The Moderns (1988) 720p YIFY Movie

The Moderns (1988)

A struggling artist is hired to forge paintings, causing him to cross paths with his ex-wife and her powerful new husband.

IMDB: 6.71 Likes

  • Genre: Comedy | Drama
  • Quality: 720p
  • Size: 1.53G
  • Resolution: 1280x688 / 23.976 (23976/1000) FPSfps
  • Language: French
  • Run Time: 126
  • IMDB Rating: 6.7/10 
  • MPR: Normal
  • Peers/Seeds: 2 / 3

The Synopsis for The Moderns (1988) 720p

Nick Hart is a struggling American artist who lives amongst the expatriate community in 1920s Paris. He spends most of his time drinking and socializing in local cafés and pestering gallery owner Libby Valentin to sell his paintings. He becomes involved in a plot by wealthy art patroness Nathalie de Ville to forge three paintings. This leads to several run-ins with American rubber magnate Bertram Stone, who happens to be married to Hart's ex-wife Rachel.


The Director and Players for The Moderns (1988) 720p

[Director]Alan Rudolph
[Role:]Wallace Shawn
[Role:]Keith Carradine
[Role:]Linda Fiorentino


The Reviews for The Moderns (1988) 720p


Quite intriguing, with great performances, may be a bit "art house" for some viewersReviewed byAmy AdlerVote: 8/10

Nick Hart (Keith Carradine) is an ex-patriot American painter who lives in Paris in the 1920's. He picks up some money selling caricatures but is very poor. An art gallery owner, Libby (Genevieve Bujold) is sympathetic but can't muster up many sales for Nick's work. Now, a wealthy divorcée. Nathalie (Geraldine Chapman) commissions Nick to make copies of some expensive paintings, as a sort of plot against her ex-husband. Reluctantly, Nick agrees. Complicating matters further is the fact that when Nick frequents his favorite bar, which is quite often, he runs into a beautiful, beautiful woman named Rachel (Linda Fiorentino) who happens to be married to a rich American businessman, Bertram (John Lone). Wouldn't you know, Bertie is a sadist and controls Rachel with an iron fist. He loves to do things like shave under Rachel's arms with a straight razer! So, two things are paramount to Nick. Will he begin to sell his art and will he be able to win Rachel away from her husband? This is quite a lovely film with a very great cast. Carradine does a fine job as the main character while Fiorentino is extremely lovely and touching. But, its Lone who practically steals the show, with his terrifying turn as the bad, bad guy. Most everyone will appreciate the gorgeous sets, costumes, art direction and photography. Then, too, the script is first rate while the direction is most competent. Look for the Moderns on your next video run.

the art of artificeReviewed byMichael NeumannVote: 8/10

Alan Rudolph subscribes to the idea of Art for Art's sake, and as such is a kindred spirit to all the expatriate painters, poets, writers, and failures who flocked to the cultural Mecca of Paris in the naughty 1920s. The Jazz Age setting is tailor made for the director's latest romantic daydream, crafted here into a tongue-in-cheek satire of passion and creativity. The cast features his usual assembly of lonely eccentrics, cynical anti-heroes, and world-weary women, rubbing shoulders with historical figures like Gertrude Stein and Ernest Hemingway, who at one point compares life in bohemian Paris to a "portable banquet". As always with Alan Rudolph the film is a grab bag of visual wit and verbal invention (coming, at times, dangerously close to self-parody), with the added virtues of sensuous camera-work and a moody music score by Mark Isham. This is one filmmaker with the rare ability to mock his own pretensions (as Wallace Shawn says in the film, "we're artists: temperamental people!"), and his preoccupation with the art of artifice has never been better presented. Too bad the conclusion is spoiled by a false happy ending, which wraps up too many loose ends too neatly.

Rudolph's best! (Along with perhaps Choose Me).Reviewed byTilly GokbudakVote: 7/10

I must admit Alan Rudolph's work is hard to either greatly admire or sternly criticize. He has become one of these directors, like David Cronenberg or Paul Verhooven, that some love and some despise. But, the reality is it is hard to know where such directors stand. I must say that my feeling that Rudolph's films were too much like his mentor Robert Altman's has been changed upon seeing "The Moderns." While I am a huge fan of Altman, it has been hard for me too admire directors that seem too merely imitate him. But, this film is much more surreal than anything that Altman has done, especially in recent years. The film also establishes a clear mood and setting. Rudolph also selects very solid shots throughout the film. If there has been one disadvantage of the cinema medium over stage, it is that the audience can not see an actor's immediate response to a given situation because the focus is on another character. But, here Rudolph lets you inside virtually each of the characters. The cast is also solid. Keith Carradine is at his best. It is a shame that he now apparently has to go to Iceland to find cinematic roles, but if one thinks Jeff Bridges is an underrated actor there is proof- at least in this film--- that Carradine has been overlooked even more. I also think Wallace Shawn is great here, which is amazing considering that I am NOT a fan of the film "My Dinner with Andre." And, lastly Mark Isham's score is brilliant in this film. It may not be a film for all tastes, and because of its simplistic nature it is understandable why this film gets lost in the shuffle when it comes to discussions about great films from the 80s. Nevertheless, I think it is a remarkable film if not for anything else it does prove that an American can make a great movie set in Paris, which is not a musical, even if it was (as this film was) shot in Montreal!

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