The Prince of Egypt (1998) 720p YIFY Movie

The Prince of Egypt (1998)

An Egyptian prince learns of his identity as a Hebrew, and later, his destiny to become the chosen deliverer of his people.

IMDB: 7.012 Likes

  • Genre: Animation | Adventure
  • Quality: 720p
  • Size: 870.49M
  • Resolution: 720x400 / 23.976 (24000/1001) FPSfps
  • Language: Hebrew
  • Run Time: 99
  • IMDB Rating: 7.0/10 
  • MPR: Normal
  • Peers/Seeds: 1 / 12

The Synopsis for The Prince of Egypt (1998) 720p

This is the extraordinary tale of two brothers named Moses and Ramses, one born of royal blood, and one an orphan with a secret past. Growing up the best of friends, they share a strong bond of free-spirited youth and good-natured rivalry. But the truth will ultimately set them at odds, as one becomes the ruler of the most powerful empire on earth, and the other the chosen leader of his people! Their final confrontation will forever change their lives and the world.

The Director and Players for The Prince of Egypt (1998) 720p

[Director]Brenda Chapman
[Director]Steve Hickner
[Role:]Ralph Fiennes
[Role:]Val Kilmer
[Role:]Michelle Pfeiffer

The Reviews for The Prince of Egypt (1998) 720p

Reviewed byccthemovieman-1Vote: 8/10/10

The story of Moses is done here and, although not totally Biblicallyaccurate, this is about as close as it gets in Hollywood. Theinaccuracies are minor.

The artwork was fabulous when it came out in 1999. It's still verygood, but animation has improved so fast in so short a time period thatthis is nothing special, art-wise, these day. However, it sure was whenit was released just seven years ago. It's just beautiful in parts.Some of the prettiest colors I've seen on film have been in animatedmovies the last decade, and this is a prime example. The parting of theRed Sea in here is awesomely-done by the artists. That scene alsosported the best sound in the 99-minute film.

The songs in here were nothing special but they didn't detract from thestory because they were all short. Regarding the story, I only wishthey had gone into detail on the plagues instead of just lumping themall together. They could have had some jaw-dropping scenes with thelocusts, etc.

All-in-all a fine film and a rarity: a Biblical film that doesn'toffend anyone.

Reviewed bymerrywoodVote: /10

As the author of THE WORLD OF ANIMATION, an Eastman Kodakbook which won three international book festival awardsand as an animation writer-director, I have for many years longed for theU.S. animation industry to remember that Walt Disney, nor any of thepioneers of animation limited their art to children's audiences.

With THE PRINCE OF EGYPT, the DreamWorks animation team has finallytaken us full circle and helped the United States join the rest of the worldin offering us the first U.S. animated feature since, perhaps, FANTASIA,created for mature audiences while remaining child-friendly. If you aspireto art in any form, and/or specifically love line art and graphics as I do,you must not miss seeing this film on the big screen. I applaud DreamWorksfor this triumph in graphic excellence.

Two brief critiques: First, the choice of story. The story is basedon Exodus from the Old Testament (and other Scripture) which is scanty, tosay the least. Although the studio made an effort to flesh out the storywith the Ramses/Moses relationship there is simply not enough meat to goaround.This opinion is debatable, a very minor aspect and only my view as astory teller. At the bottom line the overall work is so extraordinary anypossible lack in literacy is more than made up for in the visual mountingand production of the film, something which is nothing less than inspiring.

The other criticism is in the highly questionable use of "name"voices for casting, a puzzling development since there is no meaningful boxoffice data supporting it. This practice is known to conflict the viewerpsychologically as the drawn images begin to do battle with the ones in theaudience memory with the cerebral bridge of highly recognizable photo imagesof known voices.Walt Disney knew this quite well and avoided it. Indeed, he usedthe voice of a complete unknown for Snow White, Adriana Caselotti, (whopassed away in 1997). Disney was careful to avoid the existing Hollywoodqueens of song of the period, Judy Garland and Deanna Durbin, the latter,whose prodigious vocal talent actually saved Universal Pictures from goingbelly up a short time later.

However, at the bottom line, THE PRINCE OF EGYPT will become a trueclassic and has taken the art of animation up to a new threshold, a model towhich future animators will aspire.

Raul daSilva, New Haven, CT,USA

Reviewed byJames Solomon ([email protected])Vote: 8/10/10

This is very possibly the finest animation I've seen. Before commenting onthe film as a whole, I want to make that clear, because in the inevitablerush to pick this film apart (the plot, the voices, the religioussignificance, the literary accuracy, the moral issues, the music, thecomparisons with Disney and de Mille, etc...) one might easily becomedistracted from the aesthetic and technical triumphs of The Prince of Egypt,and that would be unfortunate. As someone who has an interest andappreciation of animation, I can say that this is the first film I've seenthat successfully integrates computer-generated animation and traditionalanimation (and I've seen many attempts). More importantly, as someone whohas eyes, I can say that the result is a visual experience of intense styleand beauty. In fact, the initial depiction of Egypt is so breathtaking,that it seriously hinders the film's later efforts to vilifyit.

Comparisons with Disney are inevitable, especially because Prince of Egyptemploys tired Disney formula in an attempt, I assume, to remain economicallyviable. What a shame, since Disney hasn't made a decent film since Aladdin.I am referring, of course, to the unnecessary musical numbers and the twohigh priests, the film's comic relief, who are drawn grossly out ofproportion to the other characters. Even worse than their unoriginality,however, is the open mockery of ancient Egyption religion and culture, whichthese two characters embody. I found their musical number especiallyappalling. On the other hand, it's a story in which the protagonistssucceed only through a greater capacity for cruelty and destruction and theslaughter of innocent children, so it's kind of hard to nail down anyconcrete moral standard here.

In general, I thought the story was well told, with solid direction and agood script. The only complaint I have about the voice acting is that JeffGoldblum's unmistakable mannerisms seriously distract from his character. Isuspect that I wasn't really bothered by the others only because I hadn'tseen a cast list before seeing the film. I wish they would stop relying oncelebrity voices for animated features. No character can be effective ifthe viewer can't separate the voice from the actor supplyingit.

The bottom line is, despite any objections, complaints, or concerns I mighthave about this film, despite the moral, religious, or idealogical issues itbrings up, and despite the $8 and two hours you'll spend, this film is worthseeing. It's worth seeing because of the animation. I hope it sets a newstandard for feature-length animated films. At the very least, I think itwill show the movie-going public what the medium is capableof.

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