It's ironic that I'm saying "many people missed the point" because I did, too. My original review on IMDb gave the film a negative rating. I deleted it months ago because I have since purchased the Director's Cut on DVD and fallen in love with it. The movie is energetic, imaginative and unique. It's taken from Irvine Welsh's novel, which I now really want to read. It's about a group of heroin addicts (led by Ewan McGregor's Renton) in Scotland who can't seem to live past their addiction...everything centers around drugs. "Trainspotting" was condemned for promoting drug use, but I agree with fellow reviewer Bob the Moo who claims this was a misinterpretation on the media's behalf - yeah, it may show drugs as being "funny" at times (like Renton's wacky hallucination) but it certainly doesn't glamorize them. Some of the sequences are sickeningly realistic and depressing - like the scene with the baby. That's tragic stuff, and totally unexpected. It's also effective because by that point in the film we care about the characters enough for it to affect us on an emotional level. The movie was really popular in the UK but never got much acclaim overseas. Americans in general will always be less liberal and be quicker to damn films for their messages. "Taxi Driver" was hailed by Europeans in '76...can't really say the same for US critics - it was a huge split in opinion at the time. Ditto here. Most Americans didn't really "get it" and the only attention it received was the controversy surrounding the appearance of Mr. McGregor's genitalia. Oh, the humanity! If you haven't seen "Trainspotting" yet, I highly recommend it. Don't be turned off at first by its bleak humor and sick content - I won't lie, it IS a rough ride...but by the end, it's worth it.
Trainspotting (1996) 1080p YIFY Movie
Trainspotting (1996) 1080p
Renton, deeply immersed in the Edinburgh drug scene, tries to clean up and get out, despite the allure of the drugs and influence of friends.
IMDB: 8.248 Likes
The Synopsis for Trainspotting (1996) 1080p
A wild, freeform, Rabelaisian trip through the darkest recesses of Edinburgh low-life, focusing on Mark Renton and his attempt to give up his heroin habit, and how the latter affects his relationship with family and friends: Sean Connery wannabe Sick Boy, dimbulb Spud, psycho Begbie, 14-year-old girlfriend Diane, and clean-cut athlete Tommy, who's never touched drugs but can't help being curious about them...
The Director and Players for Trainspotting (1996) 1080p
The Reviews for Trainspotting (1996) 1080p
One of the best films ever - a lot of people missed the pointReviewed byMovieAddict2014Vote: 10/10
Renton is a heroin addict. He is one of a group of friends who live their lives day to day and hit to hit. When he tries to kick the habit he manages it for a while but eventually falls back into his old way. Meanwhile his friends are as messed up as he is, whether it be Spud's pathetic addiction, Begbie's violent rages or the fact that he is sleeping with a girl who still goes to school. When it came out this film was very hyped, the poster became a must-have on every student's bedroom wall and the media went nuts over it's supposed glamorisation of drug use. The plot is very difficult to summarise, as it doesn't really have a narrative flow other than the very disjointed experience of Renton. However it manages to be very funny and imaginative all the way, using many different tricks and touches to be funny. The dialogue is very well written and I must admit I found it a lot funnier than the last few comedies I watched. The media may have condemned this film as promoting drug use, but I can only imagine that they watched a different film from me. Sure, the film shows drugs as being fun and enjoyable but, like Renton says, `why else would we do it?' However the film clearly shows a massive downside where people's lives are destroyed, people OD and lives go day to day just trying to get high. True, it does show this downside in a stylish and funny way but there is no question that the film is promoting drug use in any sense. Too often I see films that are style over substance; Trainspotting gets it just perfect, stylish but not at the expense of dialogue, character or film. It is helped by a great cast. McGregor jumped to stardom off the back of this role and he deserved it. He keeps his character both likeable but repulsive at the same time and carries the film with surprising ease. The support cast is excellent, even if they lack the same good character of Renton. Whether it is the comic Bremner, the violent Carlyle or the tragic McKidd. While not all their characters are well developed, they do all give good accounts of themselves, whether it is comic or showing the effects of heroin on their lives. Overall this is a great film that is refreshing to see now without all the `cult student cool' hype or media feeding frenzy over it's supposed pro-drug approach. It is stylish, funny, depressing and downright sobering.
In the aftermath of _Pulp Fiction_, much of the filmmaking of the 1990s thrived upon attempts to appear "edgy" within the constructs of independent films, or merely to provide empty shock value cliches. And no film ever came close to the sheer cleverness of Tarantino's masterpiece. _Trainspotting_, however, somehow manages to take the excesses of the mid-90s and rise far, far above the cinematic cliches that it easily could have become. A film that tackles any hot-button social issue can, and usually does, simply become a didactic propaganda piece. Thankfully, _Trainspotting_ is vastly more intelligent in its edginess and its shock. In order to appreciate _Trainspotting_ fully, the viewer must abandon any preconceptions about what defines truly great cinema, because this film defies convention at nearly every turn. And with the rapid pace of its plot, that's quite a bit of ground to cover. Though a great deal of the picture's brilliance is derived from director Danny Boyle's consistent rejection of typical cinematic techniques, the most satisfying and _best_ aspect of _Trainspotting_ is that Boyle creates a film that is neither pro-drug or anti-drug. Instead, he maintains a rare objectivity throughout the film, depicting this fascinating array of complex, beautifully acted characters with an honesty that it seldom captured on film. And, given the life that each character lives, it's nearly incomprehensible that a director would refrain from influencing the viewer's impressions in any way, yet that's exactly what Boyle does. The dialogue-- or at least what portions of the brogue-drenched dialogue American viewers will be able to comprehend-- is alternately hilarious, raw, and brutal. And Ewan McGregor, Jonny Lee Miller, and Robert Carlyle bring a remarkable compassion and depth to their portrayals of characters that could have easily lapsed into cliche. Despite its sheer brilliance, _Trainspotting_ is not a film that's easy to watch. The viewer is bombarded with images that transcend visceral discomfort in their horror-- this movie contains two of the most graphic, horrifying scenes I've ever encountered. But, amazingly, none of these elements is used merely for shock value. Though the viewer will be mortified by some of the things that happen onscreen-- the well-documented dive into Scotland's most vile public toilet, for example-- these scenes all make _perfect sense_ within the context of a masterfully told story. In order to notice all of the subtlety that also exists in _Trainspotting_, repeat viewings are necessary, primarily to reduce some of the most powerful shocks ever-so-slightly, though their effects are never lost entirely. Some of the images will likely haunt even the most cynical, jaded viewer for weeks. RATING: 10 out of 10. Never patronizing and completely unpretentious, _Trainspotting_ is one of the most daring, unconventional films ever made. It inspires a level of discomfort rivaled by very few movies, because, even at its most graphic, Boyle never insults the viewer with mere shock tactics. Brilliantly acted, directed, and written, with a truly rare objectivity that allows each viewer to interpret its story on his/her own terms.