After reading some of the reviews that trash this film I had to speak up. This film is gritty and dirty. There is content which is not pleasant, swearing and violence amounts other things. What else would you expect a film about drug addiction to be about? Well more than that actually, it about choices and what you Choose! Never at any point did this film make drugs look at all appealing to me in any way, I never did understand why so many people thought that it did. At no point did it ever say "Look at this, its cool." For those who think the level of swearing in this film is too much then they clearly haven't spent any time with working class people in Britain, not just Scotland. I being one of them can say its fairly accurate in that account. That being said, those things do not take anything away from the film, the quality of plot and story, or the acting which is Stunning! Robert Carlise as Begbe was excellent, and Ewan MacGregor shined. Also the character Spud was worth a mention he really was quite good. This film is in my Opinion a work of Genius, that represents the book accurately.
Trainspotting (1996) 1080p YIFY Movie
Trainspotting (1996) 1080p
Renton, deeply immersed in the Edinburgh drug scene, tries to clean up and get out, despite the allure of the drugs and influence of friends.
IMDB: 8.259 Likes
The Synopsis for Trainspotting (1996) 1080p
A wild, freeform, Rabelaisian trip through the darkest recesses of Edinburgh low-life, focusing on Mark Renton and his attempt to give up his heroin habit, and how the latter affects his relationship with family and friends: Sean Connery wannabe Sick Boy, dimbulb Spud, psycho Begbie, 14-year-old girlfriend Diane, and clean-cut athlete Tommy, who's never touched drugs but can't help being curious about them...
The Director and Players for Trainspotting (1996) 1080p
The Reviews for Trainspotting (1996) 1080p
Sublimely excellentReviewed bylucidshardVote: 10/10
In the aftermath of _Pulp Fiction_, much of the filmmaking of the 1990s thrived upon attempts to appear "edgy" within the constructs of independent films, or merely to provide empty shock value cliches. And no film ever came close to the sheer cleverness of Tarantino's masterpiece. _Trainspotting_, however, somehow manages to take the excesses of the mid-90s and rise far, far above the cinematic cliches that it easily could have become. A film that tackles any hot-button social issue can, and usually does, simply become a didactic propaganda piece. Thankfully, _Trainspotting_ is vastly more intelligent in its edginess and its shock. In order to appreciate _Trainspotting_ fully, the viewer must abandon any preconceptions about what defines truly great cinema, because this film defies convention at nearly every turn. And with the rapid pace of its plot, that's quite a bit of ground to cover. Though a great deal of the picture's brilliance is derived from director Danny Boyle's consistent rejection of typical cinematic techniques, the most satisfying and _best_ aspect of _Trainspotting_ is that Boyle creates a film that is neither pro-drug or anti-drug. Instead, he maintains a rare objectivity throughout the film, depicting this fascinating array of complex, beautifully acted characters with an honesty that it seldom captured on film. And, given the life that each character lives, it's nearly incomprehensible that a director would refrain from influencing the viewer's impressions in any way, yet that's exactly what Boyle does. The dialogue-- or at least what portions of the brogue-drenched dialogue American viewers will be able to comprehend-- is alternately hilarious, raw, and brutal. And Ewan McGregor, Jonny Lee Miller, and Robert Carlyle bring a remarkable compassion and depth to their portrayals of characters that could have easily lapsed into cliche. Despite its sheer brilliance, _Trainspotting_ is not a film that's easy to watch. The viewer is bombarded with images that transcend visceral discomfort in their horror-- this movie contains two of the most graphic, horrifying scenes I've ever encountered. But, amazingly, none of these elements is used merely for shock value. Though the viewer will be mortified by some of the things that happen onscreen-- the well-documented dive into Scotland's most vile public toilet, for example-- these scenes all make _perfect sense_ within the context of a masterfully told story. In order to notice all of the subtlety that also exists in _Trainspotting_, repeat viewings are necessary, primarily to reduce some of the most powerful shocks ever-so-slightly, though their effects are never lost entirely. Some of the images will likely haunt even the most cynical, jaded viewer for weeks. RATING: 10 out of 10. Never patronizing and completely unpretentious, _Trainspotting_ is one of the most daring, unconventional films ever made. It inspires a level of discomfort rivaled by very few movies, because, even at its most graphic, Boyle never insults the viewer with mere shock tactics. Brilliantly acted, directed, and written, with a truly rare objectivity that allows each viewer to interpret its story on his/her own terms.
It's ironic that I'm saying "many people missed the point" because I did, too. My original review on IMDb gave the film a negative rating. I deleted it months ago because I have since purchased the Director's Cut on DVD and fallen in love with it. The movie is energetic, imaginative and unique. It's taken from Irvine Welsh's novel, which I now really want to read. It's about a group of heroin addicts (led by Ewan McGregor's Renton) in Scotland who can't seem to live past their addiction...everything centers around drugs. "Trainspotting" was condemned for promoting drug use, but I agree with fellow reviewer Bob the Moo who claims this was a misinterpretation on the media's behalf - yeah, it may show drugs as being "funny" at times (like Renton's wacky hallucination) but it certainly doesn't glamorize them. Some of the sequences are sickeningly realistic and depressing - like the scene with the baby. That's tragic stuff, and totally unexpected. It's also effective because by that point in the film we care about the characters enough for it to affect us on an emotional level. The movie was really popular in the UK but never got much acclaim overseas. Americans in general will always be less liberal and be quicker to damn films for their messages. "Taxi Driver" was hailed by Europeans in '76...can't really say the same for US critics - it was a huge split in opinion at the time. Ditto here. Most Americans didn't really "get it" and the only attention it received was the controversy surrounding the appearance of Mr. McGregor's genitalia. Oh, the humanity! If you haven't seen "Trainspotting" yet, I highly recommend it. Don't be turned off at first by its bleak humor and sick content - I won't lie, it IS a rough ride...but by the end, it's worth it.