When a Woman Ascends the Stairs (1960) 720p YIFY Movie

When a Woman Ascends the Stairs (1960)

Onna ga kaidan wo agaru toki is a movie starring Hideko Takamine, Tatsuya Nakadai, and Masayuki Mori. A middle-aged bar hostess, constantly in debt, is faced with numerous social constraints and challenges posed to her by her...

IMDB: 8.24 Likes

  • Genre: Drama |
  • Quality: 720p
  • Size: 922.04M
  • Resolution: 1280*800 / 23.976 fpsfps
  • Language: English
  • Run Time: 111
  • IMDB Rating: 8.2/10 
  • MPR: Normal
  • Peers/Seeds: 26 / 60

The Synopsis for When a Woman Ascends the Stairs (1960) 720p

This is the story of Mama, a.k.a. Keiko, a middle-aged bar hostess who must choose to either get married or buy a bar of her own. Her family hounds her for money, her customers for her attention, and she is continually in debt. The life of a bar hostess is examined as well as the way in which the system traps and sometimes kills those in it.


The Director and Players for When a Woman Ascends the Stairs (1960) 720p

[Director]Mikio Naruse
[Role:]Masayuki Mori
[Role:]Tatsuya Nakadai
[Role:]Reiko Dan
[Role:]Hideko Takamine


The Reviews for When a Woman Ascends the Stairs (1960) 720p


Emotionally Brutal Look at a Bar Hostess' Desultory Life from Another Japanese Film MasterReviewed byEUyeshimaVote: 8/10

Just as Akira Kurosawa, Kenji Mizoguchi and Yasujiro Ozu seemed destined to be recognized as the troika of classic Japanese cinematic masters, here comes the work of a filmmaker who has been under the radar to Westerners all these years, Mikio Naruse. The Criterion Collection is giving Naruse his due with the release of his provocatively titled 1960 melodrama, a fine piece of work that strikes me as a cross between Ozu's elliptical narrative style and deliberate pacing and Douglas Sirk's sense of Baroque-level dramatic sensibilities.

Sharply written by Ryuzo Kikushima, the net result is a clear-eyed yet humanistic glimpse into the after-hours bar scene in post-WWII Tokyo's Ginza district with the primary focus on Keiko, a hostess to whom colleagues refer affectionately as "Mama". Her existence is a daily struggle as she depends on her companion-seeking businessman clients to finance the bar in which she works, and concurrently, confronts the fear of aging in a highly competitive field, all the while standing on her high moral ground to avoid the unsavory pitfalls of others in her profession. Although she is barely in her thirties, she feels pressured to make an imminent choice between opening her own bar and getting married for security. Even more than Ozu, arguably the most sensitive of Japan's film-making elite, Naruse shows with uncompromising clarity how women are consigned to their subservient roles in a male-dominated society.

As she keeps up appearances as part of not only her job but also as her emotional suit of armor, Keiko faces the temptations of four men in particular, all far from ideal, but each promises some aspect of hope for her to get out of her desultory existence. Meanwhile, she faces the machinations of younger hostesses out to get their share of the money and fulfill their dreams of security. Naruse takes his time in setting up the various character situations in the first half, which makes the film feel a little more plodding than it should be, but the pace and dramatic tension pick up in the second half when Keiko's desperation becomes more palpable. It's fortunate that Naruse cast his longtime leading lady Hideko Takamine in the highly complex role of Keiko, as her multi-layered performance is a model of emotional precision. A beautiful actress with a look of often haunting passivity, she subtly provides the emotional tether among all the vividly rendered characters in her orbit.

The four men are skillfully portrayed by actors familiar to anyone with a passing knowledge of classic Japanese cinema - Ganjiro Nakamura ("Floating Weeds") as the aged executive in need of a mistress; Daisuke Kat? ("Yojimbo") as the cherubic bachelor who is not what he appears; Tatsuya Nakadai ("Harakiri", "Ran") as the younger bartender/manager who worships Keiko from a distance; and Masayuki Mori ("Rashomon", "Ugetsu") as the married lover unable to leave his family. As intriguing counterpoints to Keiko, Reiko Dan plays the flirtatious Junko with Western-style abandon, and Keiko Awaji makes the ambitious Yuri a tragic, pitiable figure. The film is complemented by a cool, jazz-piano score by Toshir? Mayuzumi, absolutely the right touch for the slightly tawdry urban setting. As with several Criterion releases of classic Japanese cinema (like Ozu's "Tokyo Story" and Nakahira's "Crazed Fruit"), film scholar Donald Richie provides rich commentary on an alternate track in the 2007 DVD. There is also an illuminating 2005 interview with Nakadai on Naruse and the film-making process, as well as the original theatrical trailer. Four insightful essays, including a glowing tribute to Naruse by Takamine, are included in a 38-page booklet accompanying the DVD package.

A Masterpiece from NaruseReviewed bydavidalsVote: 10/10

Finding Naruse Mikio films has been very, very tough, and after seeing this I'd say it's a tragedy. This is among the most gorgeous dramas I've seen - a brooding and dark melodrama, shot in velvety black and white, with stunning widescreen photography.

Based upon my viewing of this and one other Naruse film (to date), I'd say that Naruse's worldview is considerably more cynical than Ozu or Mizoguchi (both of whom he seems to often draw unfavorable comparisons with, from the relatively few critics to have dug into his work) - the strength of women will be taken for granted, or abused by a hostile world regardless of shrewdness, intellect or beauty, and there is a shy jaded quality to this film that gives it an engaging intensity, that while not nearly as subtle, objective or cerebral as Ozu, IS definitely more passionate. Here, and also in the earlier LATE CHRYSANTHEMUMS, Naruse's women are idealized, heroic - symbolic in a larger sense of outsiders or rebels (of any variety) in a social milieu that values discretion and certain forms of conformity above all else.

If you can find this film, I highly recommend it - more of Naruse's work should be made available outside of Japan.

The Will of a WomanReviewed byjacqui-3Vote: 9/10

This is my first Naruse film and, boy, what a treat it is! Hideko Takamine is simply brilliant in her evocation of a madame in the ginza bar district, where businessmen go in the after-hours for drinks, flattery, and anything else they can get their hands on.

Takamine's Keiko is a woman bound by social constraints: an aging mother who needs allowance from her daughter to get by, a brother who must be saved from prison because he forged legal documents, a nephew who needs money for operation, rich businessmen and corporate owners who want her body in exchange for petty patronage...

Despite all these attempts to stifle her, to drain her body, labor, and emotions for all their worth and resource, Keiko emerges from life's disappointements and heartbreaks the strong individual she tries to be. Her refusal to be defeated by family, men, the institution of the ginza bar and survival itself is reflected in many elements. The playful music, for example, discourages us from reducing the film to yet another tearjerking festival. Keiko herself is an intelligent and sophisticated commentator on her life as a particular kind of "fallen woman". Throughout the film, there are moments of narration and commentary on the ginza bar-mystique. Here we witness a resilence and self-respect so tremendous that the notion of "feminism" of Mizoguchi's women have to be reconsidered.

"Coming back was as bleak as a cold day in Winter. But certain trees bloom...no matter how cold the wind." WHEN A WOMAN ASCENDS THE STAIRS is a great testament to Takamine's acting wizardry and Naruse's sensitive treatment of the social construction of women - a particular way of brutalizing the individual.

When a Woman Ascends the Stairs (1960) 720p Related Movies

Holiday Heist (2019) 1080p Poster

Holiday Heist (2019) 1080p

Buttons (2018) Poster

Buttons (2018)

Bohemian Rhapsody (2018) Poster

Bohemian Rhapsody (2018)

Toy Story 4 (2019) Poster

Toy Story 4 (2019)

Angelfish (2019) 1080p Poster

Angelfish (2019) 1080p

Little Terrors (2014) 1080p Poster

Little Terrors (2014) 1080p

Mortal Engines (2018) Poster

Mortal Engines (2018)

Rich and Famous (1981) 1080p Poster

Rich and Famous (1981) 1080p