Until the End of the World (1991) 1080p YIFY Movie

Until the End of the World (1991) 1080p

Bis ans Ende der Welt is a movie starring William Hurt, Solveig Dommartin, and Pietro Falcone. In 1999, Claire's life is forever changed after she survives a car crash. She rescues Sam and starts traveling around the world with him....

IMDB: 6.70 Likes

  • Genre: Action | Drama
  • Quality: 1080p
  • Size: 5.50G
  • Resolution: / fps
  • Language: German  
  • Run Time: 280
  • IMDB Rating: 6.7/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 1

The Synopsis for Until the End of the World (1991) 1080p

Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who enlist her help to take the bank money to a drop in Paris. On the way she runs into another fugitive from the law (Hurt), an American who is being chased by the CIA. The charges are false, he claims. They want to confiscate a device his father invented which allows anyone to record their dreams and vision. On the run from both the bank robbers and the CIA, the couple span the globe, ending up in Australia at his father's (von Sydow) research facility, where they hope to play back the recordings Hurt captured for his blind mother. Set in the futuristic year of 1999, a subplot about a damaged Indian nuclear satellite crashing and causing the end of civilization is a puzzling addition to the film.

The Director and Players for Until the End of the World (1991) 1080p

[Director]Wim Wenders
[Role:]William Hurt
[Role:]Enzo Turrin
[Role:]Pietro Falcone
[Role:]Solveig Dommartin

The Reviews for Until the End of the World (1991) 1080p

A difficult film at first, but so is all good literatureReviewed bymarcus-175Vote: 9/10

The vast majority of people I know have never understood this film. Probably this is because the 2.5 hour running time of the original release is actually vastly too short for the story. The director's cut is a whopping 4.5 hours, but goes by so quickly one hardly notices. If you are bored, then you probably haven't figured out what's really going on. Some notes:

This is a story of trials, of how our relationships to each other, and to humanity and the Earth, are shaped and impeded by technology. It is a fearful story of the dangers of our world as Wenders saw them in almost 20 years ago now. The journey is central here (as it is in almost all epic works) and the story doesn't work without seeing that journey unfold first all over the earth (and no, it wasn't about sponsoring nations--the journey of Sam and Claire et al reenacts other journeys only alluded to in the film, bringing up themes of connectedness to family and place.)

To me the most important theme in this film is the power of the journey and of stories to transform us--a theme so old we may be tired of it, though it remains relevant today. Eugene (Neill) is to me the central character, and any good viewing of the movie depends on understanding how he fits in as more than a side character caught up in a great chase.

One last note: this doesn't deserve to be described as Sci-Fi. Yes, there's some science-like imagery in it, but the thrust of the movie is literary. The "science-fiction" in the movie serves only as an extension of the transformations and journeys of the characters. It turns those things inward rather than outward, and succeeds well in doing it. A truly remarkable and excellent film that got a bad first screening because no distributor had the guts to put out a 5 hour movie. (What would they say to Akira Kurosawa these days?)

The most fantastic movie I have ever seenReviewed byBroken_LadderVote: 7/10

From the very beginning, you're taken into this film's intertwining laces as you soar high above the 'unknown land' of Claire's(Solveig Dommartin) dream. Her grace and and melancholious drift through a world scared to death of being annihilated is fascinating beyond explanation. She seems to hardly care about the events that surround her, until she meets 'Trevor MacPhee.' Most seem to dislike the patchy references towards the manhunt, but I think it is not only fitting but perfect in giving the viewer only as much information as Claire or Gene (Sam Neill) receives. The story line seems to touch the very depths of my human understanding in a way no other film has done for me. 'The soul singing to the only God it knows' is a fantastic set up for the second half of the picture. The ability to view one's dreams, the untold, locked away secrets of the soul never ceases to both enrapture and terrify me. An all-around unbelievable piece of work set to music that seems to have been written solely for the film.

Very, Very, Very Good.Reviewed byOrlando-10Vote: 10/10

The drifting curiosity of Claire Tourneau lends a feeling of calm to UTEOTW; she is the still center of this quiet film, which occupies a poetic lull before the millennial storm. As in most of Wenders' films, there are moments of great beauty, elevated by the use of silence-- the sudden quiet in the plane, as the shadow slips over the hills (this is my favorite moment in the film)-- and there are Wenders' usual striking, trademark images from a moving vehicle of the landscape racing by. This movie, about vision and re-vision, also has a lot to do with poetry and transportation, like "King of the Road" and "Alice in the Cities". The soundtrack is altogether delightful. Like all of Wenders' films, it is exactly a half-hour too long, but like most of his work, it just manages to redeem itself. I believe this is his best film after his masterpiece, "Wings of Desire".

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