The Moderns (1988) 720p YIFY Movie

The Moderns (1988)

A struggling artist is hired to forge paintings, causing him to cross paths with his ex-wife and her powerful new husband.

IMDB: 6.71 Likes

  • Genre: Comedy | Drama
  • Quality: 720p
  • Size: 1.53G
  • Resolution: 1280x688 / 23.976 (23976/1000) FPSfps
  • Language: French
  • Run Time: 126
  • IMDB Rating: 6.7/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 1

The Synopsis for The Moderns (1988) 720p

Nick Hart is a struggling American artist who lives amongst the expatriate community in 1920s Paris. He spends most of his time drinking and socializing in local cafés and pestering gallery owner Libby Valentin to sell his paintings. He becomes involved in a plot by wealthy art patroness Nathalie de Ville to forge three paintings. This leads to several run-ins with American rubber magnate Bertram Stone, who happens to be married to Hart's ex-wife Rachel.


The Director and Players for The Moderns (1988) 720p

[Director]Alan Rudolph
[Role:]Wallace Shawn
[Role:]Keith Carradine
[Role:]Linda Fiorentino


The Reviews for The Moderns (1988) 720p


Rudolph's best! (Along with perhaps Choose Me).Reviewed byTilly GokbudakVote: 7/10

I must admit Alan Rudolph's work is hard to either greatly admire or sternly criticize. He has become one of these directors, like David Cronenberg or Paul Verhooven, that some love and some despise. But, the reality is it is hard to know where such directors stand. I must say that my feeling that Rudolph's films were too much like his mentor Robert Altman's has been changed upon seeing "The Moderns." While I am a huge fan of Altman, it has been hard for me too admire directors that seem too merely imitate him. But, this film is much more surreal than anything that Altman has done, especially in recent years. The film also establishes a clear mood and setting. Rudolph also selects very solid shots throughout the film. If there has been one disadvantage of the cinema medium over stage, it is that the audience can not see an actor's immediate response to a given situation because the focus is on another character. But, here Rudolph lets you inside virtually each of the characters. The cast is also solid. Keith Carradine is at his best. It is a shame that he now apparently has to go to Iceland to find cinematic roles, but if one thinks Jeff Bridges is an underrated actor there is proof- at least in this film--- that Carradine has been overlooked even more. I also think Wallace Shawn is great here, which is amazing considering that I am NOT a fan of the film "My Dinner with Andre." And, lastly Mark Isham's score is brilliant in this film. It may not be a film for all tastes, and because of its simplistic nature it is understandable why this film gets lost in the shuffle when it comes to discussions about great films from the 80s. Nevertheless, I think it is a remarkable film if not for anything else it does prove that an American can make a great movie set in Paris, which is not a musical, even if it was (as this film was) shot in Montreal!

A really bad movieReviewed byrichard-1787Vote: 2/10

The sets and costumes for this movie are often very impressive. Some of the photography is very good. There are some fine actors here. Yet this is one of the worst movies I have ever seen! Why? It's the script and, to the extent one can tell, the director, who didn't know what to do with this awful script.

But mostly it's the script. It is stilted beyond belief. Characters do things with no apparent motivation. The character of Hemingway keeps spouting lines that have no connection to anything else, and that often don't mean anything. (If you've seen Woody Allen's Midnight in Paris, that only makes some of the similar scenes here look that much worse.) How, I kept wondering, did this script get approved? And why did MGM release this? Take my word for it, it's one truly awful movie.

Delicious Immersion In An Artist's Parisian Life and IllusionsReviewed bymuseumofdaveVote: 7/10

This film is, first of all, a love story--but a remarkably surprising one, and by no means ordinary. It starts with the usual expectations most of us have about Paris that Woody Allen recently utilized so effectively in Midnight In Paris, but instead of broad comedy, Director Alan Rudolph weaves a fascinating tale of intrigue in the art world, and peppers it with wit and ambiguity.

The smoky Parisian ambiance of Bohemian Cafes (mostly created in Canada) introduce the viewer to Keith Carradine's stereotypical starving artist--except that Carradine's role is written to surprise, and one is drawn into a labyrinth of conflicting emotions very quickly indeed. This film, like Thieves Like Us, demonstrates what a fine under-utilized actor Carradine continues to be.

The feeling of elation that comes from escaping from one's cares in another place washes through every bar and café and art opening, and the performances from such vibrant actors as kinky Geraldine Chaplin and quirky Wallace Shawn--and especially the intensely cold and controlled and fascinating John Lone enliven the two hours that linger long after the film is finished.

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