashioned thriller: an everyday insurance salesman Michael McCauley (Neeson) finds his routine evening commute back home from work disrupted by the enigmatic stranger Joanna (Vera Farmiga), who sits opposite him on the Metro-North train and offers him a hefty financial reward if he is able to spot someone on the train who isn't a familiar face. In order for Michael to be tempted in the first place, first-time screenwriters Byron Willinger and Philip de Blasi set him up to lose his job on that same day, leaving him floundering over his two mortgages as well as tuition fees for his college-bound son - although because this is Neeson we're talking about, you know Michael will eventually do the right, honorable and even heroic thing.

To up the ante, Michael is only given slightly more than half an hour before the train reaches Cold Spring to find the individual he is told later on goes by the name of Prynne; and to raise the stakes, it turns out that Joanna has also held his wife and son hostage, both of whom she threatens to kill if Michael fails to complete his mission. True to his Hitchcockian ambition, Serra spins an intriguing web of mystery over most of the middle act, and there are at least three riveting questions that are teased. Who is Prynne? Who is Joanna and/or the people she is working with or for? And finally, what does Joanna want with Prynne? These in turn translate into solid character work for the proverbial strangers on the train whom Michael probes to locate his mark - among them a feisty college student (Florence Pugh), an arrogant Wall Street banker (Shazad Latif), an emotionally distraught nurse (Clara Lago), a tattooed bruiser (Roland Moller) and a taciturn teenager (Ella-Rae Smith).

Yet Serra is all too aware that a whodunnit in and of itself is unlikely to satiate a good proportion of his audience, who are here to watch Neeson engage in the sort of close-quarter fisticuffs a la 'Taken'. So in between playing detective, Michael also gets a couple of well-choregraphed brawls - one of them takes place in the confines between carriages, while another that is impressively done in a single take plays out over an entire carriage with everything from a gun, an ax, a guitar and seat cushions used as weapons. There is visibly concerted effort to keep these fight sequences real, so even though Neeson's character is revealed earlier on to be an ex-cop, the film doesn't (thankfully) use that as an excuse to gift him with "a very particular set of skills" to take down his opponents too easily, skilfully or neatly.

Like other locomotive-set thrillers, this one doesn't escape without the train in question going out of control and then literally off the rails. That it is well-staged is undeniable - not even some subpar CGI in some shots can detract from the sheer white-knuckle tension of seeing almost the whole train flip into the air - but this spectacle-fuelled conclusion arguably strains the credibility of the high-concept movie even further, and is therefore both better and worse off for it. Notwithstanding, Neeson remains through and through the film's emotional centre, conveying the frustration, helplessness and resolve of a regular guy who is trying to get his life back in control from those that have snatched it away from him. Lest we forget, this is a role that the thespian can easily do in his sleep, but Neeson still brings his considerable gravitas to bear.

Mind you, not all the gaps in the narrative will be filled in by the end (which seems to set up the possibility of a sequel) nor will some of the explanations pass muster under closer scrutiny. Still, a film like this isn't meant to be held up under such examination or intended to offer any more than solid B-movie guilty pleasures; on the latter count though, it does succeed brilliantly and beautifully by mixing classic Hitchcockian tension with adrenaline-pumping action. We dare say that it ranks among one of Neeson's best in his action oeuvre, and if you're in the mood for some pulpy thrills and suspense, then you'll definitely want to get on this train.

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