Mountains of the Moon (1990) 720p YIFY Movie

Mountains of the Moon (1990)

The legendary true-story of Capt. Richard Francis Burton and Lt. John Hanning Speke's tumultuous expedition to find the source of the Nile river.

IMDB: 7.20 Likes

  • Genre: Adventure | Drama
  • Quality: 720p
  • Size: 1.64G
  • Resolution: / fps
  • Language: English  
  • Run Time: 136
  • IMDB Rating: 7.2/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for Mountains of the Moon (1990) 720p


The Director and Players for Mountains of the Moon (1990) 720p

[Director]Bob Rafelson
[Role:]Richard E. Grant
[Role:]Iain Glen
[Role:]Patrick Bergin


The Reviews for Mountains of the Moon (1990) 720p


Encounters at the Ends of the WorldReviewed bychaos-rampantVote: 7/10

If we hope to be educated by film, Mountains of the Moon shows us why that's a slippery slope. Bob Rafelson wanted to make this film for years but he takes liberties about key things, so that means he was looking to tell a very specific story about two people, rather than evoke something of the reality of European exploration in Africa. This is romantic, classical, storytelling. For example:

Speke is shown to hesitate when he returns to England before he goes before the Royal Geographical Society, no doubt to show him as a pawn used by his publishers who hope to make a fortune on his findings. In reality Speke hastened back to England.

In the end we're told that Speke's theory that Lake Victoria is the source of the river Nile is correct. In reality, the White Nile flows out of a system of lakes in the region, which would mean that Richard Burton's theory was correct. But Speke's betrayal of his friend in the film is so alienating for his character, that his committing suicide is not atonement enough. The film also feels the need to vindicate his theory post mortem.

What this means is that Mountains of the Moon takes liberties with fact, but does so in the interest of likable, well-rounded, characters. A lot of the drama is riveting. There's good and bad in them and Speke is not allowed to become the villain. That reveals Bob Rafelson's method here; there's too much 'film' in Mountains of the Moon. Africa is a central character in the same inescapable way the desert is prominent in Lawrence of Arabia, it shapes and moulds the people and spits them back out in Victorian England scarred and tattered, but this story of loyalty, friendship, and betrayal, almost takes place apart from Africa. Rafelson doesn't have the affinity for the mysteries of a new world, at once horrible and wonderful, the capacity to be at awe, as Herzog in his jungle films or Coppola in Apocalypse Now. The landscape is there but Rafelson doesn't quite know what to do with it. He shoots it like it's a studio backlot. The African desert is there but it doesn't have a presence. When the expedition sets off for the interior of Africa, we get bouncy 'adventure' music in upbeat tempos.

Then we're taken captives by a local chieftain and the movie takes a turn towards something that reminds me of Cobra Verde, where Klaus Kinski suffers a similar fate off the West African coast, and Cabeza de Vacas, where the sole survivor of a conquistador expedition is held by Mexican indians, elaborate rituals and peculiar ceremonies introduce us to a strange world where ornate violence is at the heart of everything. Rafelson is still doing a movie in the classical sense of the term though, and for that movie little has changed since the 60's when British colonial interests in the area where again depicted in the historical epic Khartoum.

If Terrence Malick is filled with lyrical wonder at everything around him in his tale of the settlement of New England in The New World, Bob Rafelson is the complete opposite, he's too banal about the Nile expedition in Mountains of the Moon. En route we get some great images, like the slavetrading party Burton and Speke happen upon. Victorian maps showed the area as a blank spot of terra incognita, but Arab slavetraders had filtered for centuries millions of slaves through to Zanzibar and knew those places. But they're never unforgettable images to burn themselves in my memory. Rafelson's way of making this film is too prosaic for that. Everything else is mostly simplified and simplistic. This is still the type of film where a voice-over narrating a journal takes us through the various steps of a journey. It's not special enough.

" I have been to the Great Mother of rivers and seen it's magnificent child "Reviewed bythinker1691Vote: 9/10

The source of the Nile river captivated many English explorers during the nineteenth century. That majestic river which spans some four thousand miles in length is the basis of this incredible movie. The film written by William Harrison is directed by Bob Rafelson and called "The Mountains of the moon." It stars Patrick Bergin as Capt. Richard Burton. It follows Burton and his traveling companion Lt. John Hanning Speke (Iain Glen) as two courageous, intrepid and certainly adventurous British explorers as they search for the Headwaters of the Nile. Along the way, they meet Sidi Bombay (Paul Onsongo) the most experienced African guide who despite all the rigors suffered by him and the rest of the expedition, receives none of the credit for the discovery. However, the story centers on Burton and Speke who begin as friends and years later end with each believing their society and media friends as they create unaccounted falsehoods and unfounded rumorers of the other's exploits. Still for all it's worth, the movie is a great addition to the treasury of collected works on the Dark Continent. Delroy Lindo has a good part with his character 'Mabruki.' Recommended to any adventurous spirit who wished to visit Africa and the Nile in it's heyday. ****

Compelling historyReviewed bydave13-1Vote: 7/10

This is an unusual historical film in that it focuses as much on the personal histories of the men involved (Sir Richard Burton and Lt. Speke), before and after their expedition, as it does on the momentous work they had undertaken, specifically the search for the source of the Nile. Along the way, they explored and mapped much of previously uncharted Africa while enduring disease, bad weather and desertions and thievery by their superstitious and unreliable porters.

Great wide screen cinematography gives us lushly gorgeous vistas of Victorian-era Africa - convincingly unspoiled by modernity - while the close-ups show the intimate details of the journey in all of their hardship and horror.

The result is a sweeping, yet personal adventure and a memorable viewing experience.

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