Violence in a Women's Prison (1982) 720p YIFY Movie

Violence in a Women's Prison (1982)

Emanuelle goes undercover into a prison to expose the corrupted officials who are brutalizing the inmates. Emanuelle is shocked by the horrors and humiliation the prisoners are subjected to, but when her true identity is discovered, she finds herself at the receiving end. —Jonathan Ruskin

IMDB: 4.80 Likes

  • Genre: Action | Crime
  • Quality: 720p
  • Size: 905.92M
  • Resolution: / fps
  • Language:  
  • Run Time: 99
  • IMDB Rating: 4.8/10 
  • MPR:
  • Peers/Seeds: 1 / 33

The Synopsis for Violence in a Women's Prison (1982) 720p

Emanuelle goes undercover into a prison to expose the corrupted officials who are brutalizing the inmates. Emanuelle is shocked by the horrors and humiliation the prisoners are subjected to, but when her true identity is discovered, she finds herself at the receiving end. —Jonathan Ruskin

The Director and Players for Violence in a Women's Prison (1982) 720p

[Director]Bruno Mattei
[Role:]Maria Romano
[Role:]Gabriele Tinti
[Role:]Laura Gemser

The Reviews for Violence in a Women's Prison (1982) 720p

Good stuff.Reviewed byMoshing HoodsVote: 7/10

I enjoyed this way too much considering who was responsible for it (the lamentable team of Fragrasso and Mattei). It's certainly a superior WIP flick- plenty of funny stuff, camp dialogue, ludicrous stereotypes and sleazy exploitation. The production is surprisingly polished though, and actually manages to maintain a plausible narrative throughout, which is quite an achievement in the circumstances!

Although Gemser appears as "Emanuelle", the character is considerably toned-down from her previous outings. In fact, she only has consensual sex once in the whole film! The "Emanuelle" thing seems to be more a commercial, tacked-on after-thought than an indication of what this film is actually going to be like.

Anyway, it's fun, check it out.


After the sordid delights of 'SS Camp 5 - Womans' Hell' and the bleakly disturbing 'Womans' Camp 119', Bruno Mattei says farewell Nazis and, plumps instead, for a bunch of jailbirds for his next 'women incarcerated' chunk of sleaze.

It is unfortunate I didn't have a copy of 'Blade Violent' to compare this with, this film used the same cast,same sets and virtually same plot. A plus point is that I can review this purely on single merit. On a whole this is a fairly average entry in the Women In Prison genre, featuring three scream queens Gemser, Stoppi and De Selle taking the main roles. Unfortunately these stalwarts of sin cannot save this movie from being a little mundane. The movie tells the tale of our intrepid reporter Emanuelle (Gemser)undercover in a female penitentiary as an inmate. Her task is to report on the corruptive and inhumane practices within the prison/penal system. Eventually we are thrust into the unsavoury W.I.P world where beatings are regularly brandished out by deadpan officers with bad hair, sapphic shennanigans are occurring regularly by the suitably looking 'rough' females and there is of course the obligatory humiliation, mental and physical.

I am unsure whether it is because this is Matteis' first stab at the W.I.P genre (though SS films can't be all that dissimilar surely ?) but I feel the whole movie is rather a tame effort. There a few nasty surprises that borderline on the humourous such as the 'poo punch-up' and a very novel way of bell ringing. The rape sequence, although voyeuristically unsettling to begin with, you gradually find yourself amused as two inmates play pass the parcel with a scantily clad virgin most of this sequence and you wonder in disbelief whether this will end or not.

The direction is well achieved as Mattei uses commendable editing, although the sets are basic, there is still an oppressive decay to the whole affair. Most of Matteis genre films 'Zombie Creeping Flesh','Rats;Night Of Terror','Womens Camp 119' seem to have this vein of industrial atrophy, clinical but chemical and it is this polluted environment that always is the backdrop to some of Matteis' movies making them seem 'nasty'.

Despite sniggering at the dialogue, cringing at the effects and laughing at the dire continuity you always sense a stagnancy that sets the tone from the first frame and lingers throughout until the very last credit. I appreciate Mattei as a director for his grim 'simplicity' and his matter of fact 'I-made-the-films-because-thats-where-the-money-was' attitude. I often think Mattei could've moved onto bigger things but on occasions has been incorrectly underrated.

Buy this to add to the Emanuelle collection, The Mattei collection or WIP Collection that may grace the living room shelf.


Seen it all before, but at least this sleaze is well filmedReviewed byThe_VoidVote: 6/10

This is the second women in prison style Emanuelle film made by Bruno Mattei - and is not to be confused with Emanuelle Escapes From Hell which was made a year later. This one goes by the title Emanuelle Reports from a Women's Prison, among others; the best of which being Chicks in Chains. The plot is basically similar to the other Bruno Mattei Emanuelle women in prison flick, and this one sees the enthusiastic journalist in research how inmates are being treated by the guards. I would call this film the better of the pair; although only just and really it's about on the same level as the other women in prison garbage that was made en masse in the seventies and eighties. The fact that the beautiful Laura Gemser takes the lead role does make the film more interesting, however, and as always the popular actress lights up the screen every time she's on it. The film is decked out by all the usual sleaze as you would expect and the quality of filming is actually quite good; especially when you consider who is the in the director's chair. An extended lesbian sex scene towards the start is one of the film's main standouts. The film features a catchy soundtrack that is played most of the way through also. I have to say that I started to get a bit bored towards the end, mostly because I've seen it all before, but this is at least a worthy addition to an overpopulated genre and women in prison fans might get a kick out of it.

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