Director Sheridan wrote Sicario and Hell or High Water, two of the most thoughtfully intense films of the last couple years, but this is (essentially) his directing debut. However, somehow he seems to have focused so much on the beauty of the visuals (which truly are stunning) that the script took a backseat. With a lack of character or distinction, and an unexpected plethora of clichéd storytelling and on-the-nose dialogue, Wind River is little more than a beautiful but ham-fisted allegory of how Native Americans have been poorly treated. Renner and Olsen take a break from their Avengers duties to join up with a local sheriff (scene-stealer Greene) to solve a crime in the frozen tundra of a Wyoming Indian reservation. The mystery itself, a young woman found brutalized and frozen in the woods, is an absorbing one, thanks to the skill in the filmmaking details. A uniquely foreboding score, intensely authentic action, gorgeously gruesome dead bodies atop scenic snow, and a lead hero who displays an aptitude for cool vengeance that should make Liam Neeson proud, all help boost the engagement. Unfortunately, once the mystery is resolved and explained, it's less, "Woah!", and more "Oh?". The appeal of the mystery begins to dissipate when the conclusion is unsatisfying, leaving us with more unintended questions than answers: Why is the camera so shaky during simple dialogue scenes? What's with the hackneyed one-liners? Are these performances nicely subtle, or just dry as a bone? Is this the best we can do to portray the suffering of Indian-Americans? Wind River might have some helpful thoughts on wrestling grief, but it's mostly just unnecessarily brooding and too uncomplicated in its anger.
Wind River (2017) 720p YIFY Movie
Wind River (2017)
A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.
IMDB: 7.867 Likes
The Synopsis for Wind River (2017) 720p
WIND RIVER is a chilling thriller that follows a rookie FBI agent (Elizabeth Olsen) who teams up with a local game tracker with deep community ties and a haunted past (Jeremy Renner) to investigate the murder of a local girl on a remote Native American Reservation in the hopes of solving her mysterious death.
The Director and Players for Wind River (2017) 720p
The Reviews for Wind River (2017) 720p
Good Direction, But the Script Needs Some WorkReviewed byMatt GreeneVote: 4/10
When actors decide they want to make the transition to the other sideof the camera and direct films, it can be a dicey proposition. It makesme even more nervous when said actor to director decides they don'thave the acting out of their system and want to keep acting, but with"Wind River," Taylor Sheridan (best known for "Sons of Anarchy," butalso the writer of both "Sicario" and "Hell or High Water" with thiscompleting his American Frontier Trilogy) separates himself in order tofocus on directing a wonderful based-on-a-true-story tale.
Jeremy Renner plays Cory Lambert, a tracker who works for the Fish andGame Commission in Wyoming who gets caught up in the investigation ofthe murder of a young Native American woman on a local reservationduring a series of brutal snowstorms. He partners with FBI agent JaneBanner (Elizabeth Olsen) as they try to navigate the elements and eventhe law as it pertains to the reservation itself and a very thin lawenforcement department headed up by Gen (Graham Greene).
I know there is not much to the above summary, but that is all youreally need to know about this film, besides the fact that I REALLYenjoyed it as one can do with the material involved. Make no mistake:this is a dark film that deals with very haunting subject matter, sothere is quite a bit of weight to it, but Sheridan treats this storywith the highest level of respect by allowing his very well writtenscript to drive it while still shooting it beautifully. To see suchbeautiful landscaping (actually shot in Utah) take my breath away whilestill understanding the danger of what the elements bring from thewildlife to the weather and even the inhabitants add a great layer tothe story, but what takes it to the next level is the score from NickCave and Warren Ellis (not THAT Warren Ellis) that frames each andevery scene perfectly without giving what is coming up ahead.
From a performance standpoint, I really dug the way that both Rennerand Olsen dialed it WAY back within their characters with Rennerkeeping Lambert simple and focused on the task at hand and Olsenshowing how Banner is just trying to do the right thing whileattempting to understand the situation she in AND asserting theauthority she has representing the Bureau. Greene gives great balanceand levity to their dynamic while keeping his character involved as areminder of the heightened sensitivity of their situation.
The Weinsteins' eye for film strikes again here, and I am also lookingforward to where Sheridan's career behind the camera goes as well. Forthis being the second time he has helmed a film, this is incrediblyimpressive and should at least be on your "need to check out" list ifnot all the way to "must see".
"Wind River" is a gripping murder mystery-thriller written and directed by Taylor Sheridan (Best Original Screenplay Oscar nominee for "Hell or High Water") starring Jeremy Renner, Elizabeth Olsen and Graham Greene, featuring an unusually strong supporting cast that includes many fine Native American actors.
Renner and Olsen play a U.S. Fish and Wildlife Service tracker and an FBI agent, respectively, attempting to solve the murder of a young woman whose body is discovered by Renner under mysterious circumstances as he patrols the Wind River Indian Reservation in Wyoming.
The film scrupulously avoids clichés and is tightly edited with nary a wasted moment, yet never feels rushed or artificial in performance or plot. Everyone and everything is there for a reason, and best of all, the audience is given credit for being able to keep up and connect the dots.
The violence, which is absolutely necessary, is kept at a bare minimum as a narrative device, explaining and clarifying rather than assaulting the senses.
Every character, even the most heinous, is portrayed as a fully developed human being rather than as stereotype.
We learn how the Native American culture is victimized in a way that takes us inside their world and their souls, but the journey is skillfully handled and never heavy handed.
The photography is perfectly rendered, celebrating the icy Wyoming scenery in a muted style consistent with the mood of the story.
Renner, Olsen and Greene are excellent and believable, but in no small way this is an ensemble piece whose potency and effectiveness derive from the palpable passion and belief of everyone in front of and behind the camera.
This is an engrossing story well worth your time and money, and kudos to everyone involved for having faith that a discerning audience will find and appreciate it.