Viva Zapata! (1952) 1080p YIFY Movie

Viva Zapata! (1952) 1080p

Viva Zapata! is a movie starring Marlon Brando, Jean Peters, and Anthony Quinn. The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Diaz in the...

IMDB: 7.52 Likes

  • Genre: Biography | Drama
  • Quality: 1080p
  • Size: 1.78G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 113
  • IMDB Rating: 7.5/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for Viva Zapata! (1952) 1080p

In 1909, Emiliano Zapata, a well-born but penniless Mexican Mestizo from the southern state of Morelos, comes to Mexico City to complain that their arable land has been enclosed, leaving them only in the barren hills. His expressed dissatisfaction with the response of the President Diaz puts him in danger, and when he rashly rescues a prisoner from the local militia he becomes an outlaw. Urged on by a strolling intellectual, Fernando, he supports the exiled Don Francisco Madero against Diaz, and becomes the leader of his forces in the South as Francisco 'Pancho' Villa is in the North. Diaz flees, and Madero takes his place; but he is a puppet president, in the hands of the leader of the army, Huerta, who has him assassinated when he tries to express solidarity for the men who fought for him. Zapata and Villa return to arms, and, successful in victory, seek to find a leader for the country. Unwillingly, Zapata takes the job, but, a while later, he responds to some petitioners from his ...


The Director and Players for Viva Zapata! (1952) 1080p

[Director]Elia Kazan
[Role:]Marlon Brando
[Role:]Anthony Quinn
[Role:]Joseph Wiseman
[Role:]Jean Peters


The Reviews for Viva Zapata! (1952) 1080p


surprising performances, touching direction, good (not masterpiece) screen writingReviewed byMisterWhiplashVote: 9/10

At first he doesn't look much like we remember him - Marlon Brando appears as his Mexican Emiliano Zapata with a stern face at the Mexico Priesidente demanding, simply, land rights and making sure boundaries can be drawn. His name is circled on the President's desk, not a good sign, and from here on in Zapata is fighting and fighting (what one character says is as simple as it is - it's all he knows) so that the farmers can have their land, as opposed to time and patience, to grow their corn with.

When Brando first appears as this revolutionary figure he doesn't quite look like himself, and at the same time does very much, and it's disarming. I didn't buy it entirely in the first scene... and then the scenes kept coming, and Brando, playing Zapata as stubborn and headstrong and without much in way of a sense of humor as a leader as a General (and rightfully so as revolutionary figures tend to be, see Che for more details), is spot on. It's worthy of the rest of his oeuvre at the time, if not quite up to the monolithic status of Streetcar and Waterfront then at least as good if not better than the underrated The Wild One. This is vintage Brando every step of the way, absorbing us in this figure who reminds us all why it's necessary to have such heroes - but also the lacerating side of the double-edged sword where-in those in power will do all they can to destroy the hero. That and, well, revolutions and movements of ideas amongst people end up turning things pretty damn bittersweet; just look at the very end for that, as four peasants talk of Zapata's status as an idea as well as a man.

Viva Zapata! presents Mexico in some fresh and amazing cinematography, sturdy and sometimes clever and heartfelt direction from Elia Kazan, always best with his actors (even Anthony Quinn who again proves why he was best as taking on an ethnicity and making it believable, if only up to a point as his powerhouse turn shows here), and some very interesting writing from John Steinbeck. The script sometimes takes its turns and movements that don't make it quite flow as well as it would in a book; individual scenes are knock-outs, mini-masterpieces of words exchanged with underlying meaning or trying to find the meaning in how people can persevere, or not as it turns out (one such scene I loved is when Zapata has been installed as the President- as Pancho Villa says there's "no one else"), and the farmers he says he knows comes and demands the same things he did once before, but at a personal price.

There's lots of great things like that, or just the uncomfortable but true rapore between Zapata and his future-wife's family when they talk in metaphors. If only Steinbeck didn't sometimes jerk the story ahead without some warning (it will be hard to explain, you just have to see it to understand, though this may have more to do with the direction than writing, more research is needed for this assumption) it would be unstoppable as a classic. As it stands though Viva Zapata! is an essential chronicle of a rebel with a cause, an honest man of principles who tried to do too much good in a country where it just wasn't possible. Or, perhaps, things like this just aren't possible; one can see the parallels and maybe even find this to be like a condensed version of Soderbergh's Che in taking a sobering look at the sweet highs and sobering lows of rising up against the powers that be (and yes, this is quite the leftist movie, all the more odd considering it's John McCain's favorite film!)

Has stood the test of time, subject matter still relevantReviewed bybandwVote: 9/10

This movie covers the life of the Mexican revolutionary Emiliano Zapata from 1909 until his death in 1919. The opening scene has a group of about fifteen Mexican peasants meeting with their president Porfirio Diaz. Diaz refers to the group as "my children" and to himself as "your father, your protector." However, when it comes to protecting the land rights legally due the peasants it is seen that Diaz is more inclined to protect the wealthy land owners who have usurped the peasant lands for their own use. The peasants are deferential to the president except for one who stays behind when they are ushered out, and that is Zapata (Marlon Brando). This is a great entrance for Brando as he appears out of the anonymity of the group to challenge the president to act. This is an interesting role for Brando since his characterization of Zapata is more of a man of action rather than a man of words. Brando speaks in straightforward sentences, often with little emotion, but he is superb in his ability to express indignation. Recognizing the corruption and injustice of the Diaz regime set Zapata on the revolutionary road.

Anthony Quinn is good in his Oscar-winning performance as Zapata's more impulsive and earthy brother Eufemio. As a Mexican by birth Quinn is well suited for his role. I did have a small qualm about having a white American play Zapata. But Brando had a nice tan and did something with his eyes to where I reacted to him as Zapata rather than Marlon Brando. I found Jean Peters a bit weak as Zapata's love interest Josefa. In fact I felt that exploring that relationship bogged things down--are we really to believe that the two spent their wedding night having Josefa trying to teach Zapata how to read, using the Bible?

Trying to cram a decade's worth of turbulent history into two hours, in addition to the love story, presented some problems. On occasion Zapata would appear at his home having announced a major victory, but no details were given as to who had been defeated or the significance of the victory. I was often confused about the big picture.

There are many memorable scenes. The gradual emergence of the peasants out of the hills to foil Zapata's early arrest, as he was being led on a rope like and animal, was beautifully choreographed. And the final scenes have been burned into my memory since I saw this movie on TV some fifty years ago. Re-seeing some of these old classics on modern equipment is a delight.

As presented here, Zapata was not a terribly complex man. He was pure of heart and obsessed with righting wrongs. Zapata's walking away from the position of authority he had achieved was an interesting turn of events, implying that he was more comfortable as a rebel than as an official leader.

The screenplay has many Steinbeckian touches. The struggle of the common man against what often looks like a stacked deck is a favorite Steinbeck theme, and that is emphasized in this movie. How could Steinbeck not have been interested in this?

There are some great quotes, the likes of which we rarely see in contemporary movies:

o A monkey in silk is still a monkey.

o A pediment of the heart is the stomach.

o Can a man whose thoughts were born in anger and hatred ... can such a man lead the peace?

o A strong people is the only lasting strength.

o Sometimes a dead man can be a terrible enemy.

o A strong man makes a weak people. Strong people don't need a strong man.

o Peace is very difficult. I wonder how a man can stay honest under the pressures of peace.

These latter quotes are relevant today in light of the uprisings in the Middle East. After the oppressive regimes are overthrown, then what?

In spite of some of its flaws, I think this movie deserves more of an audience than it appears to have had over the years.

Toiling for the soilReviewed byPrismark10Vote: 6/10

Emiliano Zapata (Marlon Brando) was a principled, charismatic revolutionary who led peasants from Mexico in the early part of the 20th century against the dictator, Porfirio Diaz who might had proclaimed himself the father of the nation but was stealing land from the poor farmers.

What Viva Zapata shows that the cycle of betrayal is endless, one dictator goes and another one emerges. When Zapata is President his brother Eufemio (Anthony Quinn) regards it is his right to take land and property by force.

With at times a literate and clever script written by John Steinbeck, direction by the then leftist Elia Kazan the film is too uneven. There are at times some great black and white photography but the film lacks action, the plot is messy and it does not always makes sense.

Brando gives a sombre and moody performance but does look odd as a Mexican. A more natural rough-hewn performance is given by Quinn.

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