Twelve O'Clock High (1949) 720p YIFY Movie

Twelve O'Clock High (1949)

Twelve O'Clock High is a movie starring Gregory Peck, Hugh Marlowe, and Gary Merrill. A hard-as-nails general takes over a bomber unit suffering from low morale and whips them into fighting shape.

IMDB: 7.84 Likes

  • Genre: Drama | War
  • Quality: 720p
  • Size: 1.60G
  • Resolution: / fps
  • Language: English
  • Run Time: 132
  • IMDB Rating: 7.8/10 
  • MPR: Normal
  • Peers/Seeds: 31 / 32

The Synopsis for Twelve O'Clock High (1949) 720p

In this story of the early days of daylight bombing raids over Nazi Germany, General Frank Savage must take command of a "hard luck" bomber group. Much of the story deals with his struggle to whip his group into a disciplined fighting unit in spite of heavy losses, and withering attacks by German fighters over their targets. Actual combat footage is used in this tense war drama.


The Director and Players for Twelve O'Clock High (1949) 720p

[Director]Henry King
[Role:]Gregory Peck
[Role:]Millard Mitchell
[Role:]Hugh Marlowe
[Role:]Gary Merrill


The Reviews for Twelve O'Clock High (1949) 720p


A fine memorial to the men of the 8th Air Force.Reviewed bysmiley-39Vote: 7/10

Of all the movies to come out of Hollywood covering world war two, I place this one, which I first saw in 1950, in the top-draw category. From the very start when the credits start rolling, the opening music seemed to fit perfectly; instead of the era-splitting noise they have hit us with in recent years. The old wartime, "Bless 'em All" and, "Don't sit under the apple tree", heard in the background, as Dean Jagger, now a civilian, slowly takes a nostalgic walk out onto the weed-covered, oil-stained runway to remember gallant times of the 918th Bomb Group, now past.

Gregory Peck as Brigadier General Frank Savage did great credit to this role, and deserved an Oscar. From the moment he enters the base and tears into the guard at the gate for casually waving him through, you know he's going to be a S.O.B. Dean Jagger as Major Stovall, the lawyer in uniform now Ground Executive Officer knows how to handle the paperwork after the first sobering face to face encounter with with Savage. That Jagger won the Oscar as best supporting actor, was well deserved indeed. Gary Merrill as Colonel Keith Davenport, the too popular Group CO, very good. Hugh Marlowe as Lt Colonel Ben Gately, who flew too many missions from behind a desk, placed on the rack by Savage with the other bomb group deadbeats and foul ups, handles his role well. Then their's Millard Mitchell as Major General Pritchard, displaying a commanding presence, and Paul Stewart as Doc Kaiser, also well portrayed.

There are no false heroics in this movie. No blood and guts all over the silver screen. And no routine world war two, hard boiled, go-get-'em dialogue to spoil it. The authors, Sy Bartlett and Beirne Lay. wrote an excellent screenplay. They did the film a favour, they deleted General Savage's love interest that appeared in their fine novel. I don't think it would have added anything to the movie at all. Maybe what surprised a lot of moviegoers who had not read the book before seeing the movie, was Savage's mental breakdown; freezing suddenly at the hatch as he attempted to heave himself aboard the B-17. It was so unexpected of him after showing such ice-cold nerves

What rounded out this impressive movie was the insertion of the air combat footage shot over Europe during the actual daylight operations. This documentary footage crowned a very fine achievement. One of Henry King's best; a professional effort indeed. The thread of sincerity in this war movie runs deep.

The reason I found the movie so engrossing was, as a teenager, on the sidelines of the war, I saw more than one B-17 stagger home and belly in on a wing and a prayer. This movie was loaded with integrity from the beginning to the end credits. I'm sure the gallant gentlemen who flew with the Eighth Air Force over enemy-occupied Europe would be of the same opinion. It is a kind of monument to those warriors.

How did Gregory Peck do so many great films?Reviewed byMartinHaferVote: 7/10

In writing reviews for IMDb, I have begun to notice just how many exceptional movies Gregory Peck did. Yes, I know he made a few stinkers (such as Days of Glory and Boys From Brazil), but look at all the great movies he did--3 of the best Westerns ever made (The Big Country, The Gunfighter and Yellow Sky), some dandy dramas (To Kill a Mockingbird, Cape Fear) and two of the best war pictures of all time (The Guns of Navarone and this movie, Twelve O'Clock High).

Twelve O'Clock High is exceptional in every way. It is very similar to the excellent movie Command Decision, but goes deeper into the emotional and psychological cost of commanding the bombing campaign against Nazi Germany. Whereas Gable is all alone and hated in Command Decision, Peck goes a step further and actually goes on bombing runs with his men--only to become deeply scarred emotionally in the process. As a result, this movie is a fantastic look at the psychological effects of war--something that only rarely gets addressed in war movies.

'classic' an inadequate term for this oneReviewed byrupieVote: 9/10

Without any question, indisputably the greatest WWII film ever (except, perhaps for "Bridge on the River Kwai"; but that's a WWII story only in the same sense that "Moby Dick" is a book about a whale). There are no weaknesses in this movie. The screenplay is perfect, rooted as it is in the historical reality of the U.S.'s attempt to prove the superiority of Daylight Precision Bombing over the Brits favored strategy of night bombing. The terrible human pressures it placed on young American pilots AND their leaders has never been so well-portrayed on film. Dramatic tension is perfectly manipulated, and the characters are well-drawn, sympathetic and fully developed. Every member of this superb cast gives this great material the great acting it deserves. The usage of actual WWII bombing footage adds to the sense of reality. The psychological drama - what "maximum effort" does to people - is at the core of the story and supercedes the mere military aspect. And the device of the framing scenes - Harvey Stovall (Dean Jagger) recollecting the story while standing in the abandoned airstrip - is brilliant. It gives the tale an overwhelmingly bittersweet feeling of "long-ago" nostalgia. It is so powerful that Spielberg must have consciously had 12 O'clock High in mind when he used the same device in Saving Private Ryan to make that whole film a flashback, just as this one is. To hell with the flashy flamboyance of Citizen Kane; I would have to give 12 O'clock High a better shot at being "the best movie ever made". Film buffs &/or devotees of WWII history who haven't seen this one are living a deprived existence.

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