The Loft (2014) 720p YIFY Movie

The Loft (2014)

Five married guys conspire to secretly share a penthouse loft in the city--a place where they can carry out hidden affairs and indulge in their deepest fantasies. But the fantasy becomes a nightmare when they discover the dead body of an unknown woman in the loft, and they realize one of the group must be involved.

IMDB: 6.339 Likes

  • Genre: Thriller |
  • Quality: 720p
  • Size: 811.51M
  • Resolution: 1280*536 / 23.976fps
  • Language: English
  • Run Time: 108
  • IMDB Rating: 6.3/10 
  • MPR: R
  • Peers/Seeds: 3 / 85

The Synopsis for The Loft (2014) 720p

The architect Vincent Stevens; the psychiatrist Chris Vanowen; the real estate agents Luke Seacord and Marty Landry; and Chris' half-brother Philip Trauner are married and best friends. Vincent proposes his friends to share a wonderful penthouse loft in a brand new building designed by him to become their rendezvous instead of using their credit cards for love affairs and one night stands in hotels. When they discover the body of a beautiful woman cuffed on the bed in the loft, they have argument to find who is the responsible and secrets are disclosed affecting their friendship.


The Director and Players for The Loft (2014) 720p

[Director]Erik Van Looy
[Role:Marty Landry]Eric Stonestreet
[Role:Luke Seacord]Wentworth Miller
[Role:Chris Vanowen]James Marsden
[Role:Vincent Stevens]Karl Urban


The Reviews for The Loft (2014) 720p


Thriller With Good TwistsReviewed bysteve beard ([email protected])Vote: 7/10

I saw "The Loft", starring Karl Urban-Bones in the new Star Trek movies, Xena:Warrior Princess_tv; James Marsden-Cyclops in the X-Men movies, The Notebook; Wentworth Miller-Resident Evil:Afterlife, Prison Break_tv; Eric Stonestreet-Modern Family_tv, Identity Thief and Rachael Taylor-666 Park Avenue_tv, Transformers. This is a pretty good thriller that is a remake of a 2008 Belgian movie, which was then remade in 2010 by the Dutch. Karl plays an architect that makes his best buddies an offer they find hard to resist. He gives each of them a special key to a penthouse loft-aka an apartment-that they may use anytime they feel the need for an extramarital affair or if they just want some quiet time away from their wife or boss. James is a psychiatrist, Wentworth is a shy and quiet one and Eric is a womanizing flirt. All are also married, but with different degrees of happiness. James and Wentworth resist, at first, but soon find a reason to use the loft. One day, Wentworth drops by and finds a dead body in the loft, so he calls everyone and they all put their heads together to figure out exactly what happened. The keys are electronic and need a master key to make a duplicate, which is under lock in Karl's safe-someone had to have gotten in with a key to commit the crime. Did anyone loose their key? Or lend it to someone? Did one or more of the wives discover what the boys are doing at the loft and seek some kind of revenge? Rachael plays a woman that James falls in love with, after meeting her at a party, and no, she is not the victim. It has a lot of good twists and turns in it and I really enjoyed it. It's rated "R" for violence, language, sexual content-including nudity- and drug use and has a running time of 1 hour & 48 minutes. I would buy this on Blu-Ray.

Like a cheap Rubik's cubeReviewed byE_MulwrayVote: 5/10

"The Loft" is a remake of a Belgian film, and focuses on five married men who go in on a ritzy high rise loft for the purposes of pursuing their affairs and sexual escapades. When a girl winds up dead in a pool of blood in the loft, the five men panic as they attempt to unravel who she is and where she came from. Taking some cues from Hitchcock (and not exactly with a fraction of Hitch's poise), "The Loft" is an overall entertaining film, but the script at times is the equivalent of a cheap Rubik's cube? it looks fine, it's a fun puzzle, I guess, but it's really just not that impressive overall. The film shifts between past and present, unraveling the narrative through flashbacks which are sandwiched between the current dilemma of the four men arguing in the loft over the corpse of the dead blonde. The pacing is a bit choppy, and the transitions rather abrupt. James Marsden and Wentworth Miller are among the film's greatest star power here, but the cast overall is really underwhelming, and the performances are at times borderline campy as the men play up their roles as buffoonish plutocratic mattress hounds. The finale cements my feelings of the film as an underwhelming thriller that seems more suited for television than the silver screen, but I still can't say it was totally not worth the time. In spite of the hammy performances, the disjointed narrative, and the overall sensibility of utter lifelessness that the film has, it is still by and large an entertaining flick. Nearly impossible to take seriously, but for entertainment's sake, it's passable. 5/10.

Silly but entertaining puzzleReviewed byNonkelJulienVote: 7/10

Having seen the original movie 'Loft' by Erik Van Looy (http://www.imdb.com/title/tt0926762/?ref_=fn_al_tt_1), I was hoping for a fresh take. But a fresh take is obviously not why they hired the same Van Looy to direct this version. This is essentially the same movie, just without subtitles. In short, the building blocks of 'The Loft' are a set of plot twists. They are mostly silly, suffering from a few red herrings that hurt the story's credibility, but it's still entertaining to watch them unfold. Largely because the movie flows well for the most part, with only a few dull moments in the first half. Although I preferred the exterior design of the original loft, the overall cinematography of 'The Loft' feels a little warmer and more comfortable. Only a little though, because the characters in it are stone cold. James Marsden is the warmest character in the frame, but like everybody else he doesn't get enough to work with to make for a convincing character that the audience can identify with. The characters are The Loft's biggest flaw (as they were in the original), which is especially disappointing since making you care about characters has often been a strong and successful focus in Bart de Pauw's earlier scripts. There are just too many of them, and as a consequence most of the dialog in the back story scenes is expositional and feels awkward. There's never an opportunity for development. The characters are just there to lead you from one twist to the next. The overall acting suffers as a result. Strangely I felt that Rhona Mitra, with barely any screen time, delivers one of the better performances, with obvious anger below her coldness, yet just enough restrain. Wentworth Miller does what he does best. He doesn't seem to care much, but still feels like a good fit, even with the little information we get for his character. Matthias Schoenaerts' presence is undeniable. But as a guy who seems to be on edge pretty much all the time, his marriage seems plainly unlikely, and his past couldn't be revealed more clumsily. Still, he's a welcome contrast to the otherwise held back main cast. It's a pity that he was clearly suffering from sickness or fatigue in a few scenes, where it's blatantly obvious how much he had to strain his voice. It's arguably suiting his character, but it's still distracting. The concept of this story lends itself to a much darker movie, and this just feels like a missed opportunity. I can't help but wonder how this would've worked as a film noir. You have five characters that could easily be despicable and instantly more interesting, and the women couldn't be more fatale. Of course, film noir doesn't sell anymore, so instead we get a bright and shiny thriller that doesn't thrill, that keeps you guessing, but doesn't make you ask questions. It deals with edgy themes, but it barely skims them and focuses on polish instead. 7/10. It's definitely an enjoyable watch, but only for people who're into the whole whodunit thing. Not if you're looking for anything more. It's successful at what it is and doesn't pretend to be anything else, but I can't help but sense the potential for something more.

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