The Girl of the Canal (1945) 720p YIFY Movie

The Girl of the Canal (1945)

Drama following the lives of two families living on the colourfully painted canal boats of Britain.

IMDB: 6.70 Likes

  • Genre: Drama |
  • Quality: 720p
  • Size: 584.15M
  • Resolution: 960*720 / 24 fpsfps
  • Language: English 2.0  
  • Run Time: 63
  • IMDB Rating: 6.7/10 
  • MPR:
  • Peers/Seeds: 0 / 0

The Synopsis for The Girl of the Canal (1945) 720p

Drama following the lives of two families living on the colourfully painted canal boats of Britain.


The Director and Players for The Girl of the Canal (1945) 720p

[Director]Charles Crichton
[Role:]May Hallatt
[Role:]Bill Blewitt
[Role:]Jenny Laird


The Reviews for The Girl of the Canal (1945) 720p


Historically important view of a way of life now long goneReviewed bytrevorwombleVote: 7/10

There isn't much of a plot to this slightly unusual but fascinating and quite well made film that is part documentary and part soap opera. However that isn't really the point here as the film has far more worth as a snapshot of life for those families who worked and lived on the British canals in the 1940s.

Whilst the film used (mostly) professional actors, the backdrop was real and utilised lots of location filming . As I said there isn't much of a story beyond the lives of a family who live and work on a canal barge and the world they live in. The story concerns the character Mary (Jenny Laird) and her love of life working the canals as generations before her have done. She is engaged to fellow bargee Ted Stoner who dreams of putting down roots and living in a house (unlike Mary). He hopes the army will call him up and offer him a way out and a trade even though he is is supposedly exempted from the draft as well as being illiterate. His younger brother Alf (Harry Fowler) finds life on the canal exciting yet his fractured education and that of others who live like him is also very prominently addressed.

Although there is a certain amount of a 'rose tinted' view of the lives of these gypsies of the river, the film doesn't shy away from the harsh realities of their life either, especially the scene where a contract is signed but the women in the scene cannot write their name so just sign it with an 'X'.

This film works as a glimpse of a way of life that existed for the best part of 200 years. However even in 1945 the film makers could see that the writing was on the wall for the bargee way of life. The importance of the railway network and the improvement of the roads and the rise of the HGV are all addressed. The second world war was probably the last hurrah for the canal network and those who worked on it for industrial reasons. In fact the war itself may very well have prolonged its importance and therefore its existence for a few extra years as trains were needed for things like troop transport and petrol was in short supply for road vehicles because of the war effort. However by the 1950s the wide scale commercial use of lorries, the nationalisation of the railways and the post war social changes in areas such as improved housing, education and healthcare all but effectively sounded the death knell for this way of life and by the end of the 1960s the canals were of little commercial importance anymore . In this respect the film offers us an invaluable look into the final few years of life on the canals and the people who worked them.

There's been a lot of water under the bridge since this little beauty was madeReviewed bySpondonmanVote: 8/10

Ealing were just at the beginning their golden period, after this the studio went on during the next year to make Dead Of Night which was one of their towering achievements. This little film however is not in that class even if still spellbinding for beaming back through Time to us a lost England. It's not completely lost because many people still ply boats along canals, only mainly as a pastime though.

It's a short semi-romantic semi-documentary showing brief episodes in the busy lives of a couple of families on the water, working on the Grand Union Canal between the Midlands and London. The rustic homeliness of it all was beautifully captured by the camera of Douglas Slocombe, I lost count of all the languid and lovely images of riverbanks, quaint buildings with or without thatch, gentle or frothing water and blue skies. And all in a clean and glorious black and white nitrate print. Thick accents through dubbed sound can be hard to follow at times as well as occasionally wondering what's going on as it's all taken so leisurely, but it's not a problem. A splendid lulling narration by James McKechnie takes over at times which is redolent of Eric Portman in Canterbury Tale – Can No One Speak Like That Nowadays? Jenny Laird, who a few years before had played Ethel to Just William was the main character in here, emotional Mary. Harry Fowler then nineteen years old played his usual lovable youth role, while Megs Jenkins seemed ready as usual to wash some glasses.

It leaves loose ends in the rush to finish but the main point was achieved in the one hour: the loving views of some wonderful English countryside. Engrossing inconsequential stuff, give it a punt.

Wonderful NostalgiaReviewed bynigel_hawkesVote: 8/10

I find it almost impossible to watch this right through, so nostalgic is it of a way of life virtually gone now. The blend of professional actors with, presumably, real-life characters works well. There's nothing really to fault-photography is very good and sharp; music appropriate; lots of familiar faces-e.g. Megs Jenkins, a young Harry Fowler...

Couple this with "The Song of the Road" (1937), which is about the replacement of horses on farms, and you have a pretty good depiction of life in England before and after the War. One critic summed up the 1937 film as "..a sentimental, idealised account of a country at peace with itself". It's not that simple of course, but there are plenty of documentaries about analysing the harder edge of those times.

Enjoy these films for what they are-wonderful depictions made with feeling, and valuable social documents.

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