When a Woman Ascends the Stairs (1960) 1080p YIFY Movie

When a Woman Ascends the Stairs (1960) 1080p

Onna ga kaidan wo agaru toki is a movie starring Hideko Takamine, Tatsuya Nakadai, and Masayuki Mori. A middle-aged bar hostess, constantly in debt, is faced with numerous social constraints and challenges posed to her by her...

IMDB: 8.21 Likes

  • Genre: Drama |
  • Quality: 1080p
  • Size: 1.75G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English  
  • Run Time: 111
  • IMDB Rating: 8.2/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for When a Woman Ascends the Stairs (1960) 1080p

This is the story of Mama, a.k.a. Keiko, a middle-aged bar hostess who must choose to either get married or buy a bar of her own. Her family hounds her for money, her customers for her attention, and she is continually in debt. The life of a bar hostess is examined as well as the way in which the system traps and sometimes kills those in it.


The Director and Players for When a Woman Ascends the Stairs (1960) 1080p

[Director]Mikio Naruse
[Role:]Masayuki Mori
[Role:]Tatsuya Nakadai
[Role:]Reiko Dan
[Role:]Hideko Takamine


The Reviews for When a Woman Ascends the Stairs (1960) 1080p


Very, very sad....Reviewed byMartinHaferVote: 8/10

While "When a Woman Ascends the Stairs" may lack the excitement of many Japanese films, I really enjoyed it and felt it rather profound...as well as profoundly sad. It's the story of a woman, Mama, who has worked as a hostess in a Ginza bar for some time and she longs to leave the life. After all, her job is to be nice to men who come to the bar and get them to drink as well as get them to buy her drinks. It isn't much of a life and the long hours and drinking take their toll. However, despite hating the life, she also tries to uphold her standards and, unlike some hostesses, she doesn't sleep with her clients. But there are many pressures to do so--especially since the job really doesn't pay well. Plus, sleeping with one of these men might enable her to have enough money to buy a place of her own and have a bit of security. But, for every step forward she takes, there is yet another setback. Can she somehow forge a better life for herself before it is too late? While a film about quiet desperation is probably NOT everyone's cup of tea, the film was written, acted and directed exceptionally well. It de-glamorizes these women and helps create a sense of empathy for them--particularly Mama, who the audience can't help but like. Well done.

Dated study of sexism in 1950s Japanese societyReviewed byLeofwine_dracaVote: 4/10

Having watched and enjoyed Mikio Naruse's LATE CHRYSANTHEMUMS, I was hoping WHEN A WOMAN ASCENDS THE STAIRS would be of a similar quality. Looks-wise it is, but unfortunately the story in in this one is lacking, failing to present any truly sympathetic characters and instead making the film often dull and a chore to sit through.

The problem here lies with the protagonist, who just doesn't seem to be a very interesting character. Yes, her struggles in a male-dominated society have the potential to be interesting, but the film seems to constantly skip drama in favour of presenting humdrum, everyday-life style scenes. Certainly there was nothing here to grip or interest the viewer as in Naruse's earlier film.

Mots D'EscaliersReviewed bybobliptonVote: 9/10

Hideko Takamine is a hostess at a Ginza bar. It's her job to greet the customers, keep them drinking, flirt with them, and later, collect the tab. She has enormous expenses because she must dress and live with an air of sophistication. Many of the girls supplement their earnings by sleeping with the customers. Best of all is to have a wealthy 'patron'.

Everyone likes and respects Miss Takamine. They call her 'mama' and make no overt attempt to seduce her, though it is clear all the men want to. She will have none of it. She was married briefly to a man who died. The rumor is that she put a love letter in his funeral urn, writing she would never love another.

Miss Takamine is unhappy. Her expenses are enormous. She feels her youth fading. She sends much of her earnings to her mother, who complains about her work. Her deadbeat brother faces prison and has a polio-crippled son. She would like to open her own bar, but feels nothing about her clients. Opportunities and sorrows, glimpses of happiness and illness open and close upon her.

It's another good of Mikio Naruse's movies about being a single woman in a society devised for men's happiness. If the visuals are those of many a movie of its moment, it is a revolutionary, feminist movie in traditional garb, powered by the finest performance I have seen Miss Takamine give. She struggles but cannot change her situation. In this stasis, she changes.

I find one flaw in this otherwise impeccable Naruse masterpiece: a certain lack of rhythm. Perhaps what seems to me to be slightly clumsy editing by Eiji Ooi, Naruse's editor for his final two dozen movies, may be intended to show the disruption in Miss Takamine's life, her inner turmoil.

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