Vampyres (1974) 1080p YIFY Movie

Vampyres (1974) 1080p

A lesbian vampire couple waylay and abduct various passer-byes, both male and female, to hold them captive at their rural manor in the English countryside in order to kill and feed on them to satisfy their insatiable thirst for blood.

IMDB: 6.24 Likes

  • Genre: Horror |
  • Quality: 1080p
  • Size: 1.67G
  • Resolution: 1920x1040 / 23.976 (23976/1000) FPSfps
  • Language: English
  • Run Time: 87
  • IMDB Rating: 6.2/10 
  • MPR: R
  • Peers/Seeds: 1 / 0

The Synopsis for Vampyres (1974) 1080p

Fran and Miriam are a pair of beautiful vampires who get victims to pull over by hitchhiking. They proceed to bring them back to their house and drink their blood.


The Director and Players for Vampyres (1974) 1080p

[Director]José Ramón Larraz
[Role:]Murray Brown
[Role:]Anulka Dziubinska
[Role:]Marianne Morris


The Reviews for Vampyres (1974) 1080p


Two gorgeous Vampyres coerce unsuspecting drivers to their castle for a good time , being well realized by the Spanish director Jose Ramon LarrazReviewed byma-cortesVote: 7/10

In 1974 director José Ramón Larraz released this blood-soaked erotic film called Vampyres , which told the story of a lesbian vampire couple who would waylay and kidnap various passers-by, both male and female, to take them captive at their luxurious rural manor . British terror movie about two Vampyre women who cause dreadful murders , being originally directed by the Spanish craftsman Jose Ramon Larraz . This horror as well as semi-exploitation movie deals with a lesbian vampire couple (Marianne Morris , Anulka) abducts motorists and drivers , (Murray Brown , Brian Deacon , Michael Byrne) , to hold them at their large mansion in the English countryside in order to kill and feed on them to satisfy their insatiable thirst for chew their blood . Their starving wishes seem to carry out terrible deaths , which are impossible to stop . As they feed them wine, have passionate sex, and then stab them to death while drinking their blood . The alluring female Vampyres shared the pleasures of the flesh , bloody hungry , and the horrors of the grave . They unleash their fantastic skills and become even more violent and sadistic . A couple that has not yet found a place to park their camper attempts to find out the rare events leading to an old mansion in bloody results which end in death .

This frightening movie deliberately told contains thrills , chills , suspense , sleazy images and lots of violence and gore , including obnoxious killings . Jose Ramon Larraz master of arty gore and soft-core , brings this ghastly and stylish story plagued with eerie intrigue , nudism and depraved gore murders executed in a luxury mansion ; in fact , the house is Oakley Court, used for exteriors in several Hammer films , and for The Rocky Horror Picture Show (1975) , it was later turned into a resort hotel . It is a straight horror film that features gallons of sleaze upon sleaze and a lot of sexualised violence . The screenplay is credited to Diana Daubeney, director José Ramón Larraz's wife Diana ; according to Larraz and producer Brian Smedley-Aston , she didn't actually write a word of it . She was credited because, as a British citizen, she filled a UK production quota . This is an English exploitation from Hammer Vampyres vein , as Jose Larraz takes here and there from ¨The Vampire Lovers" , ¨Carmilla¨, ¨Countess Dracula¨, and ¨Twins of Evil¨ , among others . Sometimes weak screenplay is added to well-staged murders and some gory special effects . Furthermore , a scary and thrilling musical score creates a real terror . Colorful cinematography in Hammer style with glimmer as well as lurid colors .

This much-loved 70s shocker was professional and stylistically directed by Jose Ramon Larraz . The recently deceased (2013) Larraz started in cinema world by casual way when he meets the famous director Josef Von Stenberg running a cinematographic course in Brussels . Larraz was a director of horror and erotic films and former comic book illustrator and fashion photographer . Worked in England as Joseph Larraz, and in Spain, using the pseudonym Joseph Braunstein . Larraz subsequently shot horror classics , cult obscurities, euro-trash , and even some sexploitation . As he filmed his first movies in England , plenty of terror , suspense and sex , such as ¨Whirlpool¨ (1970) , ¨Deviation¨(1971) , ¨La Muerte Incierta¨(1972) , ¨Scream or die¨(1973) and ¨Symptoms¨ with Angela Pleasence and Peter Vaughan . He also shot soft-cores and then Jose Ramon returns Spain filming horror and semi-exploitative movies such as ¨Estigma¨ , ¨Ritos Sexuales Del Diablo¨, ¨Al Filo del Hacha¨ and ¨Descanse en Piezas¨ , imitating the American Slashers of the 70s and 80s . His most successful film is this ¨Vampyres¨ about bloodsuckers who get victims to pull over hitchhiking , played by Playboy young models with sexy bodies , blending arty house , horror and erotic situations .¨Vampyres¨ rating : Acceptable and passable terror movie . Most hardcore Euro horror fans will appreciate the kinkiness of this film as that is what gives it its distinctive flavour .

Doesn't Completely SuckReviewed bykenjhaVote: 5/10

After being murdered, a lesbian couple turns into vampires who feast on the blood of unsuspecting men. Although the acting is amateurish, Morris and Dziubinska are alluring as the title characters. The setting and cinematography are quite good for a low-budget film and it works fairly well as trashy erotica. After all, what's not to like about a movie about lesbian vampires? Well, for one thing, the pacing is extremely lethargic. It seems like about the half the movie is devoted to scenes of people walking from one place to another. Once the basic premise is established, the plot is less than compelling and it becomes somewhat of a drag.

Dull, slow-paced horror with a couple of decent moments of horrorReviewed bytomgillespie2002Vote: 7/10

One of the most popular exploitation sub-genre's in the 1970's was the lesbian vampire flick. It was hinted at as far back as the 1930's, using Joseph Sheridan Le Fanu's novel Carmilla as their primary influence, but not fully embraced until the late 1960's by Hammer Studios. As censorship wavered and the grindhouse circuit was born, films became more exploitative and the European low-budget film industry became flooded with movies by film-makers like Jess Franco. Spanish director Jose Ramon Larraz's UK-set Vampyres is one of the most fondly remembered. But, as those familiar with grindhouse movies will be fully aware, that doesn't mean it's particularly good.

In an old mansion isolated in the woods, lesbian vampire couple Fran (Marianne Morris) and Miriam (Anulka Dziubinska) stalk the surrounding area in search of men to prey upon. They take the men back to their mansion, kill and feed on them, and then leave their bodies by the side of the road in their crashed car. A young couple, John (Brian Deacon) and Harriet (Sally Faulkner), park their camper on the mansion grounds. Harriet notices strange behaviour from the vampire couple and witnesses the physical deterioration of Ted (Murray Brown), a young man taken in by Fran.

Shot at Oakley Court, location of many a Hammer horror and Dr. Frank N. Furter's castle in The Rocky Horror Picture Show (1975), Vampyres has that lush British old-school horror feel about it. The problem is, it feels like a fifty-minute film stretched out into ninety minutes, full of endless walks, curious glances, inane conversations and dull erotic scenes. When the horror does come, it doesn't hold back on the blood, featuring a couple of quite unsettling scenes of violence. It just takes so long to get there that it hardly feels worth the wait.

There is also a gaping plot-hole in Fran and Miriam's approach of staging the murders as car accidents, which becomes ridiculous after we see Fran stab a victim in the back. They wait for their victims by hitch-hiking in broad daylight, and are even seen doing so by Harriet as the couple approach the castle. Just how long would it take for the police to put two and two together as the bodies quickly pile up? However, it's surprisingly well-acted, especially by the seductive Marianne Morris, whose scenes are all the more erotic when she keeps her clothes on, and the cinematography, reminiscent of Hammer, is lovely.

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