The Loft (2014) 1080p YIFY Movie

The Loft (2014) 1080P

Five married guys conspire to secretly share a penthouse loft in the city--a place where they can carry out hidden affairs and indulge in their deepest fantasies. But the fantasy becomes a nightmare when they discover the dead body of an unknown woman in the loft, and they realize one of the group must be involved.

IMDB: 6.373 Likes

  • Genre: Thriller |
  • Quality: 1080p
  • Size: 1.65G
  • Resolution: 1920*800 / 23.976fps
  • Language: English
  • Run Time: 108
  • IMDB Rating: 6.3/10 
  • MPR: R
  • Peers/Seeds: 3 / 46

The Synopsis for The Loft (2014) 1080p

The architect Vincent Stevens; the psychiatrist Chris Vanowen; the real estate agents Luke Seacord and Marty Landry; and Chris' half-brother Philip Trauner are married and best friends. Vincent proposes his friends to share a wonderful penthouse loft in a brand new building designed by him to become their rendezvous instead of using their credit cards for love affairs and one night stands in hotels. When they discover the body of a beautiful woman cuffed on the bed in the loft, they have argument to find who is the responsible and secrets are disclosed affecting their friendship.


The Director and Players for The Loft (2014) 1080p

[Director]Erik Van Looy
[Role:Marty Landry]Eric Stonestreet
[Role:Luke Seacord]Wentworth Miller
[Role:Chris Vanowen]James Marsden
[Role:Vincent Stevens]Karl Urban


The Reviews for The Loft (2014) 1080p


Convoluted mess of an erotic thrillerReviewed byAndrew GoldVote: 3/10

The only reason I knew this movie existed is because I was looking up what Eric Stonestreet had done aside from Modern Family, so I decided to give this a shot. The premise of the movie is the best part about it: Five guys have the keys to a secret loft where they can freely cheat on their wives, but one day they find a dead girl on the bed and have to figure out who did it. To this movie's credit, the first half is engaging and curious. They develop some shady history between the guys and show how the loft came to be, but as pieces of the puzzle start coming together and the more answers we get, the more the movie suffers. I mean I've seen botched premises before but The Loft takes it to a new low. The five leads in this movie do what they can. They are likable actors and they have some moments of conviction here and there, but the script is so horrendous it's astonishing that they can keep a straight face delivering these lines. Wentworth Miller is the weak link, and I don't know if it's his fault or his character just being really weird and uncomfortable but that's another thing: you don't like any of these characters. They're all despicable, cheating, lying, douchebags that are only friends because they all have those sh*tty traits in common. And I use the term "friends" loosely because these guys seem to hate each other as much as the audience does. Half the time they're yelling and arguing at each other, the other half they're just dull and plodding along with the script. It's sad because you want to like these guys but they really are just sociopathic dickheads. Honestly the only one with a conscious is James Marsden's character but even then still he's a deceiving slimeball. However the cokehead brother completely embraces the psychosis angle and gives a very nice standout performance considering the material he was given. The women in this movie are horrendous. There is not one memorable female character - they're all either stupid and married to these guys or stupid and f*cking them behind their wives' backs. It's hard to care about a movie where every character is totally unlikable. Like I said, the first half of the movie is very promising. The pacing was appropriate, it was easy to follow what was going on, it gave you time to become invested in the mystery, then all of a sudden things get crazy. Like unbelievable, ridiculous, stupid levels of crazy. First of all there are like six endings to the movie; it goes on for a good 10-20 more minutes than it should, and the worst part is that each "ending" is worse than the last. They try over-explaining what happened and it ends up getting so twisted and convoluted that it collapses onto itself. At a point you just stop caring about who did what - you just want the damn movie to end. The entire third act is a disaster in every conceivable way. This movie was watchable, mainly because of the cast, but the ending is so frustrating I had to give it a low score. I really tried to like it, it's just hard to care about a movie when you're just watching a bunch of stupid people do stupid things. And the police interrogation scenes were atrocious. If you don't care about plot and just want to see a bunch of good looking people act like complete jerks for an hour and a half, you can get a kick out of The Loft. If you want a thrilling murder mystery that makes you think, stay far far away - The Loft does not deliver.

Like a cheap Rubik's cubeReviewed byE_MulwrayVote: 5/10

"The Loft" is a remake of a Belgian film, and focuses on five married men who go in on a ritzy high rise loft for the purposes of pursuing their affairs and sexual escapades. When a girl winds up dead in a pool of blood in the loft, the five men panic as they attempt to unravel who she is and where she came from. Taking some cues from Hitchcock (and not exactly with a fraction of Hitch's poise), "The Loft" is an overall entertaining film, but the script at times is the equivalent of a cheap Rubik's cube? it looks fine, it's a fun puzzle, I guess, but it's really just not that impressive overall. The film shifts between past and present, unraveling the narrative through flashbacks which are sandwiched between the current dilemma of the four men arguing in the loft over the corpse of the dead blonde. The pacing is a bit choppy, and the transitions rather abrupt. James Marsden and Wentworth Miller are among the film's greatest star power here, but the cast overall is really underwhelming, and the performances are at times borderline campy as the men play up their roles as buffoonish plutocratic mattress hounds. The finale cements my feelings of the film as an underwhelming thriller that seems more suited for television than the silver screen, but I still can't say it was totally not worth the time. In spite of the hammy performances, the disjointed narrative, and the overall sensibility of utter lifelessness that the film has, it is still by and large an entertaining flick. Nearly impossible to take seriously, but for entertainment's sake, it's passable. 5/10.

Silly but entertaining puzzleReviewed byNonkelJulienVote: 7/10

Having seen the original movie 'Loft' by Erik Van Looy (http://www.imdb.com/title/tt0926762/?ref_=fn_al_tt_1), I was hoping for a fresh take. But a fresh take is obviously not why they hired the same Van Looy to direct this version. This is essentially the same movie, just without subtitles. In short, the building blocks of 'The Loft' are a set of plot twists. They are mostly silly, suffering from a few red herrings that hurt the story's credibility, but it's still entertaining to watch them unfold. Largely because the movie flows well for the most part, with only a few dull moments in the first half. Although I preferred the exterior design of the original loft, the overall cinematography of 'The Loft' feels a little warmer and more comfortable. Only a little though, because the characters in it are stone cold. James Marsden is the warmest character in the frame, but like everybody else he doesn't get enough to work with to make for a convincing character that the audience can identify with. The characters are The Loft's biggest flaw (as they were in the original), which is especially disappointing since making you care about characters has often been a strong and successful focus in Bart de Pauw's earlier scripts. There are just too many of them, and as a consequence most of the dialog in the back story scenes is expositional and feels awkward. There's never an opportunity for development. The characters are just there to lead you from one twist to the next. The overall acting suffers as a result. Strangely I felt that Rhona Mitra, with barely any screen time, delivers one of the better performances, with obvious anger below her coldness, yet just enough restrain. Wentworth Miller does what he does best. He doesn't seem to care much, but still feels like a good fit, even with the little information we get for his character. Matthias Schoenaerts' presence is undeniable. But as a guy who seems to be on edge pretty much all the time, his marriage seems plainly unlikely, and his past couldn't be revealed more clumsily. Still, he's a welcome contrast to the otherwise held back main cast. It's a pity that he was clearly suffering from sickness or fatigue in a few scenes, where it's blatantly obvious how much he had to strain his voice. It's arguably suiting his character, but it's still distracting. The concept of this story lends itself to a much darker movie, and this just feels like a missed opportunity. I can't help but wonder how this would've worked as a film noir. You have five characters that could easily be despicable and instantly more interesting, and the women couldn't be more fatale. Of course, film noir doesn't sell anymore, so instead we get a bright and shiny thriller that doesn't thrill, that keeps you guessing, but doesn't make you ask questions. It deals with edgy themes, but it barely skims them and focuses on polish instead. 7/10. It's definitely an enjoyable watch, but only for people who're into the whole whodunit thing. Not if you're looking for anything more. It's successful at what it is and doesn't pretend to be anything else, but I can't help but sense the potential for something more.

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